HIGHLY VISIBLE BILLBOARD REMINDS HOUSTON DRIVERS OF THE INVISIBILITY OF HOMELESSNESS 
You can’t miss it: Just south of Downtown, this pristine billboard went up recently above the northbound feeder of I-45. Its lonesome assertion, “Even the pigeons don’t see me,” is attributed to the “voice of the homeless.” What gives? Glasstire’s Paula Newton explains: “[I]t’s meant to raise awareness about homelessness. The billboard is a project by artist Jessica Crute in conjunction with a group show at Deborah Colton Gallery called Collective Identity. Crute [is] president and founder of a young non-profit organization Voice of the Homeless.” [Glasstire] Photo: Glasstire
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Public Art
A 3-block stretch of the median along Navigation Blvd. was outfitted yesterday with some functional swag — bike racks, bus stops, solar panels and LED string lights, shade screens, benches — designed to perk up the East End streetscape into a shaded little walkable market dubbed The Esplanade. The stretch in question spans N. St. Charles and Delano, running alongside the Original Ninfa’s and the recently opened El Tiempo Cantina.
The Art Guys are in there somewhere: On Friday the mischievous duo executed Good Fences Make Good Neighbors, the latest of their yearlong series of 12, umm, performances. Cocooning themselves in these 6-ft. sections of privacy fencing, Jack Massing and Michael Galbreth proceeded to spend 2 hours publicly scuttling about the reflecting pool and Hermann Square in front of the Joseph Finger-designed City Hall.
COMMENT OF THE DAY: LISTENING TO THE MONTROSE VORTEX 
“This looks like the tornadic vortex that tunneled through and created the Inversion House and could do the same to any bungalow left in Montrose. I’ve seen some of Renner’s gigantic spheres of the same colorful slats and this seems like the humongous fallopian tube that spit them out. It appears to move faster than the traffic that sits alongside it. I love that the colors reflect the rainbow flags along Westheimer left from the parade. Best of all is that HAA money went to a Houston artist! If I put my ear up to the big end, do I hear the live oaks singing? It appeals to all my senses.” [Mike, commenting on Now Ready To Be Looked At: Montrose “Funnel Tunnelâ€] Illustration: Lulu
On Friday the volunteer-painted strips of donated scrap wood were weaved through the previously installed steel frame, completing Patrick Renner’s “Funnel Tunnel.” Funded in part by $10,000 from the Houston Arts Alliance, the 6,700-pound, 180-ft. long — umm, thing, wriggles through the live oaks on the Montrose Blvd. median between Bomar and Willard, right in front of Inversion and Art League Houston. The Houston Chronicle’s Molly Glentzer reports: “The wood came from a turn-of-the-century cotton gin that was being dismantled near Interstate 10 East just inside the 610 Loop.”
A few more pics of the thing:
It’s taken a bit longer than Patrick Renner initially expected — he told Glasstire back in January that the “Funnel Tunnel” would be installed in February — but at least the sinuous steel frame that will be covered in repainted salvaged lumber was set up today in Hyde Park. You can see the giant tomato cage on Montrose Blvd., right in front of Inversion and the Art League of Houston.
- The Public in Public Art: Houston Community Helps Create “Funnel Tunnel†[Glasstire]
- Previously on Swamplot: Montrose: Where the Weird Things Are
Photos: Allyn West
A pair of Houston artists have really spruced up what’s left of the interior of this former beauty parlor on Dowling St. in the Third Ward. Funded in part by the Houston Arts Alliance, reports Glasstire, Robert Hodge and Phillip Pyle II bought secondhand furniture, wallpaper, knick-knacks, framed photographs of JFK, MLK, Jr., and JC (Jesus Christ, that is) and a rug for this crumbling shell of a building at Dowling and Stuart near the Project Row Houses, turning it into an temporary installation they’re calling “Beauty Box.”
