“I thought it was crazy to schedule an outdoor music festival in summer, too, and then I went one year and found myself surrounded by 10,000 girls in barely-there bikinis, and realized that an outdoor summer festival in Houston is, in fact, a stroke of genius. (And the heat wasn’t bad at all that year — the second Summerfest, I believe.)” [Anse, commenting on The Montrose Bar Where Souls Will Be Exchanged for Cocktails?]
And this overgrown crossroads in the middle of somewhere near U.S. 59 and FM 242 is expected to be part of the Grand Texas Theme Park. Investors are in place, and the land between New Caney and Splendora in Montgomery County should be closed on this May, developer Monty Galland tells Click2Houston, when construction on the $200 million project — advertised to feature high-noon cowboy shootouts and tractor rides — will begin. And why all the fuss? “If there was an Astroworld,” says Galland, “we probably wouldn’t have even pursued this development. . . . The great thing about it is that we have enough land that we can create a lot of the elements Astroworld had, and it doesn’t detract from the other areas of the park. We’re not going to compete with Disneyland. We want to create an entertainment value that’s similar to going to the movies or going bowling.” [Click2Houston; previously on Swamplot] Photo: Grand Texas Theme Park, via Facebook
The cartoon horse speaks! Alas, Grand Texas Theme Park’s well-heeled mascot isn’t saying where you’ll join him. But at least the theme park’s website is now open, claiming that developer Monty Galland “has determined three different desired sites: Two are in Montgomery County, while the other is in Fort Bend County.” And there are now several new renderings of the park’s proposed “territories” with detailed descriptions of the Texas-themed activities and amenities to come.
Meet Lasso, your mascot for the new Grand Texas Theme Park! The armed-and-friendly blond stud has been revealed as the long face of the Texas-themed theme park’s second-go-around in Texas. Back in July 2009, developer Monty Galland announced that he had a spot in Tomball for the park’s first phase to open by April 2010. Well, that was then. Now, Galland’s back — with Lasso in tow — and presenting a revised proposal to Montgomery Country leaders, reports the Tomball Potpourri: The developer’s eyeing property near New Caney, where Grand Texas might better hitch its wagon to dinosaur-friendly EarthQuest.
“If you really wanna pass on the secrets, if you really wanna pass on truth, embed it in architecture,” says Glenn Beck in the January 10 episode of the Blaze. “That’s what I intend on doing.” The Dallas Observer‘s taking him at his word, speculating that Beck’s planning to build something like that radiant city in the screenshot above: it’d be a $2 billion master-planned community — with a theme park and an Alamo-inspired non-denominational church. It’d be called Independence, USA. And the Dallas Observer says it’d be in Texas.
“This terminal sure has had some bad PR. Sure there’s the container terminal right next door, but it’s not so unsightly. And planting a few hundred or so palm trees could even obstruct that view from the roadway if so desired. There aren’t any refineries in the immediate area — lots of homes though.
Those departing from the Bayport Cruise Terminal should be directed to drive from I-45 to NASA Bypass/Parkway to 146 to Port Road — thus avoiding the unsightly industrial area on 225. Make sure the passengers see Clear Lake on their way to the terminal instead of the Port of Houston.
NASA and Kemah are just a few miles from this terminal. Kinda touristy if you ask me. Lots of land available for building hotels, restaurants, and shops too.
“So no rent and docking fees? Which means the port will only be making money off of parking? Maybe something off of the cruise tickets?
The Bayport cruise terminal is a nice feature, but the problem is that it’s located in the middle of nowhere. Most cruise ports are located where passengers can get off the cruise and be a tourist. Even though Galveston is the beginning and ending for many cruise passengers, it is also a destination for many also. New Orleans also feeds off this.
A minor detail missing from last week’s story explaining how the Bayport Cruise Terminal was finally able to lure a couple of cruise lines to its Galveston Bay-side shores, after long 4 years of loneliness and vacancy: the payola. Er, dowry. To entice Princess Cruises and the Norwegian Cruise Line to give up on the overstuffed Galveston Port and stop by for a little on-again, off-again fun with its otherwise antisocial upstream neighbor, the Port of Houston Authority has agreed to dole out a combined $6.685 million to its seafaring suitors. The bulk of cruising-around money will go to the tall Norwegians; Princess will take home $685,000. And both lines will be excused from rent and docking fees. [Houston Chronicle; previously on Swamplot] Photo: Flickr user Silent Z
After waiting for 4 years for any kind of ship to cruise it, the all-but-virginal Bayport Cruise Terminal will at last get a seaborne visitor — starting next year. And it’ll be . . . a Caribbean Princess!
