08/19/11 12:53pm

Sculptor Dan Havel sends in photos of the construction he and fellow demo artist Dean Ruck have been working on for months in a new pocket park at 3705 Lyons Ave. More than a month before its debut as the backdrop for a community concert (yes, that’s a stage poking out from the front), Havel says their project is “substantially complete,” though there are still a few more details to fill in, including stairs for the stage and some landscaping. Working from a ready-to-be-knocked-down house from a couple miles northeast at 3012 Erastus St., Havel and Ruck added, ahem, a whole lot of support to the interior, as these photos taken earlier in the summer show:

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07/11/11 10:55am

A reader sends in photos of several signs posted near the corner of Spring and Goliad streets, in the shadow of the 45 overpasses not too far north of Downtown. And there they are, like halved pears, stripped skinless, golden in heavy syrup. Our tipster wants to know who the artist is. (And really, don’t you?) Also, if this qualifies as . . . graffoetry? Grafauxetry?

More First Ward sign findings below:

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07/05/11 2:44pm

CY TWOMBLY, 1928-2011 Famed scribbler and smudger Cy Twombly died earlier today in Rome after a battle with cancer. He was 83. A ceiling painting created by the shy former army cryptologist for the Louvre opened to the public just last year. In 1995, a permanent exhibition of his works opened in Renzo Piano’s quiet addition to the Menil Collection at 1501 Branard St. in Montrose. [Arts Beat] Photo: Stephen Bridges

06/29/11 1:35pm

After a 3-year delay, construction is ready to begin on the new Sicardi Gallery at 1506 West Alabama, catty-corner from the Houston Center for Photography at Mulberry St. and across the street from the Menil parking lot. A groundbreaking ceremony was held yesterday. There’s been at least one design change from Brave Architecture’s earlier versions of the project: The latest rendering (above) shows a large window in the building’s formerly blank south-facing forehead, looking onto the parking lot in front.

Rendering: Brave Architecture

06/28/11 6:19pm

Patrons of the fast-paced arts, you have less than 55 hours left to fund the hotsheet action planned for Richwood Place’s Skydive exhibition space next month. In a somewhat compressed version of the typical summertime creative retreat, the converted home at 2041 Norfolk St. will play host to a stream of 50-something artists taking up residency — each of them for only an hour or 2 or 12, though. (That should be enough: With all the chit-chatting, hobnobbing, and strategic carousing, how much would you have expected an Elaine Bradford, Rachel Hecker, or any of the dedicated nappers of the NAP Church to get done in a couple of weeks at Yaddo, anyway?) The Houston Many Mini event follows a similar project that took place in Berlin a couple of years ago (the next is scheduled for Copenhagen). Slots for the week of July 10-16th appear to be all filled, but the Kickstarter project that’s hoping to pay for part of the exercise is currently stuck at less than half its fundraising goal.

Photo of 2041 Norfolk St.: Skydive

06/28/11 3:04pm

JACK JOHNSON, STILL DRAWING THE CROWDS IN GALVESTON On the agenda for the next meeting of GRACE, the homeownership organization in charge of The Oaks housing development at 4300 Broadway in Galveston: A discussion of Earl Jones’s sculpture of former world heavyweight boxing champion and Galveston native Jack Johnson, carved out of the trunk of a subdivision oak tree killed by Hurricane Ike. Homeowners association President Frank Rivera has been campaigning to have the stature moved. His complaint: That the Johnson statue was bringing a stream of tourists and other visitors to the neighborhood, creating traffic and disrupting the peace. But a canvas of residents over the weekend by 2 housing authority board members turned up only 2 who said they didn’t want the sculpture. [Galveston County Daily News; background; previously on Swamplot] Photo: Click2Houston

06/27/11 12:52pm

MARY’S GENITALS, AS THEY WERE Groinal abnormalities painted onto the recreated Mary’s mural at 1022 Westheimer only hours after it was completed were quickly removed in time for Saturday’s Houston Pride Parade, on-the-spot culture reporter Steven Thomson assures us: “The sexual playing field and artistic integrity were quickly restored on Friday morning as [artist Cody] Ledvina sanded down the unwanted addition and repainted the former crotches, true to form.” [Culturemap; previously on Swamplot] Photo: Cameron Blaylock

06/27/11 11:25am

BATTLE OF THE HOUSTON ART FAIRS Kelly Klaasmeyer scores the 2 rival events planned for this fall, all the while hoping that “a crop of completely unsanctioned peripheral shows and events will erupt and liven things up.”: “What Houston is getting are two temporary art malls. That’s what art fairs are, malls for art. They can be malls with good art or bad art but they are still malls. But, hey, I like shopping. And I’m not so idealistic that I’m going to pretend that art isn’t a commodity. And if they are good malls, then maybe more people will come to us for their art shopping needs. And maybe they will discover Houston artists to collect. Hopefully all the events for VIP collectors, ‘cocktail parties at collectors’ homes, special museum tours, viewings of corporate collections and on-site receptions’ will help the cause as well. But I’m not so gullible that I’m going to believe these are somehow civic events. (And they are by no means free to the public.) Oil is high now and Houston has money. Here come the carpetbagger-fair organizers.” [Glasstire]

06/23/11 3:55pm

Installed yesterday morning on the 3rd floor of the city’s new permit HQ and Green Resource Center at 1002 Washington Ave., which features dozens of other artworks: a text wall by Mary Margaret Hansen, the project’s lead artist. “Last spring, I filled entire yellow legal pads with transcriptions of real conversations, then got it all on a lengthy word document and finally edited it to phrases and expressions that best exemplify what happens when the city takes a look at a set of plans,” she writes. “Too wet! Mud in the beams. Call back when it dries up.” Also: “What about the fees?” and “I have lingering doubts.” Your favorites are all here. Or at least some of them:

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06/20/11 10:33pm

Don’t get too excited over the reappearance this week of Will, Cassandra, Scotty, Mr. Balls, and the rest of the gay leather-or-fur-clad gang on the side of the former Mary’s bar at 1022 Westheimer. The legendary cliche-ridden Montrose mural, which was painted over about 5 years ago, is being recreated by a team of artists in time for next Saturday’s Houston Pride Parade. But according to new building owner Bobby Heugel, the recreation will only remain on the building for a month or so. Heugel tweets that he wants the building’s wall space to become “an evolving urban art centerpiece.” The proprietor of the Anvil Bar & Refuge plans to use the unbuilt portions of the Mary’s site as a parking lot for his new Hay Merchant craft beer bar and Chris Shepherd’s Underbelly restaurant, both going into the former Chances Bar next door, across Waugh Dr.

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06/06/11 11:42am

Okay, well at least it’s a history of the mural version of the Shepard Fairey poster based on Mannie Garcia’s photo, painted back in February 2008 onto the West Alabama side of the former Obama campaign headquarters at 3710 Travis St. Candace Garcia’s photos show the mural as it appeared a few days after the 2008 election (top) and shortly after the President’s midterm shellacking — and the mural’s Midtown spattering — late last year (middle). The bottom photo shows the result of a little rehabilitation work completed late last week, clearly meant to cover up and gloss over all the wear and tear Obama’s image has suffered over the last several years, and put it in brighter shape for the 2012 election season.

Photos: Candace Garcia

05/18/11 5:01pm

After the Orange Show, the Beer Can House, and the Third Ward home of the Flower Man, probably no Houston home has accumulated more outsider-art street cred than Charles Fondow’s decades-long transformation of a former Riverside Terrace daycare center into a bubbling stew of half-timbered gables, turrets, and towering rooftop decks. The ongoing Wichita St. skyward expansion project had an air of mystery, too. In Jennifer Mathieu’s 2001 Houston Press profile, Fondow comes across as shy and self-effacing, though he had by then spent $300,000 and countless hours of hard work on his grand, mostly-DIY creation, inspired by visions he had collected from visits to exotic far-away lands like Russia and Green Bay, Wisconsin.

Fondow, who loved to travel, passed away in March after falling ill on a Caribbean cruise. His gotta-keep-adding home-improvement project had lasted 31 years. And earlier today, a for-sale sign went up on the property. The listing features a first public viewing of what everybody wants to see: the building’s innards. Could this place be just as weird and wonderful inside as what Fondow carefully assembled outside and on top?

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04/25/11 11:54am

A buyer has at last been found for the carefully constructed Forbidden City exhibit at the shuttered Forbidden Gardens attraction in Katy. Well . . . for a portion of it, at least. Ben Cornblath is director of the museum and cultural center that closed under mysterious circumstances in February, then held an open-to-the-public selloff of many of its holdings. He tells Swamplot that a group of people in an “environmental” company associated with the Houston Livestock Show & Rodeo has expressed interest in . . . that big shed that’s been standing over the model and protecting it from things like sleet, Hurricane Ike, and the Houston sun. The park is still awaiting the company’s bid. Cornblath says such structures appear to be a rare commodity around the metropolitan area, and this one has a strong track record of sheltering an entire miniature Middle Kingdom city for nearly a decade and a half. But getting the steel structure out of there won’t be easy: The move may require a crane.

What about that thing beneath the sought-after roof, the one-twentieth-scale model of Beijing’s Forbidden City?

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04/20/11 2:37pm

Included in the upgrades to the University of Houston’s Blaffer Art Museum, scheduled to be complete by the start of next year: an actual bathroom for visitors. Plus: a better elevator. If you’d rather take the stairs, you’ll have this new proboscis to pass through, on the building’s north face, wrapped in vertical bands of clear and textured channel glass. That sorta-Cullen Sculpture Garden-looking slanted wall-column thing supporting it, which architect Dan Wood of New York’s WORKac calls the “wallumn,” should help block the view of the loading dock. And it’ll frame a brand new entrance on that side, facing the unnamed street and parking lot in front of it that parallels Elgin. The $2 million renovation (Blaffer spokesperson Jeffrey Bowen says $1.75 million worth of pledges have already been raised) won’t increase the amount of gallery space, but it should make the institution more visible on campus and allow for more activity in the back courtyard it shares with the rest of the university’s fine-arts building:

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