The National Trust for Historic Preservation is now promoting a crowdfunding campaign to host some kind of multi-day art-slash-music-slash-sports festival inside the Astrodome, perhaps as depicted in the trippy rendering above shown on the campaign’s online fundraising page. (The campaign is one of the so-called Cities Project projects being coordinated by the National Trust and beer multinational Heineken; other projects around the country getting similar treatment include fundraising for a documentary about the war memorial-slash-swimming-pool in Waikiki, and fundraising for the restoration of some glass sidewalks in Seattle.)
Materials for the campaign (which also has the backing of the Astrodome Conservancy) say the event would “preview the Astrodome’s future use” (assuming no laws that happen to prevent a certain aging Dome from getting remodeled pass in Austin this summer). Details on what such a festival would actually look like are scarce, though some good examples of what not to aim for have been floated recently.
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Prepping for DomeFest
An essential addition to the growing list of guides for Houstonians on where not to go this weekend: the above map of road closures around the George R. Brown Convention Center district. Both red shading and cross-hatching mark the temporary carless zones, while a dashed black line shows the location of the perimeter fence for area events. Meanwhile, miles away at actual Super Bowl location NRG Stadium, other street closures were planned to go into effect yesterday evening (and are scheduled to last through Monday morning):
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Lines of Scrimmage
BUILDING THE BIGGEST LIVING ROOM IN THE WORLD From the prologue to The Astrodome: Building a Domed Spectacle, James Gast’s just-published history of the origins of the Harris County Domed Stadium: “The Astrodome is not a distinctive work of architecture. It is certainly not a bad building, nor is it an exceptionally beautiful one. The Astrodome ended its days as a major league venue in 1999, but it remains a uniquely inﬂuential building. On the simplest level, it changed the game of baseball and — in the opinion of legions of self-described purists — not for the better. If you happen to be a student of the game, you know that the artificial turf first introduced at the Astrodome changed the way baseball was played, placing a new emphasis on speed and spawning a generation of light-hitting speedsters playing on artificial turf fields with deep fences.
Off the field, the Astrodome’s creature comforts and barrage of electronic media forever changed the way the game is viewed. The Dome rose alongside the growing inﬂuence of television, and stood as a response to a commercial threat posed by television. To lure paying customers away from their TV sets and into the ballpark, stadiums needed to deliver comfort and amenities on par with the spectators’ living rooms. The Dome competed with television by emulating it: a comfortable seat, good food, and frequent electronic distractions. If, while at Phoenix’s Chase field, you find yourself engrossed in a video on the 6,200-square—foot high-definition scoreboard while enjoying curried chicken tacos with mint-marinated cucumbers and yogurt on top of scallion pancakes, you can thank — or curse — the Astrodome.” [Astrodome Book]
The Houston Livestock Show and Rodeo last Thursday approved the sale of its 18-ft.-tall painted but weathered bronze statue of Chief ‘Touch the Clouds’ from outside the Reliant Arena to an Oklahoma City suburb — for $50,000. The statue of the Miniconjou chief, who fought alongside his cousin Crazy Horse at the Battle of Little Big Horn, was donated to the Rodeo 16 years ago by its sculptor, Dave McGary. Reports that the Rodeo was looking to offload the sculpture from its perch about 300 yards southeast of the Astrodome surfaced late last year, a few months after McGary died of liver cancer.
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So Long, Chief
COMMENT OF THE DAY RUNNER-UP: DO NOT DETONATE “Sports [and Convention Corp.], Port Authority . . . let’s get rid of them.
The question of what to do with the Dome is a no-brainer. What would you do with your ‘old’ home once you got moved into your new ‘dream home’? Would you sell it? Would you lease it out? Would you donate it to a charity or non-profit? Would you demolish it and get NOTHING from it in return?
It would cost at least 200 million to 300 million dollars to replicate a structure/facility comparable to the Dome and how there could be anyone in Houston in favor of demolition is unimaginable.
In actuality, the referendum on Tuesday’s ballot was for the issuing of bonds totaling $217 million so that the Dome could be physically remodeled into a more versatile facility. Just because the referendum failed does not mean that the Dome will be demolished.
Hopefully, there is a majority of Harris County Commissioners who will not implode $300 million worth of Harris County assets for a new parking lot. If not, then maybe we should get rid of some commissioners also.
Houston, get real. Remember all the stadiums that the Chinese rushed to get completed for the Beijing Olympics? If we already have 2 right near each other why would we want to tear one down?
If Harris County doesn’t want to spend money to repurpose it in 2013 then we should wait . . . maybe in another couple of years — after all, Inner Loop real estate just keeps appreciating.” [joenormal, commenting on New I-45 Billboard Goes Up, Just in Time to Save the Astrodome?] Illustration: Lulu
COMMENT OF THE DAY: NAMING RIGHTS “. . . How ironic that the Astrodome is now called ‘Reliant Astrodome’ and suffers from an ‘electrical fire.’ Lame.” [David Beebe, commenting on The Short History of the Astrodome]
COMMENT OF THE DAY: THE ASTRODOME MOTHBALL SAVINGS PLAN “There was a Chronicle article a while back that estimated the cost of demolition at $30 million, as compared to something like $600,000 per year just to keep it in mothballs. I ran it through an NPV analysis, and it actually was not cost effective to tear it down. It’s better fiscal policy to keep it, even if we never use it for any purpose ever again. I’m not much of a sentimentalist, but this is the kind of historical preservation I can get behind. Anything to save a buck.” [TheNiche, commenting on County Judge Foresees New Use for Astrodome: Giant Enclosed Space, Shielded from Weather]
“Houston’s first Smashburger is going into an unnamed strip center at the intersection of Main Street and Kirby Drive, right beside Reliant Center,” reports Globe St.‘s Connie Gore:
[Ryan McMonagle, Smashburger’s CFO] tells GlobeSt.com that Dallas/Fort Worth and Houston each will start with two “grade A-plus locations” this year and reach eight to 10 before 2009 ends, putting the new chain on “a clear path to 30 over the next three-year period” in each city.
What’s a Smashburger?
Jason Sheehan of the Houston Press‘s sister publication Denver Westword says it’s a burger joint where
the burgers are truly smashed — thrown and mashed onto the flat-top grill with a press that I at first thought was for show, then realized played an important role. When a half-pound of ground, nicely fatty Angus beef is whacked onto the hot steel, it produces a flood of meat juice that caramelizes instantly into a crispy halo of blood and fat around the edge of the burger. It’s like meat candy, the delicacy you lose when a burger is cooked on a slotted grill — the traditional cooking surface for burgers smashed by hand.
Photo of Denver Smashburger interior: Flickr user johnny_nissan [license]