And now, a rare look at the Second Ward’s indigenous Ship Channel dance ceremony, performed along the gentle banks of Buffalo Bayou and celebrating the bountiful fall harvest of crushed concrete.
Houston ship pilot Louis Vest assembled this video from more than 2000 still photos he took on a 3 1/2-hour journey on a 600-ft.-long Panamax tanker navigating the Houston Ship Channel:
The ship was only moving at 5-6 knots for the first half of the trip and up to 10 knots in the open areas away from the docks. The journey begins just below the Port of Houston turning basin at the end of the channel and continues down to Morgan’s Point at the head of Galveston Bay. We still had 32 miles to go to get out to the pilot station in the Gulf of Mexico at that point.
Vest fastened his Nikon D700 to an outside rail and set it to take a photo every 6 seconds.
Some public-health and environmental groups are complaining that Houston isn’t getting enough respect for the particularly fine quality of the air here, and are asking the EPA to give this city the recognition it deserves: “Houston’s concentrations of soot — a piercing mix of airborne matter from diesel exhaust, industrial flares and road grit, among other sources — exceeded the EPA’s yearly standards from 2005 to 2007, according to the most recent federal data available. . . . ‘Residents of Houston are breathing unhealthy levels of soot pollution,’ [the NRDC's John] Walke said in an interview this week. . . . Soot has been a special concern near the Houston Ship Channel, which is home to heavy industry and a busy port. It’s the only place in Texas where the particulate-matter levels exceed the annual standard.” [Houston Chronicle]
Uh-oh. That trailer — behind the pole barn — on a former scrap yard — next to the Houston Biodiesel plant — on Buffalo Bayou — may look innocuous. But it’s the new temporary Houston outpost of Los Angeles’s Center for Land Use Interpretation. The CLUI is taking up a year-long residency at the Cynthia Woods Mitchell Center for the Arts at UH — but this is where our L.A. visitors will be camping out.
What does the CLUI do? Some sample CLUI projects:
“On the Farm: Live Stock Footage by Livestock:”
In this exhibit, farm animals show us their point of view through wireless video cameras installed temporarily on their head and necks by virtuoso animal and plant videographer Sam Easterson. Easterson’s technology enables a cow, a pig, a goat, a chicken, a sheep, and a horse to guide us around their world; what they look at, what catches their attention, how they move through space, and how they relate to one another, on the farm.
“A View Into the Pipe,” an exhibition devoted to Los Angeles’s main sewer line.
“The Best Dead Mall in America,” a photographic exhibit of the Dixie Square Mall in Harvey, Illinois, “a decaying shopping mall shuttered since 1979.” The exhibit is on display permanently . . . inside the mall itself, and is not open to the public.
You get the idea. CLUI’s front man is artist Matthew Coolidge, whose act often incorporates academic-sounding narrations of landscape slide shows.
Here’s video of part of a Coolidge performance at the Aurora Picture Show late last year:
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