
A new downtown hole-in-the-wall is making its debut at the foot of the city’s longstanding famous buildings. Among all the openings in the house now standing in the middle of Sam Houston Park, the most accessible one (ADA-certified) is at the end of the ramp pictured above. Cherry Moving was the first to add holes to the building: it inserted the more conventional windows after scooping up the 80-year old, 16-by-24-ft. single-story from the East End in order to resell it. The buyers: serial house tweakers Dan Havel and Dean Ruck, who perforated its façades and lined the bubbles with PVC piping to make them watertight.
You can see the piping’s light blue tint from the angle below:




“When Havel Ruck Projects was commissioned to create ‘
Glasstire’s Bill Davenport has a suggestion: “Its famous lack of zoning is one of the few things Houston offers artists that other cities can’t. It’s been a defining feature of the city, and one of its main attractions for artists for decades. But this isn’t happening anymore. Prosperity has put teeth into Houston code enforcement, whose numerous inspectors now patrol the streets, ready to red-tag any unconventional building activity.
It’s vital that we preserve a loophole for artistic expression on an architectural scale. What once was an opportunity created naturally by low property prices and underfunded city government must now be maintained purposefully if Houston’s unique character as a city of artistic entrepreneurship is to continue. As part of the new cultural plan, 







Charles Kuffner spots demographic shifts in the Fifth Ward: “To interview the candidates in District B, I made several visits into the Fifth Ward, which is a neighborhood I can’t honestly say I’d been to before. One of these interviews took me past 