El Big Bad’s corner at Travis and Prairie streets now provides a view straight into (and even through) some long-hidden interior sections of the former Houston Chronicle headquarters at 801 Texas Ave. The building — or, rather, group of buildings bundled together behind in a single mid-1960’s skin — has been coming down gently since the judge for the Hines-Hearst-Linbeck tunnel lawsuit gave the okay over the summer. Most of the 10-story original section of the relocated paper’s former headquarters, on the south side of the block facing Texas Ave. at the Travis corner, has already been removed; a reader snapped the shot above yesterday, as what’s left of the complex was being draped in black again for the next phase of the pull-apart.
A few readers were curious about the detached backyard room densely strewn with drawings of clowns and other cartoonish figures that made an appearance as Swamplot’s Home Listing Photo of the Day late last month. If you were waiting for more info on the property to make an offer, you’re too late — the place is already listed as under contract, along with the interior furnishings. Here’s a few more shots of the leftover memorabilia in the space, formerly known as Tootsie’s Birthday Hut:
The rendering up top shows the sort of scene that visitors can expect if they wander into the 1920’s leaking-water-reservoir-turned-public-art-space buried alongside Buffalo Bayou after December 10th (and before next June): Venezuelan artist Magdalena Fernández’s 2iPM009 projection, adapted from flat-walled origins to fill the 2-acre space (and going by the name Rain). As for what they’ll hear — that’d be an accompanying soundtrack of snaps, claps, and other meteorologically-inspired noisemaking from Slovenian choir Pertuum Jazzile. The original piece is part of the Museum of Fine Arts’s permanent collection; the adaptation will be the first temporary art installation in the column-studded space, which opened for tours in May.
To cap off a series of Houston-landmark-linked performances carried out over the past few years, Karen Stoke’s dance company will put on bayou-and-space-themedDEEP: Seaspace at Hobby Center the weekend after next (that’s October 20th through 22nd). Stokes, whose previous work includes that well-timed dance about flooding in Discovery Green right after Memorial Day last year, tells Swamplot she has been mulling over appropriately grand Ship Channel choreographies since at least 2003, when she cut a related section from her piece Hometown with plans to tackle the topic later in greater depth.
On the list of historical places given a nod in the choreography (or in the short film to be shown during the live performance): Ship-Channel-side spots like the site of Santa Anna’s capture near the San Jacinto battlegrounds (the historical marker for which is located along Federal Rd. where the Washburn Tunnel crosses under the waterway); Allen’s Landing in Downtown; and the area around the former Willow St. Pump Station (just north of where White Oak Bayou meets Buffalo, by the Harris County Jail) — that spot is shown below, with dancers placed for atmosphere:
It’s that time again — Houston’s birthday celebration, observed traditionally on the anniversary of the publication of the Allen brothers’ newspaper ads offering land for sale in the area in 1836. Among the more eyebrow-worthy claims put forward by the founders: that the “beautifully-elevated” area (depicted nestled amid a clutch of towering hills) was already the site of regular steamboat traffic (the Laura wouldn’t make the first steamboat run up the sandy twists of Buffalo Bayou to Allen’s Landing until the following year), and that the area “[enjoys] the sea breeze in all its freshness” and is “well-watered” (that part, at least, is likely undisputed).
The ad text also claims that “Nature appears to have designated this place for the future seat of Government,” though Lisa Gray suggests this morning that a few well-timed gifts to members of the newly-minted Texas Legislature may have been responsible as well. Gray writes that the city hosted the Texas government from 1837 until the legislators, tired of the heat and mosquitoes, voted to move elsewhere in 1839.
Here’s the ad in its entirety, as it appeared 180 years ago today in the Telegraph and Texas Register:
If the top of that pointy gazebo currently camped out at the about-to-open Park for Humans and Dogs by Glenwood Cemetery looks familiar, it’s because it’s been lurking around the Houston landscape for the last 115 years or so. This morning Susie Tommaney inventories the history and internet lore surrounding the house at 2201 Fannin St., from which a cupola nicknamed the Witch’s Hat was plucked just before the home’s 1997 demolition. “Not many people realize that the cupola was saved,” TIRZ 13 chair Claude Anello tells Swamplot, sending along the photo above of the hat’s installation, as well as his account of the hat’s rediscovery, reshaping, and ground-up career-building:
“I got a call a few years ago from Carl Detering, who had stored it in his outdoor storage yard at Detering’s on Washington. He was selling the property and told me that someone needed to get it or he would be forced to throw it in the dumpster. When I went to look at it, it had basically melted, [and] a tree had grown up through the middle of it (removed prior to photos) . . . Several people told us that it was beyond repair, but we dismantled it, had it reconstructed, and designed the park around it. It sat on the ground for a couple of years while we dealt with issues related to park design and permitting.”
Here’s a few tree-free glamour shots of the Hat prior to those reconstructive procedures, circa late 2013:
Houston Planning Commission chief of staff Brian Crimmins announced yesterday that tomorrow will be the day a proposed name change of Dowling St. is announced to those with property along the road. The planned timeline for a few public meetings and some comment-taking stretches over the course of the next few months, with the if-everything-goes-as-planned rededication date of the street as Emancipation Ave. set for Sunday, November 6. The proposed change would mark the second de-Dowling in Houston this year, following the shifting of Dowling Middle School’s allegiance over to Audrey H. Lawson as part of HISD’s lawsuit-inspiring Confederate expulsion.
COMMENT OF THE DAY: THE MORE HOUSTON CHANGES, THE MORE IT STAYS THE SAME “The problem is that Houston is in a constant state of flux. The Houston you know at 20 is unrecognizable at 50, no matter what year you were born. There is no classically recognizable Houston or Houstonian — the only thing most Houstonians share as a character trait is a mutual lack of interest in the past. When I wrote a novella about Houston, I made it ground zero of a global amnesia plague. Seemed appropriate.” [AMP, commenting on Novel Approaches to Houston] Illustration: Lulu
Have you seen this video (at top) from the city’s planning and development department? It’s silent, several years old, and not the flashiest portrait of Houston available on YouTube. But in a compelling series of images, it shows how mightily the city’s official boundaries have grown — simply by tracking Houston’s annexation history, decade by decade.
But now there’s a more active way to appreciate Houston’s historically bulging waistline — one that could even help increase your own in the process (depending on your choice of beverages). Each of the 5 laser-cut acrylic coasters in Data Design Co.‘s limited-edition set (shown in the photo above) is etched with an outline of this ever-expanding city at some point in its history. Designers Brian Barr and Matthew Wettergreen had the sets manufactured in Houston by Post-Studio, and are now offering them for sale for $60. Buy a set, and try one beverage on each over the course of an evening of thirst-quenching, and you’ll allow yourself to drink in a progressive view of this city’s expansive growth.