What delights await you in this Westbury Gardens condo? The video choreographs the entrance sequence beautifully.
Under the romantic entry arch, through the peaceful courtyard, past the double doors, up the stairs . . . what’s next?
Conspicuously absent from the MLS listing for 834 W. 24th St. in the Heights: any mention (or photos) of the Scar Room, a small chamber of sculptures and small wood panels on which house owner and artist Dolan Smith and sympathetic visitors graphically documented their physical and psychological afflictions. Sample Scar Room decor: “a submerged doll with a piece of rubber hose wrapped around its neck, representing the umbilical cord that nearly strangled Smith at birth.”
But it isn’t too hard to find exacting descriptions of the home online. The Houston Press, for example, featured this bit of color as it celebrated the home’s come-from-behind win of the paper’s “Best Shrine to the Abnormal” award back in 2002:
Donations of every imaginable variety show up weekly: horns, doll heads, a film canister of Tommy Lee Jones’s spit, balls of Saran Wrap, clumps of hair, an appendix, color photos of fallopian tubes and contemporary art of a disquieting nature. Artist/nutball Dolan Smith has turned his Heights bungalow into a mecca for all things weird. . . .
Smith is supplementing his empire of the bizarre with a two-thirds-complete pet cemetery. Last year, Tropical Storm Allison took its toll on the nascent final resting place for pets. Rising floodwaters filled the jars of 32 dead rats, inadvertently creating biological pipe bombs.
Sure, you’re thinking . . . Who’s gonna buy this place?
No problem. Realtor Weldon Rigby, himself no stranger to homes graced by an occasional mannequin, has already done himself proud. After just a month and a half on the market, the home — listed for $150,000 — went “option pending” on November 14th.
Now available on the Asia Society website, amid pix of dragon dancers and Yao Ming shoveling dirt at the groundbreaking last spring: 2 more renderings of architect Yoshio Taniguchi’s design for the society’s new 38,000-sq.-ft. Texas Center in the Museum District.
The view from Southmore St. at Caroline, in 2010:
In exile now from artist Gloria Becker’s home now for almost 9 months, her sock monkeys are likely getting a tad restless. But still: no sale!
In October, Becker dropped the price on her scrubbed and staged Old Braeswood stuffed-animal planet another $45.5K.
This dramatically hung mobile above the entry and stairwell of the house for sale at 503 Fargo St. in Montrose certainly captures your attention!
But that’s not why reader Kelley Owen alerted Swamplot to the listing. She noticed some artwork hung much lower on the wall in the Master Bedroom . . . and calls it “possibly NSFW.”
A red sheet now covers the more lurid portions of the shocking window display including naked mannequins that had apparently distressed some passersby of Jim Pirtle’s Notsuoh on Main St., John Nova Lomax reports:
The work, by local artists Shawna Mouser and Jennifer Pod, is called VaginArt. One half of the piece consists of the lower torsos of two shop mannequins with flowers between their legs, along with a pizza-sized paper wall-hanging with a suggestive slit in it.
The other half, and the one far more likely to have caused a ruckus, consists of a blow-up doll backlit by a sleazy strobe light, parading before a background of medium-raunchy centerfolds with black electrical tape concealing their naughty bits.
A few fun — and not-so-fun — sights around town: First, Houston visitor Mike Smith’s photo shows some of the few letters left after Ike’s attack.
More hurricane photo souvenirs below!
Discovered in the aftermath of Hurricane Ike: David Adickes’s giant Beatles sculpture on Summer St. is now one member short. That’s 7,000 pounds of McCartney-ish concrete rubble under that black tarp.
Think this is some kind of hoax? Further photographic evidence of Paul’s fall . . . below:
Having once graced a hotel owned by a legendary real-estate swindler, David Adickes’s telephone sculpture has quite the Houston pedigree:
Adickes first placed it on a friend’s property off SH 4 and FM 1960 before leasing to J.R. McConnell, former owner of the Grand Hotel, now called The Derek, on the corner of Westheimer Road and the West Loop.