What was it that finally sparked the hookup — the daily grooming and maintenance? The word put out on the street that the $108.4 million taxpayer-funded facility would be willing to do whatever it takes to lure a few sailors to its waiting docks? More likely, the Galveston County Daily News‘s Laura Elder reports, it was just that the popular-with-the-cruising-set Port of Galveston was full-up, and Princess Cruises wasn’t interested in just squeezing in with all the other ships.
At last, that in-depth, exhaustive tour through the Johnson Space Center’s Building 30 that you’d been waiting for — coffee bars and tiny women’s rooms included: “The corridors look like they should exude the odor of decades of cigarette smoke,” space-travel fan Lee Hutchinson writes, “but the federal government’s ‘no smoking’ policy has been in place long enough that most smell faintly of stale coffee instead.” Bonus: Every console in Apollo-era Mission Control explained — or close enough. [Ars Technica] Photo: Steven Michael
Wrapping up last weekend’s seat-of-the-pants Pan Art Fair, held in a third-floor hotel suite across the street from the massive Texas Contemporary Art Fair at the George R. Brown Convention Center, blogger and fair impresario Robert Boyd notes some successes. Among the sales: A piece from artist Jim Nolan’s drawers-in-a-drawer installation, the process of failure/it’s better to regret something you have done, also known as a pair of underwear displayed prominently in one of the bedside-table drawers. Also, Boyd sold out of the small run of T-shirts he had made to commemorate the event. And he’s glad a number of local artists helped push the exhibition space into some odd corners of the hotel room. But, he writes, “I lost money on this deal. Sales were meager. I had to take two vacation days from work to do it. So naturally, it is my intention to do it again next year — even bigger, if possible. See you then.” [The Great God Pan Is Dead; previously on Swamplot] Photos of Jim Nolan and artwork: Robert Boyd
Having now sold out all remaining end-table and dresser drawer spaces in the hotel-room mini art fair he’s setting up in Room 307 of the Embassy Suites next to Discovery Green downtown, blogger Robert Boyd has found a tenant for one last untapped space in his Pan Art Fair, timed to coincide with this weekend’s Texas Contemporary Art Fair at the convention center down Dallas St. And that space would be: the hotel suite’s mini-bar. With only hours to go before tonight’s opening, Boyd has turned the space over to local experts with considerable experience running compact refrigerated galleries. Curators Emily Sloan and David McClain had been operating The Kenmore, a “cold self-run exhibition object” (which at approximately 3 ft. by 2 ft. by 2 ft. qualifies as one of Houston’s smallest art galleries) out of a few different local art spaces, including Skydive in Richwood Place. “I’m fairly certain I have no idea what [Sloan and McClain] will do,” Boyd is quoted as saying in a notice just added to the Pan Art Fair website, “but fuck-it, no one else wanted the fridge.” [Pan Art Fair; previously on Swamplot] Photo: The Kenmore
Blogger Robert Boyd’s upstart Pan Art Fair — now touting itself as “Houston’s smallest art fair” — has been digging deep into the furniture of its Embassy Suites hotel room venue (Suite 307) to find space for more exhibitors. Added to the showing space for the fair, which runs at the same time as the much larger Texas Contemporary Art Fair across Discovery Green in the GRB beginning this Thursday: exhibits in the end-table and dresser drawers.Four of the six sliding spaces, dubbed “micro-booths,” have already been snatched up by artists and galleries, according to the fair’s website. Still available: the south end-table drawer, listed as the former location of “the installation Gideon Bible Piece.” [Pan Art Fair; previously on Swamplot] Photo: Embassy Suites
Here’s a video recreation of the 180-degree light-and-sound show from German building-projection artists URBANSCREEN, for Rice University’s centennial celebrations last week. If you weren’t there, you’ll want to watch this full-screen at the highest quality setting — with a screen much, much bigger than what you have. A Lovett Hall-only closeup version is here:
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Comment of the Day: How To Make a Houston Summer That Much Hotter
“I thought it was crazy to schedule an outdoor music festival in summer, too, and then I went one year and found myself surrounded by 10,000 girls in barely-there bikinis, and realized that an outdoor summer festival in Houston is, in fact, a stroke of genius. (And the heat wasn’t bad at all that year — the second Summerfest, I believe.)” [Anse, commenting on The Montrose Bar Where Souls Will Be Exchanged for Cocktails?]