COMMENT OF THE DAY: HOUSTON’S MISSING DISTRICT OF GOOD-ENOUGH OLD BUILDINGS “I think the general feeling on this one from historically/architecturally sensitive people like myself is that while it’s not the greatest building ever built in Houston, it’s a lot greater than what is on at least 100 of the blocks downtown. This is where you get to the difference between Houston and a city like San Antonio, which still has a significant historical flavor in its downtown. Most historic buildings are not great, they’re average. If you only preserve the landmarks, most of your historic stock gets wiped out and you lose that historic dimension in your city. San Antonio does not allow its historic buildings to be torn down, and thus maintains a vibrant historical (and walkable) downtown core, while leaving plenty of room for new buildings. Houston started out with roughly as many early 20th century buildings as San Antonio had, it just didn’t preserve them.” [Mike, commenting on Houston Club Building Will Be Demolished, Say Auctioneers]
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Historic Preservation
The 1955 building Houston architects MacKie and Kamrath designed (along with several later additions) for the University of Texas Dental Branch will be removed from its home at the corner of MD Anderson Blvd. and Moursund in the Med Center, according to the Texas Historical Commission. The UT School of Dentistry abandoned the 5-story, granite-faced building earlier this year for a new 300,000-sq.-ft. facility in the new UT Health Science Center Research Park south of the Med Center proper (and OST) at 7500 Cambridge St. UT’s M.D. Anderson Cancer Center, which owns the Med Center site, hasn’t yet announced a schedule for the demolition.
Some sort of work has begun on the remains of the Bethel Missionary Baptist Church on the corner of Andrews St. and Crosby in the Fourth Ward, a reader reports: “About a week ago someone put up new fencing around it, and in the past few days construction crews have started doing something to it (not sure what). . . . It used to be that the church itself was fenced off and the grassy area behind it (where the trucks are now) was open (lots of people . . . used it as an impromptu dog park). Then they pushed the fence back to cover the whole block and the trucks came in. Most mornings this week workers are dumping a bunch of stone into a waste bin that’s hauled off. I can only assume the stone is coming from the church (I don’t see where else its coming from), but I couldn’t swear to it.”
COMMENT OF THE DAY: KEEPING PRESERVATION UP TO DATE “I’m glad to see it’s still standing, glad the wiring and plumbing have been upgraded so that it won’t burn down or rot in place. The rest is just personal taste, and fleeting. In other words, I’m delighted. I just visited San Antonio, where every other building dated back to the 1800s or early 1900s. A lot of them had been reno’d over and over again, at least on the inside. Some had kept a lot of period detail; some hadn’t. This made them alive, much in the same way that the English language lives by constantly changing. One of my tour guides had been born in a hospital building on the riverwalk. The place had long ago been converted to an office building with tchochke shops in front, but the guide was proud that the building was still standing after being the birthplace of a century of San Antonians. If we in Houston make our buildings stay vital, useful, desireable and, most of all, sound, they will live on and make Houston a place we’ll be happy to show to our grandkids.” [Sihaya, commenting on The Plan To Flip Houston’s LBJ House]
The latest creation of Julia Gabriel, Houston’s favorite doomed-building-backpack artist, focuses on the long-vacant Ben Milam Hotel at the corner of Crawford and Texas downtown, left alone as a long-foul-ball target outside Minute Maid Park since — well, at least since the days of Enron Field. Before then, Gabriel notes, it was Houston’s first-ever fully air-conditioned hotel, the first in the city to have a TeeVee in every room, and the first to feature a rooftop swimming pool.
The artist’s rendition of a now-vanished Westheimer duplex-turned-antique store (featured on Swamplot last month) required just a single bag with straps. But to capture the ghostly spirit of the Ben Milam at 1717 Texas Ave., she needed 13 separate packs, bags, totes, and purses. Pinned to a wall, they follow the contours of a photo Gabriel snapped of the structure’s north face back in March (at top). Attached to the backs of you and your dozen-closest friends, though, who could figure out that secret history? Here’s a video of Gabriel foreshadowing the inevitable demolition of architect Joseph Finger’s 1928 creation, by showing how her own assemblage comes apart, bag by bag:
COMMENT OF THE DAY: CHOOSING WHICH HISTORY TO PRESERVE “I don’t understand how we’re supposed to decide which moment of time in history we are all supposed to value more than all the other moments in history. A vacant lot is actually much closer to the historical use of this site. It was vacant for millions of years before someone built a farm there. Many decades later someone decided the farm had to go to make room for a house. Several more decades pass and someone else wants to use the site for a bigger house. To argue over the type of house best suited for this lot seems silly. I propose that we use eminent domain to condemn every non-agricultural structure that currently exists more than one mile from Allen’s Landing. Let’s bulldoze them all and write zoning laws that allow only farm, ranch or wildlife use for everything else within the city limits. We can all move into downtown high rises that are super duper dense, walkable and mixed use. And we’ll have a choo choo train on every street and ban cars. Yippeee!!!!!!!!!!” [Bernard, commenting on A Brief Illustrated Guide to Bungalow Removal]
House or lot? While the listing mentions this home’s architectural pedigree, most of the photos in the description feature the heavily wooded 2.8 acres on an oxbow of Buffalo Bayou in Memorial’s Village of Hunters Creek.
