COMMENT OF THE DAY: HOW ABOUT A TRIAL FORGETTING PERIOD FIRST? “It is really not in play in the ‘tear it down’ vs. ‘leave it there’ debate, but it has always been my considered opinion that that nothing should be named for anyone until 10 years after their death. So many things are named for recently deceased, relatively unimportant politicians these days. Few remember who they are 10 years later. If there is still a hue and cry to memorialize someone ten years after their death, so be it. As stated in a quote attributed to Cato the Elder, “’I would much rather have men ask why I have no statue, than why I have one.’” [Al, commenting on Comment of the Day: Statues of Limitations] Illustration: Lulu
The new name for the area restaurants formerly known as Ruggles Green is part of a strategy for the Houston-based chain to disassociate itself with local chef Bruce Molzan, its CEO admits. “Yes, we want to distance ourselves from him,” Jason Morgan tells Chronicle reporter Andrea Rumbaugh. Morgan’s investment firm, Hargett Hunter Capital Partners, purchased Ruggles Green last October. Today the firm announced it is rebranding all 5 area restaurants as Bellagreen, a move presaged by the publication in its social media feeds earlier this month of the photo above — showing its patio at CityCentre while artfully eliding the signage.
Molzan, the longtime chef at the former Ruggles Grill on Westheimer, is no longer an owner of the Ruggles Green chain he cofounded, but he and his ex-wife retain rights to the Ruggles name. But there’s more than the risk of too many confusing Ruggleses for Bellagreen to contend with; there’s also the issue of Molzan’s fish-y reputation: Molzan was accused by the Texas Parks and Wildlife Department earlier this year of operating Texas’s largest-ever unlicensed seafood network, selling illegally caught finfish to restaurants, including Ruggles Black and Ruggles Green, for almost 4 years.
Interested in a bit of booty plundered from the the birthplace of Bootylicious? The former Rice Mansion at 1505 Hadley St. in Midtown most recently served as the headquarters of Mathew Knowles’ Music World Entertainment and moonlighted as a wedding and event venue. According to Architectural Digest, Destiny’s Child recorded Bootylicious, as well as several other of its hit songs, inside this building. But Knowles sold the entire block bounded by Hadley, Crawford, Webster, and LaBranch streets late last year, and its new owner — Group 1 Automotive, the parent company of the neighboring Midtown Advantage BMW car dealership — has begun demolishing the structures sitting on it one by one.
For now, the Rice Mansion — minus a bunch of salvaged parts and furnishings, which were yanked out recently — is still standing. But some of its parts have already been spotted by a Swamplot reader on an internet auction site. Though the building is more than a century old, the offered materials are clearly of far more recent vintage. Behold:
COMMENT OF THE DAY: STATUES OF LIMITATIONS “There’s a theory that says the important thing the person is known/celebrated for should determine whether a statue stays or goes (i.e., “describe this person in 50 words or less”). George Washington is not known for fighting a war with his own country-people to own slaves, but as a founding member of our country. Though he was a slave owner, it was the practice at the time. Contrast with the Confederate leaders, who rose to prominence as fighters for a practice that was known to be evil. If there are Confederate leaders who are also known for something that is to be celebrated (such as putting Lee in front of an orphanage he founded), then there’s a strong argument for keeping that statue. Otherwise it’s merely Lost Cause glorification, which isn’t historically accurate, and with most of these statues, completely out of context (e.g., middle of a park, usually reserved for someone who deserves high praise).” [travelguy, commenting on The Great Texas Confederate Statue Roundup] Photo of monument to Confederate Lieutenant, Houston saloon owner, and gas-lighting and firefighting pioneer Dick Dowling in Hermann Park: Edward T. Cotham, Jr.
CALHOUN BANISHED FROM UH’S CALHOUN LOFTS A statement out this afternoon from UH: “The University of Houston does not have statues, memorials or monuments honoring the Confederate era. Calhoun Lofts were originally named to coincide with the name of the adjacent city street when the university began its aggressive residential expansion in the last decade. While the residence hall was not named in recognition of John C. Calhoun, in the wake of recent events, and out of sensitivity to our diverse student community the university has decided to change the name to University Lofts. The change will be made as soon as practical.” [Daily Cougar] Photo of Calhoun Lofts, 4700 Calhoun Rd.: Kirksey Architecture
A SOUTHAMPTON BLOWUP OVER THE STATUE OF DICK DOWLING IN HERMANN PARK For the second time in 5 years, FBI and ATF officials on Sunday raided the house at 2025 Albans St. in search of explosives. Both ventures resulted in the arrest of one of its residents, now-25-year-old Andrew Cecil Earhart Schneck. Schneck, who was released from probation last year, had pled guilty in federal court 2 years earlier for knowingly storing explosives in the 2013 incident. He was arrested again this past Saturday night after a Houston park ranger reportedly found him kneeling in the bushes with tubes of nitroglycerin and the explosive HMTD, a timer, wires, a battery, and a detonator in front of the Carrara marble statue of Confederate commander and Houston saloon owner Richard Dowling. The statue was the first public artwork ever created by the city of Houston, and originally stood in Market Square outside of city hall when it was created in 1905. Albans St. and the alley to the south of it between Hazard and Wilton streets in Southampton have been under evacuation orders since Sunday, and gas service to the area has been turned off; law enforcement officials say they are working to “safely and properly dispose of” hazardous materials found inside the home “through a series of controlled detonations” — that may take place this afternoon. Nearby residents should expect to hear loud noises and smoke as a result of the detonations, they warn; there’s also a possibility of damage to adjacent properties. [Houston Chronicle] Photo of Richard Dowling statue at Hermann Park: Patrick Feller [license]
Events that took place overnight at the University of Texas in Austin may have repercussions for Houston: Workers under cover of darkness removed 2 statues of Confederate generals and one of a Confederate government official from prominent display on campus. University president Gregory Fenves announced that the bronze statues would be relocated to the university’s Briscoe Center for American History — after events in Charlottesville last weekend made it “clear, now more than ever, that Confederate monuments have become symbols of modern white supremacy and neo-Nazism.”
