The anticipated departure of Hyde Park gift shop Corazon from its perch at the corner of Fairview and Waugh has been delayed by 3 months at least. Although the property it sits on has been sold to a new owner interested in building a trio of townhouses, demolition of the former smithy, antique store, and glass-blowing studio won’t take place this year: Corazon now has a new short-term lease that runs until December 31st and will convert to a month-to-month status after that.
If the lease does get extended for a few months into 2018, it’ll mark the store’s 20th anniversary at 2318 Waugh Dr. In either case, it’ll probably be an awkward extended goodbye: A clearance sale begun in August on the store’s current inventory of Lucha Libre masks, guyaberas, and other items from South and Central American artisan cooperatives is ongoing, but popular items will probably be restocked for the holiday season. The store’s owner is searching for a new location.
Here, courtesy of a Swamplot reader, are a few exterior views of the building at 1318 Westheimer after its weekend fire. “The damage is pretty severe,” Shawn Bermudez wrote on Facebook Saturday evening. The owner of Royal Oak Bar & Grill, which shut down in this location last September, had been renovating the property in order to reopen it as a bar named Present Company. That work was a month from completion, Bermudez estimates. Among the additions to the former 1950s home: new steel doors and windows. And here’s a view showing the current state of the new piggyback patio added in back:
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Bar and Grill
A SOUTHAMPTON BLOWUP OVER THE STATUE OF DICK DOWLING IN HERMANN PARK For the second time in 5 years, FBI and ATF officials on Sunday raided the house at 2025 Albans St. in search of explosives. Both ventures resulted in the arrest of one of its residents, now-25-year-old Andrew Cecil Earhart Schneck. Schneck, who was released from probation last year, had pled guilty in federal court 2 years earlier for knowingly storing explosives in the 2013 incident. He was arrested again this past Saturday night after a Houston park ranger reportedly found him kneeling in the bushes with tubes of nitroglycerin and the explosive HMTD, a timer, wires, a battery, and a detonator in front of the Carrara marble statue of Confederate commander and Houston saloon owner Richard Dowling. The statue was the first public artwork ever created by the city of Houston, and originally stood in Market Square outside of city hall when it was created in 1905. Albans St. and the alley to the south of it between Hazard and Wilton streets in Southampton have been under evacuation orders since Sunday, and gas service to the area has been turned off; law enforcement officials say they are working to “safely and properly dispose of” hazardous materials found inside the home “through a series of controlled detonations” — that may take place this afternoon. Nearby residents should expect to hear loud noises and smoke as a result of the detonations, they warn; there’s also a possibility of damage to adjacent properties. [Houston Chronicle] Photo of Richard Dowling statue at Hermann Park: Patrick Feller [license]
GUNNAR BIRKERTS, 1925-2017 Latvian-born architect Gunnar Birkerts, designer of the stainless-steel-clad Contemporary Arts Museum that’s stood at the northwest corner of Montrose Blvd. and Bissonnet St. since 1972, passed away yesterday at the age of 92. Birkerts moved to Michigan in 1949 after graduating from architecture school in Germany; he later worked in the office of Eero Saarinen and set up his own architectural practice in Birmingham, a Detroit suburb. The exterior of the CAMH was altered to its current appearance in 1997 after a design by Houston architect Bill Stern. [Chicago Tribune; more here] Photo: CAMH
COMMENT OF THE DAY: THE HYDE PARK SALES AND CLEARANCE RUSH “My family moved out of Hyde Park four years ago, and it’s incredible how much the neighborhood has changed in that time. Yes, I know change is inevitable and can be for the better, but this neighborhood has changed at a breakneck pace. I’m pretty sure at least half of the houses/buildings along Commonwealth and Waugh have been torn down since we left (admittedly some of them really needed to go, given the terrible shape they were in). I guess this will be added to the heap.” [Courtney, commenting on Corazon Now Being Removed from Its Big Red Dot Spot at Waugh and Fairview] Photo of Corazon, 2813 Waugh Dr.: Margo
Corazon — your Hyde Park source for guayaberas, Lucha Libre masks, and other assorted crafty and gifty south-of-the-border imports — has lost its lease and will be leaving its longtime spot at the northwest corner of Waugh and Fairview within a month, store owner Chris Murphy reports. The 6,250-sq.-ft. lot it sits on, which includes a recently demolished property at 1410 Fairview, is now under contract after being marketed as a redevelopment site.
