- 1929 Sharp Pl. [HAR]
Does tearing down historic Houston architecture run in the family? The 1930’s house built for Harry C. Hanszen at 2945 Lazy Lane Blvd. (which showed up on Wednesday’s Daily Demolition Report last week) did in fact get the full knockdown treatment over the weekend, a couple of stunned readers tell Swamplot. The River Oaks home, designed by architect John F. Staub, was owned for a few decades by John Mecom Jr.; more recently, it was sold in 2014 to Matthew B. Arnold, per county records. The 5-acre-ish lot sits right across the road from Bayou Bend, and from the Lazy Lane spot where the historic home known as Dogwoods used to stand — before former Enron trader and experimental drone surveillance funder John D. Arnold knocked it down to make room for a boxy replacement. (Staub also designed Bayou Bend, and collaborated with Birdsall Briscoe on the Dogwoods design.)
It’s worth noting that the Hanszen house was majorly added-onto between 1979 and 1981, back when it was owned by the Mecoms — and it was largely stripped of its original interiors during that time, archi-historian Stephen Fox tells Swamplot. It’s now been stripped of its exteriors as well — which previously looked like this:
Neighbor-with-a-security-cam Bill Curry has now posted to YouTube 6 additional time-lapse videos covering days 2 through 8 of the demo of the Googie-style River Oaks Manor condo complex at 2325 Welch St. The structure went down at the end of last month across from his home just east of Revere St., in an unnamed neighborhood real close to River Oaks.
If you thrilled to the jumpy frames from Curry’s Nest camera chronicling the removal of a 26-unit, 2-story structure dating from 1950 (in favor of a 32-unit, 9-story structure dating from 2018) but wanted to see what more it took to remove the row of Welch St.-facing carports left standing in the first video, follow the rest of the sequence, beginning with Day 2 (above) and continuing with the third day (June 27th) below:
If you’re trying to justify the expense and hassle of mounting and maintaining a capable security cam outside your home, shouldn’t the ability to capture timelapse footage of demolition crews as they quickly dispose of cute fifties condo complexes across the street tip the scales in favor? Here’s a sample benefit: the above video from the Nest camera of Bill Curry, which documents in quickly digestible form the final dozen-plus hours last Friday of the 26-unit Googie-style complex at the southeast corner of Welch and Revere streets adjacent to River Oaks — as it gets eaten from behind by a Komatsu track excavator.
Another possible benefit: A much longer timelapse documenting the construction of the 32-unit 9-story condo midrise Pelican Builders now plans to put on the site.
Video: Bill Curry
As heralded by yesterday’s daily demo report: Time is up for the little mod condo complex on Welch and Revere streets, which is being cleared out for Pelican Builders’ 9-story not-quite-in-River-Oaks The Revere at River Oaks condo midrise. A reader sends these up-close shots of the demo crew’s work this morning, including the extensive remodeling the once-narrow walkway between segments of the now-empty carport along the south side of Welch:
COMMENT OF THE DAY: ASPIRATIONAL HOUSTON DEVELOPMENT NAMING JUST AIN’T WHAT IT USED TO BE “‘Heights creep’ is to the 2010s what ‘River Oaks creep’ was to the 1980s/90s. Back in the 90s when I was living in a (moderately crappy) apartment near the corner of Kirby and Westheimer, anything between Buffalo Bayou, the West Loop, US-59 and Montrose might have been referred to as River Oaks. Hell, even the River Oaks Shopping Center isn’t even actually in River Oaks.” [Angostura, commenting on Putting the Heights Back In Its . . . Uh, Places; previously on Swamplot] Photo: River Oaks Theater
The triangle of land holding Tila’s Restaurante & Bar has a for lease sign up these days, a reader tells Swamplot. That’s backed up by a listing currently up on the Wulfe & Co. website, though there’s no particular availability date mentioned in the leasing notice for the land. The restaurant sits on the irregular block created by the Shepherd Dr. curve between McDuffie and and Newhouse streets:
Pieces of the fencing surrounding the MacKie and Kamrath-designed ExxonMobil Upstream Research facility on Buffalo Spdwy. were spotted sprawled out on the grass yesterday along the campus perimeter after being plucked from their stations; more barriers are getting yanked up this morning, as seen in the second shot above. The property (which appears to have been transferred to the nonprofit Exxon Foundation in 2015 after the oil giant’s plans to offload the site were announced) was sold this month to an entity directing its mail to real estate investment and development firm Spear Street Capital. A couple of readers report that other major shuffling around and cleaning out appear to have been going on at the facility for at least the last few weeks, with vehicles bearing the Precision Demolition logo making periodic guest appearances on the scene.
Across W. Alabama St. from the building’s more curvaceous end, the spot occupied until early last year by the empty shell of honky tonk Blanco’s has since been filled in with athletics stuff for St. John’s School:
The remodeling permit issued last fall for 2 Tiel Way (shown above in its previous listing portrait) was augmented by a demolition permit at the end of January, as Diane Cowen reports in this weekend’s Chronicle. The 1960s house (designed by Karl Kamrath, like a few others of the not-yet-demolished original houses on the street) was bought last July after a 10-month stint on the market; Cowen writes that the new owners had planned to restore the home, but structural issues including uncovered termite and water damage boosted cost estimates to around twice the likely cost of a rebuild.
The house was torn down to the slab and fireplace late last month, and some of the interior redwood paneling and light fixtures were salvaged. The new home designed for the site will purportedly mimic the old one to a significant extent — here’s a rendering from Robertson Design, the architecture firm of the new owners’ son: