Today, we Blodgett out. And clear out several corners of the city:
Ernie drove off into the sunset, radio blaring. And these structures came down:
Congratulations on completing the structured part of your education. Here’s your diploma.
Swamplot’s Daily Demolition Report lists buildings that received City of Houston demolition permits the previous weekday.
It’s all business. And business removal.
The new brick building across from the Cavalcade station on Fulton St. that went up next to the former Dairy Queen corner spot known as Dairy Land is meant for Dairy Land, new lettering attached to the recently completed replacement structure attests. The signage went up shortly after the old building at 310 Cavalcade St. (pictured below) was demolished last week.
Where to direct our goodbyes today. Who knows what we’ll be leaving tomorrow?
Let’s work on these for now, until bigger fish make themselves available.
Swamplot’s Daily Demolition Report lists buildings that received City of Houston demolition permits the previous weekday.
The numbers may be down, but the quality of destruction has never been higher.
The back third of the Menil-owned Richmont Square Apartments has now been cleared away. Left to dispose of: a below-grade swimming pool in the middle of the lot, plus a garage apartment behind the DaCamera building at 1427 Branard St., next door to the Menil’s Cy Twombly gallery. Swamplot reader and artist Bob Russell takes a break from creating his own satellite-imagery-inspired drawings to send in the above quick ground-level panorama of the sketchy spot where Johnston Marklee’s low-slung $40 million Menil Drawing Institute will be mapped out and filled in.
Where else but Houston will you ever come across a day-long urban celebration that brings together demolition, visionary art, inventive gardening, a stirring memorial, water infiltration, and toxic mold? These core elements of the city’s essential funkytown identity and more will be highlighted in the Third Ward on February 7, when Project Row Houses, the owner of the last of 3 homes the late Cleveland Turner serially transformed into environments festooned with yard art and brightly painted junk, ceremonially rips apart the rotting property at 2305 Francis St. on account of they discovered a month or 2 ago that it (along with many of the works stuffed inside) was contaminated “beyond any chance of salvation” with varying dark hues of dangerous and smelly mold spores.