FINE DINING, 24-HOUR ROOM SERVICE AND BUTLERS TOTING WINE COMING TO MOSAIC ON ALMEDA RD. 
A reader sends in this photo of Davis St. at Hermann Park, a fine-dining establishment officially opening Wednesday on the ground floor of the Mosaic on Hermann Park at 5925 Almeda Rd. According to our reader this stretch of Almeda —across the street from the park’s golf course and south of Binz St. — is something of a restaurant desert. “I am eagerly awaiting more variety than Fuddruckers & Luby’s” the reader says. Mosaic residents can avail themselves of 24-7 in-room dining, as well as  “private wine storage with handpicked wines from around the world by our in-house sommelier featuring 24-hour access through our bonded butler service.” Non-Mosaic-dwelling Houstonians will have to avail themselves of the restaurant’s fare in the dining room and during normal business hours. [Davis Street at Hermann Park] Swamplot inbox
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COMMENT OF THE DAY: FLOATING THE STUCK-ON STONE BELOW THE STUCCO 
“Can just one builder find a way to transition a column [see photo detail at right] to the ground instead of the ridiculous ‘high-water’ pants look? It looks stupid and yet you see it everywhere. I assume for stucco construction it’s done to prevent water seeping/rot.” [Limestone, commenting on Wainscot World: Channeling the Paneling Within an Almost New Older Home in Mandell Place Seeking $1.35M] Photo: HAR
TILDA GOES FULL MENIL 
From the looks of this W magazine fashion shoot with photographer Tim Walker, glacial space oddity Tilda Swinton managed to gaze upon and or fondle every objet d’art John and Dominique de Menil brought to Houston, be those treasures stashed away in their River Oaks home or on display in the Montrose museum. At the latter, while wafting through the South Seas galleries in a full-length Del Pozo coat, Swinton was in the mood to coo, ah and ooh. “They presumed art to be good for human dignity,†Swinton says of the de Menils to William Middleton, W correspondent and author of an upcoming biography on the arts patrons. “There is a practical magic that shows itself in the exquisite simplicity of each installation; there is nothing to get in the way of a direct relationship between the viewer and a work of art.†(With unfortunate results, in one high-profile recent case.) Swinton also donned “a painted metal corset by the London designer Johanna O’Hagan, a pair of black boots by Versace, and little else” in order to recreate Retour de la Belle Jardinière, Max Ernst’s 1967 reincarnation of his own La Belle Jardinière, a 1923 Surrealist near-nude that was later condemned as “degenerate art” by the Nazis and presumably destroyed. (The first Jardinière was itself Ernst’s reworking of a Raphael Madonna-and-Child painting by the same name.) The de Menils purchased Retour, thus affording Swinton and Walker the chance to shoot a retour of a retour of a retour of la Belle Jardinière. “This is the special magic of these collaborations,†Swinton tells Middleton, still clad in her skimpy Jardinière regalia. “There is not just a vague referencing of de Menil but also an immersion into her world. We’re crossing into a no-man’s-land between history and imagination, in an attempt to evoke her spirit, and the spirit of the world she inhabited.†[W ] Photo: Tim Walker / W magazine.
HAS THE INNER LOOP BEEN RUINED BY OLIGARCHS? 
“A brutal strain of neoliberalism” and Houston’s disdain for its own history taken to “gothic extremes” have allowed developers to transform Inner Loop Houston from a “bastion for the creative class” to an “exclusive playland for the rich” in a few short years, writes Anis Shivani of Alternet. (The essay was later rebroadcast from the bully-er pulpit of Salon.com.) The nexus of Shivani’s lament is Steel St., the oak-lined Upper Kirby avenue that was once home to the Kirby Court Apartments and is now the site of an upcoming Hanover Company apartment building. Shivani, a poet, critic and fiction writer, sees the transformation of Steel St. (where he lives in a townhouse an apartment) as a microcosm for the changes going on across the Inner Loop, where “unoccupied zombie high-rises which are pure investment vehicles for global investors” are displacing the “artists, writers and eccentrics from around the country [who] descended in droves in the 2000s to take advantage of Houston’s livability.” Today’s Houston is “as unaffordable as Los Angeles or New York,” Shivani says. Among the more prominent events in this transmogrification: Last year’s demise of lively public-private space” Taco Milagro, where the “food was very healthy and people from all over the city danced the night away and congregated on the large patio.” Also, changes to the scenery of Memorial Park, where the “drought had supposedly killed” “oaks that were planted in the 1920s by the city fathers.” Shivani writes: “[In] the blink of an eye, without public discussion, the trees were demolished.” [Alternet; Salon; previously on Swamplot.] Photo: Jessie Wilson
BAYOU SWIMMING HOLE PROMOTERS JUMP TO KICKSTARTER TO JUMPSTART PROJECT 
Just how feasible would it be to build a 3-acre self-cleaning swimming hole somewhere near the center of Houston, so you could take your own bathing-suits-and-skyscrapers pics like the one shown here — without resorting to Photoshop? If enough people donate to the Kickstarter for the Houston Needs a Swimming Hole campaign, you may get to find out. Promoters Monte Large, Evan O’Neil, and Jeff Kaplan are hoping to raise $30,000 from contributors for a feasibility study for their proposal — including a preliminary site selection component. The study would be conducted by Sherwood Design Engineers, whose Houston branch is a tenant in office space connected to Kaplan’s New Living store on Kirby Dr. The swimming hole, meant to serve as a centerpiece of Houston’s growing our-bayous-are-our-parks system, would be patterned on the natural swimming pool model common in Europe, where adjacent plant-filled “regeneration zones” filter the water, and no chemicals are needed. [Kickstarter; more info] Photo: Houston Needs a Swimming Hole
