Food and travel writer Salma Abdelnour, who grew up here, takes New York Times travel section readers on a tour of 5 Houston restaurants carved out of former something-or-others: the car dealership that became Reef, the ice house that became Beaver’s, the burlap factory that became Textile, the appliance warehouse that became Block 7 Wine Company. Somehow the spaghetti-western-themed strip center that ultimately became Stella Sola gets mixed up in this crowd (Abdelnour calls the building a “town house”). She adds: “In the film ‘Urban Cowboy,’ based in Houston and nearby Pasadena, the mother of the John Travolta character told him, ‘You just can’t get good vegetables in Houston.’ You certainly can now.” [New York Times] Photo of Stella Sola: 2Scale Architects
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Comment of the Day: Before Richmond Hall Went Light and Quiet
“. . . The building was the original Weingartens grocery store. Then in the 1960’s /1970’s it was the Texas Opry House. Then in the early 1980’s it was the Parade Disco (yes,the Parade Disco of New Orleans Bourbon Street, fame or infamy, depending on how one looks at it). The place rocked . . . Monday nights was punk rock night and it was real punk, not the poseur “punk”. But Friday & Saturday nights was gay disco. Some of the best music ever. Then the Menil converted it into [Richmond Hall] . . . it houses Dan Flavins awesome light sculpture.“ [Tim, commenting on Chipperfield Sculpts the New Menil: Goodbye, Richmont Square]