06/21/11 11:56am

Future architect Brinn Miracle takes readers on an in-depth exploration of all 9 homes that were featured in the Art Institute of Houston’s Modern Home Tour earlier this month, pointing out the kinds of issues that might not be so apparent from promo photos: “The one flaw I couldn’t overlook was the lack of door to the master bathroom. While its true that couples ‘share everything’, I doubt that anyone would want to be walked in on while using the toilet. The problem, as you’ll see in the photo, is that the entrance to the bathroom faces a huge mirror –– with a direct reflection of anyone sitting on the toilet. You have to walk past this bathroom entrance in order to leave the master bedroom, so unless your partner is okay with you dashing past while looking the other way, you’ll be stuck in the bedroom until the um…business…is done. How two people are supposed to get ready in the mornings is beyond me. ‘Honey, please go brush your teeth in bed while I take a leak. I’ll let you know when I’m finished.’ While this oversight put a damper on the project, it was very well thought out otherwise.” Also included: Miracle treatment of Collaborative Designworks’ Hyde Park Double.

Photos of 1818 Palm St., by Intexure Architects: Brinn Miracle

06/13/11 11:02am

A reader asks us to check out the views from the large windows in the master bath of this 1959 Woodshire 4-bedroom. Looks like you can see out, across a little inside court to the red curtains of . . . the master bedroom? Oh, and back atcha! Similarly, uh . . . inspiring views from behind those red curtains, into the bathroom and shower:

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06/06/11 11:42pm

COMMENT OF THE DAY: KEEPIN’ IT FRENCH “If a buyer does not appreciate authentic French construction or understand the architecture and passion involved to complete a showplace like this, keep moving. The basic bones are French and a crime to strip the beauty from it. . . . French rooms are meant to be ornate, lots of specialized woodwork, and rooms always separated from others. I know I just sold my parents authentic French home that took 4 years to build and 4 years on the drawing board. Every detail was studied and nothing too small to compromise the integrity of the house. They enjoyed the home for 15 years. I was privileged to live there and watch the delight on people’s faces as they toured the home. My point, a true French home only shines when it is in it’s original state. renovation of course. My parents loved Jerry Moore’s petite chateau. Keep it french.” [Meredith, commenting on On Second Thought, Nevermind: The $5 Million Gut-and-Flip of Jerry J. Moore’s Little French Castle in Houston]

05/18/11 5:01pm

After the Orange Show, the Beer Can House, and the Third Ward home of the Flower Man, probably no Houston home has accumulated more outsider-art street cred than Charles Fondow’s decades-long transformation of a former Riverside Terrace daycare center into a bubbling stew of half-timbered gables, turrets, and towering rooftop decks. The ongoing Wichita St. skyward expansion project had an air of mystery, too. In Jennifer Mathieu’s 2001 Houston Press profile, Fondow comes across as shy and self-effacing, though he had by then spent $300,000 and countless hours of hard work on his grand, mostly-DIY creation, inspired by visions he had collected from visits to exotic far-away lands like Russia and Green Bay, Wisconsin.

Fondow, who loved to travel, passed away in March after falling ill on a Caribbean cruise. His gotta-keep-adding home-improvement project had lasted 31 years. And earlier today, a for-sale sign went up on the property. The listing features a first public viewing of what everybody wants to see: the building’s innards. Could this place be just as weird and wonderful inside as what Fondow carefully assembled outside and on top?

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05/10/11 7:15pm

COMMENT OF THE DAY: WHEN THAT SECOND MASTER SUITE COMES IN REALLY HANDY “Its for when the inevitable divorce comes and they split the house between the east and west wings. Its alot cheaper than a fire sale and in a house this big, they could drop a wall down the middle and still have plenty spacious living. I’m sure the pool table room and the kitchen are in opposite wings for this same reason.” [Lost_In_Translation, commenting on Houston Home Listing Photo of the Day: Enter, Stage Upper Right]

04/18/11 9:33am

If, when the place was up for sale last year, you only liked what you saw of the legendary ornate sorta-replica French palace in Sherwood Forest that Houston strip-mall king and car collector Jerry J. Moore pieced together for himself from actual French parts, you’ll absolutely love the home in its latest incarnation: The 12,734-sq.-ft. interior has now been gutted completely. And, the home’s current owners hope, you’ll be willing to pay about $5.15 million more for it in its current condition than they were when they bought it about this time last year for just $3.75 million — you know, when the interior had things in it like floors and walls and ceilings, not to mention functioning electricity and plumbing. Also swept away by demolition crews for today’s more sophisticated, imaginative, and demanding buyer — Moore’s famous 26-car garage at the back of the property, with the “treehouse” quarters above it, as well as the poolhouse. Listing agent Diane Kingshill of Martha Turner Properties tells Swamplot both of those structures were in poor condition and had mold.

