Swamplot Archives by Tag: Movies

Tuesday, February 5, 2013

Taking Away the Tanglewood Made-for-TV Movie Mod

Seem familiar? This 1952 mod appeared in the HBO boob-job exposé Breast Men, starring David Schwimmer as Houston’s early-’60s boob pioneer Dr. Kevin Saunders. Or maybe that two-faced fireplace sparks your memory: Last July, the 4-bedroom, 3,558-sq.-ft. home was listed for sale at $1.1 million. (It was the one with the bomb shelter underneath the patio?) Well, in December it was sold for an even $1 million. And it showed up in today’s Daily Demolition Report.

Why not take one last peek, before it goes?

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Wednesday, August 8, 2012

Hiding from the Big One in the Mod Tanglewood Home of the Breast Men

As mods go, this one in Tanglewood is just one of that neighborhood’s thinning pack of mid-century homes. What sets this property apart? Maybe the bomb shelter out back — and the property’s brush with Hollywood as a film set in Breast Men, the 1997 HBO David Schwimmer flick that finally gave Houston its due as the birthplace of the boob job industry. The mid-July listing of this property for $1.1 million calls the 60-year-old property on Sugar Hill Dr. a “wonderful building site” and leaves it at that. But preservation advocates at Houston Mod met with the home’s current, long-term owner and gleaned some tidbits to share about the home’s origins and features:

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Wednesday, July 27, 2011

Remaining Houston Mods To Star in Their Own Movie

The director of a recent documentary about the late architect and educator Samuel Mockbee says he’s already received pledges for about half the money he thinks he and his production team will need to raise for his next project: a feature-length film about midcentury modern architecture in Houston — or what’s left of it. Houston native Sam Wainwright Douglas’s Citizen Architect: Samuel Mockbee and the Spirit of the Rural Studio has appeared on PBS, in local theaters, and on the museum circuit since its debut at SXSW last year. Douglas says he hasn’t fixed the lineup for his Houston movie, but he’s hoping to profile local architects Harwood Taylor, Hugo Neuhaus, Howard Barnstone, and William Jenkins and their work, as well as buildings by modernist firms such as MacKie and Kamrath and Lloyd & Morgan. (If he wants to capture any portions of MacKie and Kamrath’s Sugar Land oeuvre, he’ll have to hurry.)

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Friday, June 10, 2011

Sean Pennzoil Place

   

ZOMG! Actual footage of actual Houston locations occupied by actual movie stars shows up in short B-roll segments of Terrence Malick’s new square-jaw feature, The Tree of Life. Sorry, no Brad Pitt here, but Sean Penn plays a pensive Houston-ish designer type who mopes around an unattributed Downtown: “A location where the crew spent considerable time was the PageSoutherlandPage office at 1100 Louisiana. ‘Our office is very cool. It’s an old banking lobby about eight stories high, so it’s a pretty dramatic space,’ says Nancy Fleshman, the engineering and architecture firm’s director of research. ‘They made Penn an architect and he’s interacting with people in our office, going over drawings, talking with them. At one point Malick’s assistant asked me to go show Penn how to be an architect, what to do. I thought, “Well, I’m not an architect, but I can do that.”’” [Houston Chronicle] Image: Fox Searchlight

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Monday, December 6, 2010

But It Was Worth It

   

“‘…the most miserable place in the world. . . .’ ‘Early reports from Houston said that when people came out on any given morning you could find as many as four bodies lying dead in the streets, victims of the previous night’s mayhem.’ You’d be forgiven if you thought this was the Houston of today. But actually this is Houston in the 1830s.” — Chronicle blogger J.R. Gonzales, discussing Houston: A Nation’s Capitol, Houston Arts & Media’s new feature-length documentary about the early development of this city. [Bayou City History] Trailer: Houston Arts & Media

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Tuesday, June 16, 2009

Now Haunting Theaters: Late-Payment Horror

On second thought, foreclosure is hell. That freaky-eyed lady asking for another extension on her mortgage payment? C’mon, go ahead and give it to her. You won’t feel bad about it. Plus those little in-house exorcisms have a weird way of chewing through the value of the underlying collateral.

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