The Texas Direct Auto signage outside that 80-sq.-ft. Main St. office asking Red Line rail passengers to sell their vehicles may have hit a bit of resistance, but the company is nonetheless now aiming its ad campaign even higher: The drone video above (posted yesterday) shows the roof of the company’s space-themed downtown building on Leeland St. is now fully decked out with the same all-caps appeal for car sales. As a commenter pointed out yesterday, the nearby Toyota Center also shows off a rooftop label to flying passer-bys — though the arena goes one step further and lights up at night, as well:
Swamplot’s anonymous tunnel correspondent sends another dispatch from beneath the former City National Bank building at 1001 McKinney: chain cheesemonger The Cheese Course Bistro & Cheese Market is now open in the nook formerly employed as one of Subway’s more literal Houston locations. Following a spot in Boulder, CO, and another in The Woodlands, the Houston shop makes for chain’s 3rd foray beyond its native Florida.
The basement space doesn’t look to be offering wine pairings like many of the chain’s stores do, perhaps in connection to the shop’s pre-5-o’clock hours of operations; the store will open for breakfast at 7 am and close at 4. Here’s a look around the shop’s interior seating arrangements, allowing cheese-nibblers to see and be seen by the tunnel lobby set: CONTINUE READING THIS STORY
Is this time the charm for the long-vacant all-but-freeway-side former hotel at 801 Saint Joseph Pkwy., on at least its 3rd round of intended redevelopers since it was vacated in 1998? The building began its career in the early 1970s as a Holiday Inn, later becoming a Days Inn before being turned into Heaven on Earth hotel by a group founded by embraced-then-renounced Beatles spiritual advisor Maharishi Mahesh Yogi. That group eventually shut down their increasingly dilapidated hotel and turned the place into a Vedic school before code violations forced the structure’s not-just-for-summer vacation; the spot has been courted by fickle would-be-remodelers on and off ever since.
But some work permits have been issued this year to the most recent owner, SFK Development, which bought the site in late 2012 per county records, and Catie Dixon reported last fall that the building will be turned into a Sheraton (an assertion backed up by some more recent tidbits from the structural scrutinizers over at HAIF). Meanwhile, reader Garrett Robles reports that the site is now the most active he’s seen it in 5 years of wandering around the area. Robles sends this set of recent photos peering at, around, and into the ground floor of the structure:
Once again, 706 Main St. is clearing out — here’s a shot of the freshly unwrapped restaurant space in the base of the Great Jones Building. The light-rail-side storefront just south of Capitol St. was taken over in 2014 by Bombay Indian Grill (not to be confused with the nearby Bombay Pizza Co. 2 blocks to the south) in the wake of a string of restaurant turnovers averaging less than 2 years apiece of tenure.
A reader spotted someone boxing up the leftovers early last week, and sent the photo above this afternoon showing the space sans signage. The restaurant was previously marked in place in April floor plans from Midway, which is currently remodeling and repackaging the Great Jones Building together with the former Gulf Oil building as The Jones on Main:
THE ODDS ON A PIERCE ELEVATED COMEDOWN Writing in the latest issue of Texas Architect magazine — which is now debuting a redone website with a new web address and a new all-articles-are-now free policy — Ben Koush surveys the prospects for the raised section of I-45 now dividing Midtown from Downtown: “While there have been some plans floated around to convert the decommissioned section of the Pierce Elevated into Houston’s version of the Highline,most people I spoke with didn’t think that was going to happen, simply because TxDOT needs the money it could get from selling that right of way to private developers. Some still hold out hope that at least some of the land or maybe even a small section of the elevated roadway could be made into a public green space.” [Texas Architect; previously on Swamplot] Plan of “currently approved scheme” for I-45 rerouting around downtown, showing possible green space: SWA Group
No wrecking balls are swinging this morning at 801 Texas, but a reader notes that some of the glass panels of the southern facade are being draped in long swaths of black material, while others have already been removed. What about that lawsuit over tunnel rights that forced developer Hines not to demolish the building back in April? Documents filed with the district clerk’s office show that plaintiff Theatre Square did get the court to issue a temporary stop on any work “demolishing, damaging, interfering with, filling in, impacting or otherwise physically impairing” that particular piece of the former Chronicle building’s basement (which Theater Square wants for the purpose of building a tunnel system connection to its own property across Prairie St.) The court chose to modify that order in mid July, however, to clarify that Hines can demolish, damage, interfere with, fill in, impact or impair the section in ways that are reasonably necessary to design and build a new building on the site.
The spindly yellow crane that has been dangling over the top of Woodbranch Investment’s Market Square Tower is coming down in pieces this afternoon, notes a downtown reader. The shot above shows the scene from the corner of Prairie and Travis streets, with the top edge of the still-standing-by-court-order former Houston Chronicle building sticking in from the left.
The 463-unit tower has been leasing spaces since April, with plans to open this fall. There’s still work to do on the building before then, though the support for the glass-bottom cantilevered rooftop pool that will hang some 500 feet above Preston looks to be in place. Here’s Jackson & Ryan’s rendering of what the space will look like once the water has been added:
The former Barbara Jordan Post Office campus at 401 Franklin St. is on its way toward a new career (as highlighted by yesterday’s news that trippy music and art festival Day for Night will be hosted on the property this year). The new stage name for the 16-acre planned mixed-use space near Buffalo Bayou isn’t quite set yet — PaperCity says that Lovett has been calling the property Central Post, but an active Facebook account using the name Post HTX (and staking claim to the 401 Franklin address) has been posting photos of the inside and promising updates on progress at the site.
Demo permits for some interior walls were issued back in October after the property’s summertime sale last year. Those concrete fins on the outside of the post office’s Franklin-facing midrise section are creating the stripy light pattern visible in the interior shot up top; here’s more of Post HTX’s photos of the building, pre-redo:
A set of skeletal construction updates are the product of Bob Russell’s downtown photo hunt earlier this week. The view above is a Hines 2-fer: Behind James Surl’s spikyPoint of Viewsculpture is the 32-floor apartment building on its way up at the corner of Travis and Preston (now going by Aris Market Square), with a sliver of all-business 609 Main visible on the right. The office tower has been getting its last few bits of steel stuck into place this week — check out a more centered portrait of the rooftop action (plus more covert snaps of bare beams from around the area) below:
A dumpster was spotted last week loitering around the Travis St. entrance of the Mod-ish Brutal-ish teal-ish former Christian Science church downtown, which, per the language on a building permit issued this month, is now being converted into a nightclub. The name listed on the permit (Club Spire) marks something of a shift in the tone previously set by the new owners this spring, when the group connected to Clé bar sought a TABC permit for the building under the name 1720 Main Reception Hall.
A curious reader sends the Friday afternoon shot above, along with an inquiry as to the fate of any interior furnishings and materials to be stripped away (the outside being fairly naked already, save for the gold-and-blue soon-to-be-eponymous spire). Here’s a last look from inside, around, and on top of the church’s sanctuary and courtyard as it was just prior to the finalization of the sale this spring — the elongated diamond-slash-triangle motif that covers the area behind the altar is carried through much of the rest of the building, from the stained-glass windows to the furniture: