01/09/12 12:26pm

The restaurant at 807 Taft St. closed Sunday after 6 years in the former Antone’s space — “for deep cleaning,” according to a sign posted on the door — but messages from Scott Tycer’s Kraftsmen Baking make it clear Gravitas’s problems won’t be fixed by a quick bout of scrubbing. According to Eater Houston, the restaurant had been under the management of the Liquid Gold restaurant group since May — while a sale was being negotiated — but the company decided to sell its stake back to Tycer in November. In a statement sent to Culturemap, Kraftsmen blames the closure on “the failure of Liquid Gold Hospitality, under the terms of our Operating Agreement with them, to maintain current payments on our bank note. . . . We have tried to negotiate with the bank, but they are forcing us to close the doors and they are taking our equipment in lieu of payment.”

Photo: XenoHumph

01/06/12 11:26pm

COMMENT OF THE DAY: WHAT PEOPLE DO IN HOUSTON “The reason that the 4th Ward shotguns were ‘shit,’ in my view, is that the marketplace decreed them as such. If they were valuable and well-liked, people would’ve bid up the price and competed to live in them. If the building materials were so fantastic, then there would’ve been an active salvage market on the parts. To my knowledge, that did not occur. Sure, what replaced these homes will have a shorter physical shelf life…but as demonstrated by the demolition of these sturdy homes, the economic shelf life is the deciding factor. As I stated previously, ‘People did what people do, and they did it in that location; that’s all!’ By building townhomes destined to become shit, people are doing what people do, and they’re doing it in that location; that’s all. Thereby, history is made…and I don’t care.” [TheNiche, commenting on Comment of the Day: Ballad of the Fourth Ward]

01/05/12 11:21pm

COMMENT OF THE DAY: FREEDMANSTOWNLAND ON THE GRAND PARKWAY “. . . We’re always talking about historical preservation, but I think it’s also important to preserve the ability for citizens to make the best use of the cities existing infrastructure and resources. Preserving swathes of near-town land precisely because we know it’s in high demand and primed for further development in the coming years seems a bit counterproductive to me. Freedmans town has not existed in a form that accurately reflects it’s origins, original community, or the trials and travails of initially settling the area that forms it’s importance in a very very long time. Why not set up a TIRZ in the area for future development to fund the relocation and rebuilding of a scale model freedmans town on the grand parkway that would allow a fuller and more beneficial teaching of the importance of the area and the people that settled it?” [joel, commenting on Comment of the Day: Ballad of the Fourth Ward]

01/04/12 10:08pm

COMMENT OF THE DAY: BALLAD OF THE FOURTH WARD “Freedman’s town is not a historic district under the City’s historic preservation ordinance. In fact, it is an excellent example of why historic districts are needed. Freedman’s town was where freed slaves settled after emancipation. The land was crap due to the flooding from the bayous. The residents built roads out of brick made by hand and constructed utilities. They basically built a thriving community out of swampland with their own hands. The area decayed and turned into crack town in the 1980s. In the late 1980s, Residents and activists were able to put over 500 buildings on the national register of historic places. Today, less than 30 of those buildings remain. And the effort to preserve the shot gun shacks was based on the historic and cultural value of the buildings, not just for the architecture. Had Freedman’s town had the protection of the current historic ordinance and a fraction of the kind of tax assistance that goes to stadiums, grand parkways and Walmarts, a significant piece of American history could have been saved and become a national tourist destination along the lines of Ebeneezer Baptist Church in Atlanta. . . .” [Old School, commenting on Daily Demolition Report: Dixie Chuck]

12/12/11 1:26pm

HOW THE RIVER OAKS HOUSE OF WOW BEGAN TO SPROUT Inspired by the enthusiasm of Swamplot commenters, Lisa Gray tracks down the story behind the looks-mild-from-the-street home of the Brill family, and its eclectic designer George Weinle: “They started with the dining room, which came to feel like something out of Oz. The custom-made dining-room table has an incredibly ornate pedestal: Weinle knew that Pat’s grandkids liked to play under the table, and he wanted them to have something to look at. Her Chippendale dining-room chairs are painted shocking mint green. An intricate red wooden chandelier that looks vaguely like a pagoda was made to George’s specifications; it hangs at the center of a ceiling painted to resemble a carousel top. Shiny blue woodwork fu dogs — the kind that guard Chinese restaurants — flank a doorway, and custom-made, vaguely Asian furnishings sprout as if of their own volition. The breakfast room, living room, entry way and library followed, bits and pieces at a time, done whenever Pat had the money. When George proposed the palm-tree pouf for the living room’s center, she called a retired decorator for a second opinion. “Either you’ll be a grand success or a laughingstock,” he told her. She took the chance. Twelve pillars in the living room? Gilding? More of those intricate wooden chandeliers? She said yes. [Houston Chronicle; previously on Swamplot]

11/28/11 10:59pm

COMMENT OF THE DAY: INSIDE POLITICS “I’m amazed nobody who ran against him had pictures of this interior . . . this alone would sink a lesser candidate. For Example, ‘Bob Lanier claims to represent Houstonians, but how can he relate to the common man when perched on his pretty, pink, princess bed!?!’ -or- ‘11 Bathrooms?!?! What is he trying to hide?!?!’ -or- ‘Bob Lanier is such a clown, his ceilings are painted like a circus tent!’ I do kinda like the ceilings though . . .”

