12/14/11 12:11pm

SHE WOULDN’T GET OUT OF BED, SO I SHOT HER A magazine for Houston real estate agents has this version of the backstory behind the body-in-the-bed photo featured in a Heights-area bungalow listing posted last week: “The current tenants are being evicted, and therefore, were uncooperative in making the home look attractive to any other buyers. They refused to clean it for showings and, clearly, even refused to move when [real estate agent Traye] Wise and his assistant stopped by to take interior photos for the listing website; Wise said he asked the husband if he could rouse his wife from bed so they could take just one photo of the bedroom’s interior sans tenants, and while the husband allegedly told his wife to get out of bed, she refused. ‘This was in no way done on purpose,’ Wise said about the bedroom photo. ‘It was supposed to be edited to take (the woman sleeping in bed) out. It was supposed to be Photoshopped, and my assistant put it up by mistake.’” [Houston Agent Magazine; previously on Swamplot]

12/12/11 1:26pm

HOW THE RIVER OAKS HOUSE OF WOW BEGAN TO SPROUT Inspired by the enthusiasm of Swamplot commenters, Lisa Gray tracks down the story behind the looks-mild-from-the-street home of the Brill family, and its eclectic designer George Weinle: “They started with the dining room, which came to feel like something out of Oz. The custom-made dining-room table has an incredibly ornate pedestal: Weinle knew that Pat’s grandkids liked to play under the table, and he wanted them to have something to look at. Her Chippendale dining-room chairs are painted shocking mint green. An intricate red wooden chandelier that looks vaguely like a pagoda was made to George’s specifications; it hangs at the center of a ceiling painted to resemble a carousel top. Shiny blue woodwork fu dogs — the kind that guard Chinese restaurants — flank a doorway, and custom-made, vaguely Asian furnishings sprout as if of their own volition. The breakfast room, living room, entry way and library followed, bits and pieces at a time, done whenever Pat had the money. When George proposed the palm-tree pouf for the living room’s center, she called a retired decorator for a second opinion. “Either you’ll be a grand success or a laughingstock,” he told her. She took the chance. Twelve pillars in the living room? Gilding? More of those intricate wooden chandeliers? She said yes. [Houston Chronicle; previously on Swamplot]

10/18/11 11:29pm

COMMENT OF THE DAY: HOME DECOR BY THE NUMBERS “I count eight framed jerseys. But I guess if you do the math — one jersey per 1150 sq ft — it’s not so bad.” [Carol, commenting on On the Market: Woodlands House of 1000 Pigments]

10/18/11 11:31am

No faux finishing technique — or potential painting surface — was spared in the latest redo of this 21-year-old 9,181-sq.-ft. Woodlands mansion in Grogan’s Point. You’ll count 6 or 7 bedrooms, 8 bathrooms, a study, and gameroom, all with walls carefully protected by multiple coats of carefully splotched pigment. Those finishing touches put the many wall colors of this home beyond the reach of description.

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10/13/11 9:00am

Only 2 days on the market, and already this River Oaks home has become a Swamplot tipster favorite. Born in 1934 from plans by the Russell Brown Company, the home’s more recent mostly red- and green-hued interior is attributed to George Weinle, apparently a fan of hovering centerpieces. The 3- or 4-bedroom home sits quietly across from Elliott Park, just west of Kirby Dr. It’s been listed for just north of $2 million.

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09/13/11 12:12pm

Also in the brand-new listing for a single-story “patio home” designed for the original owner by Preston Bolton off Yorktown: photos of the 2-bedroom, 2-bath pad from closer to its 1971 debut. If the now-empty home and its original blue kitchen don’t convey quite the air of Watergate-era sophistication you were looking for, try picturing yourself relaxing, internet-free, in the included black-and-white views. The 2,630-sq.-ft. home’s roof, AC, electrical panel, and water heater have all been replaced recently, but almost everything else is still as it was:

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