The statues depicted Confederate generals Robert E. Lee and Albert Sidney Johnston and Confederate postmaster John H. Reagan. A fourth statue, of former Texas governor “Big Jim” Hogg — also known as dad to the developers of River Oaks and to Houston matriarch Ima Hogg — was also taken down, according to a university spokesperson only because it was part of the set (2 years ago, a likeness of former U.S. president Woodrow Wilson that was symmetrical with another statue moved to the Briscoe Center, that of former Confederate president Jefferson Davis, was taken from the main mall and put in storage.) According to reports, the sole remaining statue on either the UT main or south mall depicts George Washington.
RESTRICTIONS ON MUNICIPAL TREE ORDINANCES CUT DOWN, SIGNED BY GOVERNOR The special session of the Texas Legislature ended without passing a law — which Governor Abbott had wanted — banning cities from regulating owners’ rights to cut down trees on their property. But the Lege didn’t exactly leave the issue alone, either: HB7, signed into law earlier this week by Governor Abbott and scheduled to go into effect on December 1, prevents municipalities (that haven’t already done so) from charging homeowners a fee for trees cut down on their property that are smaller than 10 in. — and requires cities that levy any mitigation fee for cutting down larger trees to also allow a credit for planting 2-in.-diameter replacements. The credits would be required to range from 40 percent to 100 percent of the fee itself; if the property is an owner-occupied residence, the credit would have to equal the mitigation fee. [Houston Chronicle ($); bill text; previously on Swamplot] Photo: Swamplot inbox
The sign at the Skinny Rita’s Grille at 4002 N. Main St. in Brooke Smith now states that the Mexican restaurant inside has closed, but a note on the door from “Management” is a little less definitive: “This location will be rebranding in the next few weeks and will be temporarily closed,” reads the undated notice — already annotated by a handwritten visitor complaint requesting the information be added to the company’s outgoing phone message. “Please come visit us when we reopen in a few weeks.” The restaurant followed in the footsteps of a sequence of differently branded Mexican restaurants in the same location when it opened at the site, which is bounded by Walton and Melwood streets, in 2014. A Montrose Skinny Rita’s Cantina closed down at 607 W. Gray St. earlier this year, after less than a year of operation.
The folks fighting a longstanding battle to prevent the reconfiguration of a section of Buffalo Bayou fronting the southeast corner of Memorial Park and the River Oaks Country Club have posted a remarkable series of images showing how a section of the bayou’s bank at the Hogg Bird Sanctuary responded on its own over the course of 2 years to a soil collapse suffered during the 2015 Memorial Day flood. The geologists behind Save Buffalo Bayou claim that the promoters of the Harris County Flood Control District’s proposed $12 million Memorial Park Demonstration Project they’re trying to stop have mistaken a natural bayou-bank process called vertical slumping (or sloughing) for erosion, and that attempting to stabilize the bayou banks to fix the supposed erosion will leave the area “a wasteland of denuded and weakened banks.”
But you don’t have to buy or even follow the riverine logic the organization steps through in a lengthy article posted to its website earlier this week to appreciate one of the examples of waterway-bank adaptation exhibited there. The first image (at top) shows the immediate aftermath of the Memorial Day storm or 2 years ago on the high bluff facing the bayou at the Hogg Bird Sanctuary in Memorial Park, which stands at the downstream end of the proposed project area. According to the organization, an HCFCD consultant claims that this is one of 4 spots within the bayou area that suffers from severe lateral erosion. But to Save Buffalo Bayou, this isn’t erosion; it’s just a slump, which is what bayous do naturally, and which on their own create the distinctive bluffs on the bayou’s banks. There’s no way to fix a slump, the organization’s geologists say — if left alone it’ll restore itself.
Here’s their photo evidence. The second photo, also from June 2015, shows the slumping — and downed trees:
HOW THE NEW ARCHITECTURE CENTER HOUSTON WILL BATTEN DOWN THE HATCHES WHEN HIGH WATER COMES What’s going to happen to the new exhibition, meeting, and office spaces at the Architecture Center Houston — set to reopen next month in its new location in the ground floor and former boiler room of the 1906 B.A. Riesner Building at 900 Commerce St., next to the Bayou Lofts and across from the Spaghetti Warehouse Downtown — in the very likely event that floodwaters rise from nearby Buffalo Bayou? Kyle Humphries of Murphy Mears Architects, the firm chosen to lead the reconfiguration of the space after a competition last year, tells the Architect’s Newspaper’s Jason Sayer that the designers imagined the interior as a bathtub, and accordingly wrapped a quarter-inch-thick plate made of aluminum around the interior on 2 sides: “’Our storefront system that faces Commerce Street is sealed and uses structural steel panels up to 3.5 feet long all along that facade,’ described Humphries. Furthermore, custom fills and seals on the doors (the profiles of which were manufactured in Switzerland) were prescribed with a custom-designed drop-in flood panel that can be operated by one person standing outside.” [The Architect’s Newspaper] Video walkthrough: Murphy Mears Architects