COMMENT OF THE DAY: LAMENTING THE LOSS OF FLAUNTED HOUSTON HIGHRISE HEIGHTS
“Boo! Are times so lean that a company can’t show off its greatness by allowing the public to partake of their rarified views? Is this the new normal? Who remembers Moody Plaza’s [20th] floor Galveston observation space? Closed.” [movocelot, commenting on One Last Look from the Chase Tower Observation Deck, Now Closed to the Public] Photo of One Moody Plaza in Galveston: Russell Hancock via Swamplot Flickr Pool

“My old neighborhood – two houses ago – should be very worried as well. Right before I got there, some people had tried to rewrite the deed restrictions. Some other people blocked the rewrite. Which basically meant that the old restrictions – from the 1950s – were still in force – or were they? Half the regulations were either moot (who has a garbage incinerator in their back yards nowadays?) or illegal today. But more importantly: the restrictions were supposed to have been renewed in the 1970s and again in the 1990s, but it’s not clear they ever were. I wound up basically following the practical rule that whatever the county clerk has on record is in force whether it makes sense or not, so long as it is not rendered illegal by some other law. But I am not a lawyer, and I know that approach probably would not hold up in court.” [
“One of the
“What we really need to work on is the future Astrodome museum ideas. After it’s eventually torn down, we could have a little building (double-wide trailer, perhaps?) that would house 2 exhibits – one for photos/models of the dome from planning stages to the day it was imploded/ dismantled/ whatever, and another to showcase the hundreds (thousands?) of ideas to save it. I’d be there opening day!” [
“The big money is coming from private donations (Buffalo Bayou Partnership, Hermann Park Conservancy, Memorial Park Conservancy), most likely with ‘strings attached’ that require that they must be used in a specific park. I’m sure the Parks and Rec people would love to do more special projects in the neighborhood parks, but it’s also going to require someone with deep pockets to step up for them.” [
“Build a museum around it. Stop erasing our shameful past and start putting it in context.” [
“The smashing has begun! Heavy machinery is on site, and the bricks are crumbling down. Where are the Friends of Heights Fiesta? Aren’t these bricks special enough
“You don’t need to read a university study to know the Houston housing market is going through a downturn. You don’t even have to look at HAR. To gauge the health of the Houston real estate market, you only have to look at the Daily Demolition Report: only 2 residential permits
“This is a standard practice: to elevate [existing] commercial properties so they will drain off the property. It is very easy to do. The concern is that the city of Houston does not require new properties on old lots to detain water on the lot.  . . . Elevated commercial properties that do not mitigate acre-foot-for-acre-foot will lead to water running off and flooding adjacent properties. It is a simple concept, but developer propaganda is strong. The most common myth promulgated by the developers is that if something was already concrete then a new property need not mitigate run-off. The fact is, any time a new development is built that does not mitigate run-off, it will force water onto its neighbor. [
“The railroad needs to make 2 major cases: first, that those tinkertoy power stanchions won’t be any uglier than the high-tension lines that are already there on most of their route; and more importantly, that the disturbance from passing trains won’t impair cattle production nearby. I seem to recall that ‘it’ll scare the cows’ was the final nail in the coffin of the previous Texas Triangle HSR attempt. Once they have official eminent domain authority, there will be no stopping this project.” [
“If you want transit to be ‘Great for Tourism,’ then you’ve got to look at transit systems such as in NYC, London, and Tokyo that are not only exceptional but that serve as cultural iconography for the city. There has to be some showmanship. Houston’s METRO was never building a cultural icon, even if some people embraced it as such back in 2004 for lack of any sort of imagination otherwise. Ironically, I’ve given rides to the airport from international visitors from places as different as India and Australia, and they seem to really enjoy riding on the freeways, taking in the vast expanse of concrete and the tangle of overpasses and underpasses. Houston’s freeways are a spectacle! Houston’s freeways are cultural iconography!” [
“Light-rail transit the way METRO has built it is slow, and actually adds somewhat to congestion by taking up a vehicular lane and messing up traffic flows (i.e. no left turns).  . . . Frankly, buses accomplish the job just about as well, even if they aren’t glamorous to some people.
“. . .Â
“Yes, it is ‘a vestige’ of history, but only that. The interior doesn’t have a century-old feel — because every century-old vestige is removed! I would have thought to keep rooms evident in the interior, since it looks like a home from the outside . . .  this can be achieved and meet fire safety requirements. I hope the place succeeds. But if [the building] gets torn down in 3 to 4 years, I won’t be sad — it’s already gone.” [