Corazon moved into its current home in 1998 — from a location in the former Gramercy Apartments on Montrose Blvd. across from Bell Park (where the Museum Tower now stands). The corner spot at 2318 Waugh Dr. has a craft-y history: Previously a furniture refinishing shop, the building reportedly earlier had gigs as an antique store, a glass-blowing studio, a general store, and a smithy. Murphy says he expects it to be demolished — and replaced with townhomes.
The structure is perhaps best known to passers-by, however, as a frame for the fifth-ever red dot, painted by Red Dot Boys (and former Houstonians) Robert Ramos and Rick Carpenter, as shown here in this undated image from the Red Dot Boys website:
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Folk Art History
COMMENT OF THE DAY: MONTROSE HASN’T EVEN HIT PUBERTY YET “I regularly walk around in Montrose. I’ve also been to many urban neighborhoods in the northeast which are as close to 100% gentrified as you can get. I’m talking Greenwich Village in NYC, Beacon Hill in Boston, Georgetown in DC.
Montrose is not anywhere close to that level of gentrification. It won’t even be there in 20 years. Right now, you can still walk around Montrose and see loads of old 60s and 70s garden complexes with $700 a month apartments. There are plenty of trashy convenience stores, rundown strip malls, and vacant lots. And yes, there are still plenty of young artists and musicians who live in the area and hang out in areas like the Menil plying their craft.
Any neighborhood where a lot on a major commercial street can sit vacant for over a year is not that gentrified yet.
Okay, so yes. Montrose is obviously gentrifying. It’s different from how it was 20, 30, 40 years ago. That’s part of city life–places change, some people move out, other people move in. And eventually, maybe in a few decades, if Houston doesn’t get destroyed in a hurricane or become the next Detroit due to economic collapse, Montrose probably will become the kind of bland-ish upper crust West U-ish neighborhood people act like it already is. But here’s the reality: It’s not there yet, and it won’t be for quite awhile.” [Christian, commenting on Comment of the Day Runner-Up: The Creative Destruction of Montrose] Illustration: Lulu
COMMENT OF THE DAY RUNNER-UP: THE CREATIVE DESTRUCTION OF MONTROSE “No one likes it when a fun edgy neighborhood like Montrose gentrifies. Seeing original funky local haunts replaced by chains and high end destinations is like losing an old friend. But this process of gentrification is actually good in the long run because each generation gets a new chance at building a home for the local counterculture. Without that cycle of displacement and rebirth, the counterculture becomes entrenched and turns into an establishment culture within the counterculture. Rising rents in Montrose pushed out lots of artists. But it also created demand for studio space that gave birth to the 1st Ward arts district and great new developments like the Silos. And the same dynamic is playing out for bars and clubs popping up all over the east side. The counterculture lives on and thrives when each generation has a chance to find their own voice by converting a forgotten part of the city into the next counterculture hub. In the end, the kids are alright. They just need a push out into the wilderness every few decades to keep things fresh.” [Old School, commenting on The Death, Life, and Continuing Obituary of Montrose, Still Texas’s ‘Coolest Neighborhood‘] Illustration: Lulu
A section of John Nova Lomax’s new Texas Monthly essay on Montrose’s continuing “it was better in the old days” rap chronicles a sequence of prominent changes to the neighborhood from the last decade. That it’s possible to find at least one Swamplot story corresponding to each noted example speaks to the longterm vigilance of this site’s tipsters — if not the author’s research methods. (Lomax in fact wrote a few of our stories himself; he’s a former Swamplot contributor and editor.)