Built in 1967, the home looks very much as originally designed by architect Richard S. Colley a decade earlier. Houston Mod recently spotlighted the distinctive domain, dubbed the Greer House after its original and longtime owners. Beneath its rooftop pyramid, which has a span of about 30 ft., there’s an even larger interior courtyard with ancillary gardens and a 200-year-old fountain from Mexico. The plantings are a bit overgrown these days since the owner moved out 5 years ago. But here’s how things looked when the property was still occupied:
Houston’s 13th annual “What Shall We Do with the Astrodome?” media season kicked off yesterday with a tour of the shuttered facility open to local reporters and photographers willing to sweat a little in the no-longer-air-conditioned space, sign a release, and hold their noses. What was that offending scent? Teevee news reporters politely referred to it in their reports as “mildew” or a “musty” odor, but Swamplot photographer Candace Garcia calls it as she sniffed it: “The smell of mold was overwhelming,” she reports.
COMMENT OF THE DAY: THE BEST IDEAS FOR REINVENTING THE ASTRODOME WILL COME AFTER IT’S DEMOLISHED “. . . Yes, it’s hard to find a profitable idea for it now, but if we tear it down, we could spend hundreds of years saying ‘Oh, why didn’t we just think to do this?’ Most buildings that we think of now as grand and historic went through a long time when people thought they were worthless. They came close to tearing down Notre Dame cathedral and Grand Central Station . . . and they actually did tear down Penn Station and the Abbey of Cluny. And looking back you say, ‘How was it possible?’ But almost all great buildings go through phases where it’s not obvious why it should remain standing. Better to hold off on the trigger finger.” [Mike, commenting on How Harris County Has Been Letting the Astrodome Rot]
Teevee reporter Courtney Zubowski follows up on questions raised by some recent photos published on Swamplot: Just how badly trashed is the Astrodome? The county claims to be spending $2 to $3 million a year to maintain the vacant structure, but apparently that amount isn’t enough to keep the place presentable. A burst 8th-floor pipe has drenched the Astroturf, seats are caked with dust, pipe insulation is frayed, and hung ceilings have collapsed on office space:
Update: Olajuwon’s DR34M store is now open.
Hakeem Olajuwon hasn’t officially announced what he plans to do with Clear Lake’s landmarked Jim West Mansion, which he bought along with the surrounding 41-acre property at 3303 NASA Pkwy. in 2006. But a teaser website suggests that the former Houston Rockets center intends to transform the oil and cattle baron’s former estate — which served for a time as NASA’s Lunar Science Institute — into a flagship store for DR34M, the clothing line he introduced before a New Year’s Eve Rockets game in 2010, but that hasn’t drawn much attention since.
“The DR34M Spring 2012 Collection will launch online and in our new Houston flagship store,” announces the website at Dr34m.com. It’s illustrated with a photo of the 17,000-sq.-ft. Italianate mansion, which was designed by Houston city hall architect Joseph Finger and completed in 1930 not far from the current site of Houston’s Johnson Space Center. “We are busy designing a new line of clothing, collaborating on a collection of leather bags and accessories and sourcing modern furniture,” reads the brief copy, which is accompanied by Olajuwon’s signature.
Isn’t Weingarten Realty going to preserve some of the interior of its landmarked Alabama Theater as it makes the space ready for Trader Joe’s — or if that deal somehow falls through, some other tenant? Sure: The lobby and theater ceilings are being left alone, and a decorative plaster “medallion” on the north wall is supposed to remain in place — though it’ll be stripped of some outer layers. An upper section of the balcony will also stay, along with some light fixtures in the lobby. But other than those items, the entire 1939 theater space — or rather, what’s left of it after Weingarten encased the auditorium’s preserved sloped floor in concrete last year — is being gutted, according to plans drawn up for the project by Heights Venture Architects. A permit for the conversion of the historic Art Deco building to a retail “shell” was granted by the city earlier this week.
HOUSTON PRESERVATIONISTS MOVE TO STRIP CENTER, CHANGE NAME 
The Greater Houston Preservation Alliance’s days as a scrappy preservation organization housed in offices in the historic 1929 Gulf building downtown are over. From now on, it’ll be a scrappy preservation organization housed in offices in a Westheimer Rd. strip center. Okay, it’s that fancy brick-clad River Oaks strip center with the argyle tower across at 3272 Westheimer, across from Lamar High School. And it’s name is gonna change too. The GHPA shall now be known as Preservation Houston. [GHPA Preservation Houston; previously on Swamplot] Photo: Jim Parsons/Preservation Houston
COMMENT OF THE DAY: WHAT PEOPLE DO IN HOUSTON “The reason that the 4th Ward shotguns were ‘shit,’ in my view, is that the marketplace decreed them as such. If they were valuable and well-liked, people would’ve bid up the price and competed to live in them. If the building materials were so fantastic, then there would’ve been an active salvage market on the parts. To my knowledge, that did not occur. Sure, what replaced these homes will have a shorter physical shelf life…but as demonstrated by the demolition of these sturdy homes, the economic shelf life is the deciding factor. As I stated previously, ‘People did what people do, and they did it in that location; that’s all!’ By building townhomes destined to become shit, people are doing what people do, and they’re doing it in that location; that’s all. Thereby, history is made…and I don’t care.” [TheNiche, commenting on Comment of the Day: Ballad of the Fourth Ward]
COMMENT OF THE DAY: FREEDMANSTOWNLAND ON THE GRAND PARKWAY “. . . We’re always talking about historical preservation, but I think it’s also important to preserve the ability for citizens to make the best use of the cities existing infrastructure and resources. Preserving swathes of near-town land precisely because we know it’s in high demand and primed for further development in the coming years seems a bit counterproductive to me. Freedmans town has not existed in a form that accurately reflects it’s origins, original community, or the trials and travails of initially settling the area that forms it’s importance in a very very long time. Why not set up a TIRZ in the area for future development to fund the relocation and rebuilding of a scale model freedmans town on the grand parkway that would allow a fuller and more beneficial teaching of the importance of the area and the people that settled it?” [joel, commenting on Comment of the Day: Ballad of the Fourth Ward]