But if any mold was also hiding in the marble flooring, chandeliers, or extensive wood paneling of the main house, it’s clearly gone now. All that sweat equity put in by the current owners has many more benefits — certainly enough to justify the $8.9 million asking price with which the home has returned to this year’s much stronger market. Just see what interior vistas have been opened up, in a home once full of visual obstacles:

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04/11/11 8:19pm

COMMENT OF THE DAY: THE REAL REASON THEY DON’T BUILD SO MANY STEEL OR CONCRETE HOMES IN HOUSTON “Additionally, you’re very limited when building out of steel or concrete, engineering requirements limit the shape and interest in the house. The walls of the second floor HAVE to sit on another wall underneath and forget about turrets and towers (can be done but very difficult). Like it or not, in today’s market turrets and towers add interest to the elevation of the house and they sell!” [commonsense, commenting on Tin House Panic Grips West U]

04/08/11 11:13pm

COMMENT OF THE DAY: THE DISPOSABLE HOME “There is a reason we build out of toothpicks and plastic… Unlike in Europe Americans do not live in their parents houses and do not generally inherit them, tastes and needs also change. Hence a home that will last a few decades is perfect because it will be torn down in that time anyway and will provide new construction jobs and loan interest income. It’s the cycle of life of a home. This metal house will be torn down around the same time the stucco ones around it lose their appeal.” [commonsense, commenting on Tin House Panic Grips West U]

04/08/11 5:12pm

In an email to the West University city council, public works director Chris Peifer sounds the alarm about the steel-frame home with metal siding currently under construction at 2723 Centenary St., a couple blocks west of Kirby: “As the street view of this structure will deviate greatly from the typical street view/appearance of the neighborhood I wanted to give you notification,” Peifer writes, after noting that the city doesn’t prohibit the use of the materials on the home or regulate “personal taste or esthetics.” And then he adds this: “FYI…Heads up. There are high value properties directly adjacent to this property that may take exception.”

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04/05/11 3:48pm

COMMENT OF THE DAY: HOW HOUSTON’S EAST ENDERS HAVE RID THEMSELVES OF CLUTTER Small closets are a great tool for stuff reduction. Houston, and especially the East End, is still full of similar vintage 1000-1500 sq. ft houses designed for simple living.” [DanaX, commenting on Houston Home Listing Photo of the Day: Fountain]

03/31/11 10:07pm

COMMENT OF THE DAY: HOW MUCH FOR THAT RIVERSIDE TERRACE HOUSE WITH THE TURRETS? “. . . how does one set a price point for a house like this? I’m not one to persist in preserving things just because they’re kooky, but in this case it was one individual’s personal vision that has entertained and piqued local interest over the years.” [Claire de Lune, commenting on Charles Fondow Leaves His Wichita St. Mystery House Unfinished]

03/30/11 3:56pm

Houston’s longest-running home renovation project may never be completed, but work on the extraordinary 31-year-long effort has come to an end. Charles Fondow, the retired VA nurse and dedicated do-it-yourselfer whose ongoing home-improvement efforts in Riverside Terrace have intrigued and astounded neighbors and passers-by for decades, passed away earlier this month at the age of 64. Fondow began fixing up and adding on to his 2-story brick home on Wichita St. near Dowling shortly after he purchased the termite-ridden former duplex for $35,000 in 1980. Three years later, after Hurricane Alicia knocked a couple of trees onto the roof, he got the inspiration to add the property’s first 2 turrets — one modeled after a courthouse he had seen in Green Bay, Wisconsin, and the other a Russian-style onion dome. Later, Fondow began work on more additions to the property, including among many other features 2 giant decks, an elevator, a tall glass atrium, and a separate apartment in back.

“I would really love to get it finished before I die,” he told Houston Press reporter Jennifer Mathieu in 2001.

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03/24/11 10:17am

What says Bay Area luxury living better than a front entry at the end of a thin pedestrian bridge over your pool? This arresting multi-towered confection with the “don’t shoot me” stance quivers about a block from Galveston Bay in Seabrook. At ease, dude! We’re just here for the party.

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