“I said that I am going to make you a deal you cannot resist,” recalled Adickes of their arrangement. McConnell leased it for a penny a day and gave the artist $36.50. “He actually paid 10 years in advance,” Adickes said, laughing at the memory.
“Big Alex” was forced to move from that location, though, when The Grand Hotel became the Derek. It lived on Adickes’ personal lot on the corner of I-45 and Quitman Street for about six months. During that time, Adickes was forced into a back and forth battle with someone who felt the face on the phone needed its mustache painted black.
Robert Kimberly finds Big Alex in its new home at the corner of Mason and Hyde Park in Montrose, on top of Pictures Plus Prints and Framing. (Yeah, you read it here first.)
Photo: Robert Kimberly
Maybe the East Downtown Management District should just Give Up on those other names.
Nancy Sarnoff reports that construction is about to begin on a new gated 52-townhouse development on South MacGregor, east of 288. The developer, Joseph Casimir of Cypresswood Capital, reports on the project’s website that the development
bears three distinctive yet integrated architectural flavors: Florentine, Venetian, and Romanesque, affording you a lifestyle of unparalleled comfort and understated sophistication.
The townhouse development is called The Modigliani, after an Italian artist who spent most of his adult life in Paris, and who died of TB at the age of 35, aggravated by persistent alcoholism and drug abuse.
The 4.3-acre site at 3028 S. MacGregor Way is next door to the University of Texas Harris County Psychiatric Center and across the street from Brays Bayou. Casimir bought it in 2006 for $4.6 million, then demolished the 1936 Wright Morrow estate on the property. The previous owner, the UT Health Science Center at Houston, had intended to build a mental health outpatient facility on the site, but put it up for sale after encountering vocal opposition from neighborhood residents and State Rep. Al Edwards.
Below: Elevations and a site plan!
A reader sends photos of some recent construction on the garage podium beneath the Cosmopolitan tower and asks:
What are those three giant urinals affixed to the east exterior wall of Randall Davis’ latest glass-clad erection, the one on Post Oak where James Coney Island used to be? . . .
Where is the Colossal Statue of Constantine when you need him? (Well, he’s in Rome, but that’s no help to Post Oak Boulevard!)
Sure, there’s the vaguely Roman theming going on with the marketing for Davis’s next tower across the street, the Titan. But these new constructions might be something much more contemporary . . . think Marcel Duchamp by way of Claes Oldenburg: The big fountains!
Below: the Colossal Head of Constantine . . . and the Colossal Heads of the Cosmopolitan, on display!
You may have seen a few old small, blurry model photos of the Asia Society headquarters Yoshio Taniguchi has been designing. But more detailed plans and views of the building planned for Caroline and Southmore in the Museum District haven’t exactly been in wide circulation. Maybe that’s because the architect is apparently not done tinkering:
Even though the noted Japanese architect has spent the past four years developing his design for the new Asia Society Texas Center headquarters, he recently scoured a table-top model of the building like it was the first time he had ever laid eyes on it.
“Each time I meet with my client, I feel like I’m under pressure,” he said, while examining the model of the $50 million Asia House in a nondescript office near the Galleria. “I have to make it better. I can’t make a mistake.”
On this recent morning, Taniguchi was concerned about the height of a stone fence that will jut out from one corner of the building. He wants it tall enough to define the space but not so imposing that it blocks out the surrounding neighborhood.
Since January, Taniguchi and his team have suggested 85 small changes to the building before construction officially gets under way after today’s groundbreaking ceremony.
After the jump: More building details! Plus . . . an old small, blurry model photo!
Round about the end of April, artist Gloria Becker lopped $53,000 off the asking price of her art-and-animal-filled home at 7309 Greenbriar (near Main) featured here a month ago. It’s now listed for $795K.
Have any of you seen this place?
We get some strange tips . . .
Look for a giant telephone to be delivered to the corner of Mason and Hyde Park, probably tomorrow.
Photo of David Adickes sculpture by Jonathan Percy
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