11/28/11 11:01am

It’s been on the market for 2 and a half years, its price tag receiving regular trimmings during that time. And here’s the latest: The carefully choreographed 1988 River Oaks estate belonging to former mayor Bob Lanier and his wife, port commissioner Elyse Lanier, dropped a million more earlier this month. The 13,386-sq.-ft. pad is now available for just a smidge under $7 million, $5 million less than the original asking price.

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11/16/11 12:45pm

What’s that? The metal scrap heap formerly known as the Tavern on Gray (and before that, Blue Agave and several other temporary food-and-drink installations). Coming next to the corner of West Gray and Waugh: this 5-story Hanover West Gray apartment complex. The Tavern on Gray is now the Tavern on Milam, at 3017 Milam in Midtown.

More reader pics of the North Montrose scene the bar left behind, from over the weekend and early this week:

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11/02/11 4:00pm

A popular local dance move, caught on camera. Sent in from a reader who was shopping at the West Gray Kroger over the weekend: what looks like the final curtain call for the former Houston Ballet building a block to the west at 1916 West Gray. The Ballet’s new building opened Downtown earlier this year. Going up in place of its destroyed former home, which was previously a clothing factory: apartments.

Photo: Nate Frizzell

10/13/11 9:00am

Only 2 days on the market, and already this River Oaks home has become a Swamplot tipster favorite. Born in 1934 from plans by the Russell Brown Company, the home’s more recent mostly red- and green-hued interior is attributed to George Weinle, apparently a fan of hovering centerpieces. The 3- or 4-bedroom home sits quietly across from Elliott Park, just west of Kirby Dr. It’s been listed for just north of $2 million.

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09/29/11 10:23am

That thump you heard? The sound of this 33rd-floor Huntingdon penthouse once owned by Ken and Linda Lay dropping another million dollars. Over the weekend the asking price for the 12,827-sq.-ft. castle in the air fell to $6.99 million. Enron founder Ken Lay died in 2006, shortly after being convicted of 10 counts of securities fraud and related charges. His widow first put this little pied-à-terre at 2121 Kirby Dr. on the market in the fall of 2009, for $12.8 million. By the beginning of this year, it had floated down to $8,875,000.

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09/21/11 10:00am

Swamplot readers Michael F. Forlenza and Karen Kane wade into the long-simmering confusion over the best way to refer to the distinctive and still-transforming Montrose-area neighborhood of townhomes, bungalows, and “an increasing number of high-end, 4,000-square foot plus, newly-constructed residences” wedged between Shepherd and Dunlavy, south of the River Oaks Shopping Center and north of Westheimer. As indicated by this Montrose neighborhood map, the area is supposed to be called Vermont Commons (Driscoll and westward) and “Park” (the eastern half).

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08/08/11 11:32pm

COMMENT OF THE DAY: WE’RE DROWNING IN GROCERY STORES HERE “I love [Trader Joe’s] but [the] last thing I want is another grocery store within a 2-3 mile radius of my home in Montrose. Kroger @ West Gray, Kroger @ Montrose, Fiesta @ Dunlavy, HEB @ Dunlavy, Whole Foods @ Kirby, Whole Foods @ W. Gray, Rice Epi @ Westheimer/Weslayan, Central Market @ Westheimer/Weslayan, Randalls @ Westheimer/Shepherd . . . did I miss anyone? Let’s put it somewhere were it is needed like in the Heights. I would gladly drive there to shop at TJs!” [MVB, commenting on A Trader Joe’s in the Alabama Theater?]

07/27/11 2:02pm

HOW HOUSTON CON MEN BLOW THEIR COVERS Jennifer Estopinal gets all Encyclopedia Brown on Dinesh Shah, aka Dennis Shaw, aka the subject of Michael Phillips’s recent book Monster in River Oaks and John Nova Lomax’s 2-part con-man saga: “Estopinal then asked Shah what kind of law he practiced, and told her he was a semiretired New York corporate attorney back home in Houston to manage his many investments. ‘And I’m from River Oaks,’ he added. The arrow on Estopinal’s bullshit detector immediately leaped to DefCon Five. ‘People from River Oaks don’t just go around saying that,’ she says. ‘That was when I really knew something was up.’” [Houston Press; part one]