“There’s a lot that’s recently been cleared immediately behind the Asia Society,” reports a reader. You know the one, at the corner of Oakdale and Caroline St.? The one whose owners refused to sell, forcing Asia Society architect Yoshio Taniguchi to design around it? Where there was that 1930s vine-covered home being used as a doctor’s office that was supposed to be sold and renovated into a restaurant, but never was?
Well, in February, 5219 Caroline appeared in the Daily Demolition Report. And this photo taken from the median shows what the site looks like now. The reader continues:
All of the neighbors have questioned who owns the property and what is to happen to it. According to HCAD it appeared to be owned by Balcor, the company behind the rather unpopular Parc Binz. . . . We’re wondering if the Asia Society is trying to buy the land . . . [T]he neighbors who live in the town homes across from Asia Society have complained that the social events held on site tend to be quite loud, quite late. Overall, the neighborhood couldn’t be happier to have this organization in its bounds. And, if they were to own that land, if only they’d open a little gourmet coffee shop. That would please hundreds of people. . . . I’ve heard from Asia Society . . . that they’re trying to purchase the land. I think there is something more going on there — but no one is talking at this point.
How do you move a historic cottage from one location to another? Well, carefully: This video uploaded this week from the Heritage Society chronicles the easy-does-it, steady-as-she-goes relocation of a Fourth Ward cottage from its perch in Sam Houston Park. The Heritage Society says that the house, originally located on Robin St. in Freedman’s Town, dates to at least 1866. It’s been in the collection since 2002, temporarily sited on Dallas St., while the society awaited the funds to move it to its permanent home beside to the Jack Yates House in that architectural promenade on the park grounds along McKinney St.
Will the newest installation at the Menil Collection be a hole in the ground? The Art Guys were told last week that the museum intends to remove the live oak they “married” in 2009 in “The Art Guys Marry a Plant,” a public ceremony at the Lillie and Hugh Roy Cullen Sculpture Garden at the MFA,H. The museum acquired the tree in 2011 and held another public ceremony when it was planted in Menil Park on Branard St.; the little site (shown at right) backs up to the bamboo grove walling off the park from the Rothko Chapel and Barnett Newman’s “Broken Obelisk.” [Houston Press] Photo: Robert Boyd
Seen any images floating around of the new building Houston’s Museum of Fine Arts is planning for the northwest corner of the Bissonnet and South Main, next to the Cullen Sculpture Garden? Well then, this watercolor-and-charcoal “concept sketch” for the building by architect Steven Holl from a year and a month ago may interest you. It’s going up for auction tomorrow — as part of a fundraiser for the nonprofit Architecture for Humanity. Holl was selected from a group of 3 finalists this past February, beating out LA design firm Morphosis and Oslo’s Snøhetta for the MFAH commission of a new structure to house 20th- and 21st-century art.
The regional tourism building planned for the northern of the 2 blocks between Minute Maid Park and the GRB will be called the Nau Center for Texas Cultural Heritage, Mayor Parker announced today. It’ll be named after beer distributor and $8-million-donor John Nau; fundraisers hope waving the rendering pictured above will help drum up an additional $32 million to get the thing built. ($15 million more is coming from Houston First, the “government corporation” that runs the city’s convention center, the Hilton Americas Hotel, and several city performance venues.)
The design leaves room for 2 houses dating from 1904 and 1905 and moved to the site last year, the only surviving structures from the neighborhood on nearby blocks named Quality Hill that by the 1930s had vanished — along with its storied reputation for integrity and elevation. The rendering also shows (at far right) the saved-from-scrap 1919 Southern Pacific 982 steam engine parked on the curb across from the East End Light Rail Line along Capitol St. Between the houses and the locomotive will sit the Nau Center’s signature dome entrance, held aloft, the rendering from Bailey Architects shows, by a ring of dainty columns resting at sidewalk level and a circular wall of glass.
“Better see the Telephone Museum while you can,” a tipster tells Swamplot. “Word is it’s sold.” But our tipster doesn’t know who the buyer of the Heights’ AT&T building is. The 3-story, 77,456-sq.-ft. structure at 1714 Ashland St.— it’s got a basement too — was put up for sale earlier this year for $3.1 million. It comes with 113 parking spaces on the 1.65 acre-lot, plus 55 spaces on a half-acre spot across the street. The museum is on the building’s second floor; the structure was built in 1957.
“I like how this view makes it look like Fiesta is exploding,” writes engineer and Metro board member Christof Spieler of this photo he snapped last night at dusk. No fire clouds are expected, but the Montrose Fiesta Mart will be closing for good on July 15th — to make way for a Finger Companies apartment complex on the site. Spieler’s photo was taken from the shelter of the half-year-old H-E-B across Dunlavy, just south of West Alabama.
L.A. architects Sharon Johnston and Mark Lee will be the designers of the Menil Collection’s new Drawing Institute building, the organization’s board announced late yesterday. Their firm, Johnston Marklee, beat out Tatiana Bilbao, SANAA, and David Chipperfield Architects for the commission. The exact location for the building hasn’t been decided yet, though a Menil spokesperson previously told Swamplot the southern portion of the campus (depicted above in a Johnston Marklee graphic) was likely, and the Menil’s description of the LA firm’s design proposal makes it clear it’ll be long and thin: “a single-story, metal-roofed structure . . . built around a trio of courtyards.”
