EXPLORING TEXAS’S INTRASTATE ART HIGHWAY SYSTEM “In recent months, I’ve watched work from artists in just about every region of Texas make its way to other regions in Texas. It happens constantly. Celia Eberle (Ennis) to Beaumont; Camp Bosworth (Marfa) to Albany; Margarita Cabrera (El Paso) to Dallas; Ludwig Schwarz (Dallas) to Houston; Gregory Ruppe (Dallas) to San Antonio; Hills Snyder (San Antonio) to Lubbock, Danielle Georgiou (Dallas) to Marfa, Rick Lowe (Houston) to Dallas. You get the picture. The state, despite its size, enjoys a remarkably active farm-to-market road system for current working artists. This is unique in the U.S. In Texas, a town needs only one of the following to make art pop up there: 1) a university, 2) a few sharp galleries, 3) an accredited museum, 4) an artist residency, 5) a rich, well-traveled, collecting family who start a non-profit or private exhibition space. Texas is bent on importing art from outside of the state, yes, but that intractable ‘Texan’ identity (whatever it means to each region) also drives ongoing interest in homegrown talent. And given the state’s 27 million people, there’s some talent to swish around.” — Christina Rees, after shouting “Jesus Christ! Texas is so freaking big!” on a road trip to Marfa. [Glasstire] Photo: Christina Rees