Here’s the passage, altered by a peppering with Swamplot links to provide an annotated and illustrated version of Montrose’s recent journey from former counterculture haven to . . . uh, former counterculture haven:
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You Were There
THE DEATH, LIFE, AND CONTINUING OBITUARY OF MONTROSE, STILL TEXAS’S ‘COOLEST NEIGHBORHOOD’ Nostalgia for Montrose’s good old days as a counterculture hub has a history almost as long and involved as the neighborhood itself, curator of Houston lore John Nova Lomax points out in a new essay for Texas Monthly. “I’ve heard generations of these death-by-gentrification declarations. Hippies might tell you it died around the time Space City! went under in 1972,” he writes (Lomax himself was “conceived in Montrose by hippie parents, in a house on the corner of Dunlavy and West Alabama.”) “There have almost always been laments about rising rents: In 1973, Montrose was featured in Texas Monthly’s third-ever issue, with folk singer Don Sanders fretting about a mass exodus of creative types brought on when area leases topped a whopping $100.” Since then, however, the losses have only mounted: “Gentility has encroached on Montrose from the snooty, River Oaks-lite Upper Kirby district to the west, while Midtown’s party-hearty bros have invaded from the east and north. Property taxes and rents have both skyrocketed; despite the oil downturn, it’s almost impossible to find a one-bedroom for less than $800 a month. Having gained more acceptance from society at large, the LGBT community has scattered to neighborhoods like Westbury and Oak Forest. Bohemians have fled to the East End, Acres Homes, and Independence Heights — the gentrified Houston Heights no longer an option — or have left Houston altogether.” [Texas Monthly] Photo of house across from Menil Park, 1999: Alex Steffler, via Swamplot Flickr Pool [license]
A Sunday field trip earned a reader a peek into the main sanctuary of the Annunciation Orthodox Cathedral, now being cracked open so a dome can be placed on top (along with more seating down below). The renderings of the planned changes, shown here facing the corner of Kipling St. and Yoakum Blvd., have been updated since they were submitted last year for that variance request application:
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Sure, the Texas Junk Company has decamped from its longtime spot at 215 Welch St. — and the building has been put up for lease. But even with a whitewashing the building still shows its recent provenance. Well — somewhat. The corner-hugging brick structure’s new coat of white paint, which appeared over the weekend, now covers over some of the painted signage, artwork, and uh, beauty marks that once festooned its façades. But not all. Carefully avoided by the painters and still visible on the structure are the Texas Junk Company sign and its accompanying snake mascot facing Welch St. (pictured above) and the cactus-and-mesa tableau on the Taft St. side:
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Releasing East Montrose
HOW THAT NEW HOUSTON LOOK KEPT MAKING ITS WAY FROM OLD EUROPE “I have always felt that this North Boulevard house was the one that changed the way Houston looked at decor and antiques,” writes West U design blogger Joni Webb about a stucco mansion in Broadacres by Rice University architect William Ward Watkin, who designed it in 1923 for a drug-company executive after a 4-month inspirational European tour. The property at 1318 North Blvd. later served for more than a decade as the home of Tootsie’s founder Micky Rosmarin, who died after a heart attack last month; it’s now up for sale for $4.75 million. “Back in 1995,” Webb writes, “it was featured on the cover of Veranda and I think it was this house that marked the true beginning of the Houston Look — the white slipcover, seagrass, antique filled aesthetic whose origins I attribute to designer Babs Cooper Watkins . . . it launched Watkins into prominence.” Watkins, Webb explains, “used antiques in a casual way, her interiors were never about a hands-off approach. She mixed in religious relics and priceless antiques with vintage chairs slipcovered in inexpensive plain linen. She repurposed outside garden elements to be used inside the house. And Babs was one of the first ones who favored dramatic paint treatments that turned ordinary sheetrock into centuries old grottos.” Watkins passed away in February of last year. But Webb recalls how the home launched a store — and a whole new Old World orientation for Houston interiors: “The Veranda photoshoot not only created a new aesthetic, it also created a new partnership and the Watkins Schatte antique shop on Bissonnet was born.” The shop (still at 2308 Bissonnet, but now known as Watkins-Culver Antiques) “was an instant hit and during those days, lines would form when a new shipment was unveiled. Everyone wanted to see what Babs and Bill [Gardner] and Annette [Schatte] had bought in Europe.” [Cote de Texas; previously on Swamplot]