BUFFALO BAYOU PUMP-N-SPRITZ ON THE FRITZ 
Open Channel Flow — that 60-ft. public showerhead behind the Lee and Joe Jamail Skatepark — cost $154,000 to build. Apparently, that sum didn’t include any rainy-day money for maintenance: Pump all you’d like, reports Hair Balls’ Brittanie Shey, but nothing’s coming out. To find out why, Shey says she contacted the artist, Matthew Geller, city council member Ed Gonzalez, and members of the Buffalo Bayou Partnership and Houston Parks, and no one had an answer. Eventually, Gonzalez’s chief of staff was able to pass the buck: “He told me that the artwork falls under the jurisdiction of the Public Works and Engineering department, and that the department had fielded a request in March to repair the sculpture. That repair had apparently not been made. ‘We’ve asked for that to be investigated,’ he said.” [Hair Balls; previously on Swamplot] Photos: Metalab
COMMENT OF THE DAY RUNNER-UP: HOW TO MEMORIALIZE A CITY OF OPEN SPACES, ONCE ALL THE VACANT LOTS ARE FILLED “. . . I’ve been saying for a long time that the city should be actively acquiring and developing one lot in each neighborhood as a pocket park with some kind of unique sculpture or statue as its centerpiece. Some kind of consistent theme of that sort could form the basis for grassroots tourism of a unique variety. Sort of a park crawl rather than a pub crawl . . . or perhaps both at the same [time]. Houston’s best assets, after all, are our neighborhoods. We should show them off.” [TheNiche, commenting on Headlines: Vargo’s Comes Down; The Honeywood Trail House of Honey]
That there’s some pretty bad Feng Shui going down in this commercial for Honda, which was filmed in Vancouver and shown on teevee and the web beginning last October. The man behind the wheel of the CR-V sure is driving some bad chi into the gullet of the far-from-the-prairie home at the end of the T-intersection, to the encouraging narration of Garrison Keillor. But isn’t the house kinda asking for it anyway, what with all that glimmering vortex-popping and all?
And gee, doesn’t the hole stabbing through the house look a heck of a lot like . . . that temporary sculpture that stood on Montrose Blvd. in Houston a few years back? Portal to another dimension? Naah — from here it looks more like a shortcut to Grant St.
Chalk this one up to wishful thinking: Over the weekend, the Fifth Ward CRC, led by a pair of interns from Rice University, hung a basket of chalk and this chalkboard on the exterior wall of a vacant corner grocery (with an awning seemingly inspired by Charlie Brown’s T-shirt) at 4101 Lyons. One of the interns, Heidi Kahle — who’s minoring at Rice in “Poverty, Justice, and Human Capabilities,” a brief bio states — says that the idea’s for Fifth Ward residents to compile a wish list for their community by completing the sentence and filling in the blank: “I wish the Fifth Ward . . . .” As of yesterday, the project’s blog adds, all the blanks had been filled in, with such wishes as “Prosperity” and “Nonviolence” and “Overflow Blessings.”
THE MULLET MANAGES TO PAY RENT 
The graffiti training ground known as The Mullet spent much of this week pleading on Facebook for donations to help cover $2,000 in rent and avoid a lock out of the repainted warehouse at 10902 Kingspoint Rd. between Fuqua and Almeda Genoa Rd., reports the Houston Chronicle‘s Francisca Ortega, but it appears that the spraypainting will be able to go on a little while longer: “After making the plea they received about $800 from about 10 different donors. A benefactor then agreed to cover the rest. . . . With the next 30 days of rent covered, [co-curator Justin] Hinojosa said they are looking forward to next month and raising money to help cover the final facility structural improvements.” [Houston Chronicle] Photo: Candace Garcia
THE BEST REPAINTING JOB IN THE CITY 
Iterative Obama muralist Reginald Adams relays his account of the 3 separate murals he designed for the West Alabama St. wall of a Travis St. building for Breakfast Klub owner Marcus Davis — and his responses to the 4 separate paint adjustments made to it by successive vandals: “It triggers some things I was raised around — if someone knocks you down you get back up. Now other people are invested so I feel obligated not to let someone’s ignorance deter my work. I’ve got a lot of paint and a lot of life ahead of me and I think I can outlast the vandal. As crazy as this has all been it hasn’t hurt my brand as an artist. I’ve gotten more PR out of this work than from 150 projects I’ve done. If the vandal wants to keep playing, I’m in it until the end. . . . the vandalism is creating new opportunities for me to think about the imagery, to engage the public in new ways, create new conversations, and to meet new amazing people. The GE corporation wants me for a new mural because they saw the Obama story. The vandal is not thinking it — but he’s enriching my art career.†[Glasstire; previously on Swamplot] Photo: Candace Garcia
Look at the baby! Wednesday night Reginald Adams led a team of volunteers in painting this archetypal smooch in place of the ever-changing mural on the side of the former Democratic campaign headquarters at the corner of West Alabama and Travis in Midtown.
- New image replaces defaced Obama mural [Houston Chronicle]
- Previously on Swamplot: The Continuing Houston History of President Obama, in 6 Photos
Photo: Candace Garcia
Invasion of the Art Snatchers: Carrie Schneider and Alex Tu, pictured above (though not in their everyday wear), are planning to reproduce the Art Guy Michael Galbreth’s “The Human Tour,” reports Houston Press‘s Meredith Deliso. As a UH student in 1987, Galbreth came up with the crosstown tour: a 40-mile, anatomically correct urban hike in the shape of a human figure.