The Asia Society Texas Center has been providing previews of its new headquarters building in a series of private events, but Japanese architect Yoshio Taniguchi’s new Museum District landmark isn’t scheduled to open to the public until the second half of a 4-day celebration beginning April 12th. By then the $48.4 million modern building will be outfitted with an exhibition of Asian art from the Rockefeller Collection.
In the meantime, the organization has released to Swamplot a more complete set of images than what’s been available so far — documenting photographer Paul Hester‘s take on the ins and outs of the new 38,000-sq.-ft. structure on Southmore Blvd. between Caroline and Austin:
Houston’s Museum of Fine Arts just announced the winner of its 3-architecture-firm face-off for the commission to design its new building for 20th and 21st century art. It’s New York’s Steven Holl Architects, but the institution put itself in the limelight too, declaring the firm had been chosen “to partner with the board and staff of the museum in developing” the expansion, which will also include a new parking garage.
That garage will be needed because the new structure will take up the 2-acre parking lot across Bissonnet from the museum’s main building between Montrose and South Main St. (Architect Ludwig Mies van der Rohe added onto that building twice; it’s now known formally as the Caroline Wiess Law building.) The museum and its new director, Gary Tinterow, expect Holl’s design to integrate the existing sculpture garden on the northwest corner of Montrose and Bissonnet, and allow for expansion of the glass-block Glassell School just to the north.
“I don’t know whether he gets to take those paintings with him, but it looks like he’s in for an upgrade in the office department,” notes a reader commenting on the back-of-house museum real estate awaiting newly announced MFAH director Gary Tinterow in Houston. For a spread in the New York Social Diary last year, photographer Jill Krementz took this snapshot of the curator in front of the neater of the 2 desks in his park-view office at the Metropolitan Museum of Art. “The director’s office at MFAH doesn’t exactly look out on to Central Park, but it’s much bigger.” (It faces a walled-in garden space shielded from Montrose Blvd. traffic.) And Tinterow’s new salary may afford him the opportunity to upgrade from the IKEA floor lamp highlighted in Krementz’s office tour. “Also, fun fact,” notes our reader: “Late MFAH director Peter Marzio never had a computer. They were just kinda beneath him, I guess. The only thing on his huge desk was a red telephone. It looked like a White House War Room or something.” [Swamplot inbox; background] Photo: Jill Krementz
The big new Asia Society Texas building designed by Japanese architect Yoshio Taniguchi along Southmore Blvd. in the Museum District won’t officially open until next April, but a new slideshow featured on the organization’s website provides early peeks into some of the 38,000-sq.-ft. structure’s ultra-spare interiors. Included in Paul Hester’s photos: Views of the 280-Poltrona-Frau-seat Brown Foundation Performing Arts Theater, meeting spaces with carefully framed garden perches, and closeups of several sleek staircases. The AsiaStore Texas gift shop will probably look a little different from this once it gets loaded up with stuff to sell:
Outside along San Jacinto St., the scaffolding is down. And inside the new Duncan Family Wing of the Houston Museum of Natural Science, the Hall of Paleontology is looking close to ready for some big-toothed residents to move in:
If y’all had come to Space Center Houston, they’d have built a home for a retired space shuttle there. Well, maybe. Today’s report of the NASA inspector general points out a few details in the story of how Houston lost out in the retired-space-shuttle home sweepstakes. At a presentation given to NASA administrator Charles Bolden in November 2009, 4 out of 5 options being considered at the time by the agency’s recommendation team would have given Houston a shuttle. And Bolden says Houston was a sentimental favorite for him, too. He told investigators
that if it had been strictly a personal decision, his preference would have been to place an Orbiter in Houston. He noted that “[a]s a resident of Texas and a person who . . . spent the middle of my Marine Corps career in Houston, I would have loved to have placed an Orbiter in Houston.”
By the time construction of its new museum, theater, restaurant, and hangar is complete 3 years from now, the Lone Star Flight Museum will likely be only one of 3 museums showcasing historic airplanes at Ellington International Airport. After Hurricane Ike caused $18 million in damage and destroyed or submerged several aircraft (see the immediate aftermath above), museum officials began seeking a higher elevation than its current location at Galveston’s Scholes International Airport was able to provide. Houston’s city council approved a 40-year lease for 14 acres at Ellington last week. Also possibly opening at Ellington: A building featuring the Collings Foundation‘s collection of Vietnam and Korean War-era military aircraft; the president of the Texas Flying Legends Museum at Ellington says he’d like to sell tickets that allow visitors to visit all 3 collections.
Swamplot covers real estate, home design and renovation, architecture, and the landscape of Houston, Texas. Swamplot did not flood during Allison — or Ike! Honest! Read more
Will the newest installation at the Menil Collection be a hole in the ground? 
“I don’t know whether he gets to take those paintings with him, but it looks like he’s in for an upgrade in the office department,” notes a reader commenting on the back-of-house museum real estate awaiting newly announced MFAH director Gary Tinterow in Houston. For a spread in the New York Social Diary last year, photographer Jill Krementz took this snapshot of the curator in front of the neater of the 2 desks in his park-view office at the Metropolitan Museum of Art. “The director’s office at MFAH doesn’t exactly look out on to Central Park, but it’s much bigger.” (It faces a walled-in garden space shielded from Montrose Blvd. traffic.) And Tinterow’s new salary may afford him the opportunity to upgrade from the IKEA floor lamp highlighted in Krementz’s office tour. “Also, fun fact,” notes our reader: “Late MFAH director Peter Marzio never had a computer. They were just kinda beneath him, I guess. The only thing on his huge desk was a red telephone. It looked like a White House War Room or something.” [