FERTITTA: THAT WAS NOT ME IN THAT STUDEWOOD ST. DIVE 
Billionaire Landry’s CEO Tilman Fertitta categorically denies that he was recently seen in venerable Houston Heights dive bar the Shiloh Club, knocking back cocktails and peppering regulars for local information. “I was not there,” the world’s richest restaurateur tells the Houston Chronicle‘s Nancy Sarnoff. He also denied rumors of a pending Landry’s land invasion of the Heights. (His Shepherd Dr. Saltgrass-and-Cadillac-Bar mini-stronghold will stay in Cottage Grove south of I-10 for now.) He’s about volume, something the Heights can’t provide him in ample measure: “The way that I’m set up, I have to do a lot of business, and they’re more smaller restaurants.”  With one potential exception: “Brenner’s on the Bayou could be there. But that’s probably around here the only (Landry’s) restaurant that could be in the Heights.” Fertitta went on to reiterate and expand on a bearish short-term real estate market forecast he first delivered on Bloomberg TV earlier this month. [Houston Chronicle; previously on Swamplot] Photo: Bloomberg TV
METRO GETTING READY TO SELL OFF THE CLOSED PINEMONT PARK & RIDE 
This spring the ramp connecting Metro’s Pinemont Park and Ride to Hwy. 290 was removed as part of TxDOT’s 290 widening project. The facility closed down a few weeks before the ramp vanished. Now the 14.8-acre Pinemont site could go up for sale before the end of the year. Because the Park and Ride’s construction had been partially funded by Uncle Sam, the Federal Transit Administration will have to grant Metro permission to sell. Once that hurdle is cleared, Metro will begin reading sealed bids on the property. The site sprawls out behind Hwy. 290’s Cafe Red Onion, abuts an HISD motor pool and fronts Pinemont Dr. It also sports a handy shortcut to the 290 feeder road along Federal Plaza Dr. The Collier Regional Library stands across Pinemont and a trio of parks — Rosslyn, Forest West and Pinemont — dot the cityscape within a half-mile of the site. [The Leader; more info] Photo: Metro
002HOUSTON MAGAZINE GETTING RID OF ITS DOWNTOWN ZIP 
For its seventeenth birthday, sleek-stuff-about-downtown glossy 002houston magazine is stripping away the Zip Code part of its name to indicate its (longstanding) willingness to venture into Discovery Green (010), East Downtown (003), Bellaire (401), Montrose (swinging both ways: 006 and 019), the Energy Corridor (079), The Heights (007, 008, and 009), Pearland (584), Sugar Land (478 and 479), The Woodlands (380, 381, and 389), or wherever a nearby polo match is to be found. Starting with the January issue, the free publication’s new name will be Local Houston Magazine. “Local will continue to provide relevant news targeting those who live and work downtown, but with increased coverage throughout Greater Houston,” reads a notice sent out yesterday from 002houston magazine’s Spring St. editorial offices (in 007), “with editors covering food, culture, art and style for Houstonians who make Houston one of the coolest cities in America.”
SAYONARA FOR FISH & THE KNIFE? 
Eater Houston’s Jakeisha Wilmore is reporting that Fish & the Knife will close at the end of this month. Wilmore is basing her report on an interview with a Yelp reviewer who said that management at the Briarmeadow sushi house canceled her upcoming holiday event and told her that the restaurant was about to shut down. Wilmore could not reach management for confirmation, but should this really be the end for the 9-month-old restaurant, it would prove an abrupt final act to a bizarre and dramatic saga. The not-designed-by-Tony-Chi restaurant finally opened this February after a roller-coaster ride of a buildout that dragged on for 3 years. Wilmore’s Yelp source told her that the Fish & the Knife’s manager told her “financial challenges” were the cause of the possibly imminent shuttering. The restaurant’s demise might not be lamented in all quarters: On weekends Fish & the Knife transformed into a nightclub, and residents of nearby neighborhoods had become disgruntled with partiers parking along their streets and leaving trash behind. Update, 2:15 pm: Fish & the Knife management tells CultureMap’s Eric Sandler that the restaurant’s closing will be temporary and that the Fish & the Knife will reopen after a rebranding, while the weekend nightclub activities would continue in the meantime. Sandler also reports that opening chef, former Iron Chef America contestant Bob Iacovone, has returned to his hometown of New Orleans. [Eater Houston; Click2Houston; CultureMap; previously on Swamplot] Photo: Swamplot inbox
HOUSTON CHRONICLE COMPLEX DOWNTOWN GOING ON SALE — A YEAR OR 2 TOO LATE? 
The Houston Chronicle‘s former real estate reporter says Hearst is putting the Chronicle complex at 801 Texas Ave. up for sale at a less-than-ideal time. Ralph Bivins reports that the newspaper’s parent company has just selected brokerage firm HFF to market the building, on the block surrounded by Milam, Travis, Texas, and Prairie, and its separate parking garage. But “Hearst would have met stronger demand by putting the Chronicle property on the market a year or two ago,” Bivins writes. “Hearst moved too late to catch the crest of the wave. The price for the Chronicle property is expected to be less than $50 million.” In July, the company announced the newspaper’s offices would be moved to revamped facilities in the former Houston Post complex at 4747 Southwest Fwy. [Realty News Report; previously on Swamplot] Photo: Ralph Bivins
A LOFTIER VIEW OF THE HOUSTON SHIP CHANNEL Can’t stop celebrating the Houston Ship Channel’s recent centennial, but unable to make it to that exhibit downtown? Do industrially majestic helicopter shots of mighty tankers and container ships hewing their way through brown waters to and from the deep blue sea, between banks lined with tank farms and smoke-belching chemical stacks, and shorelines spanned at intervals by such engineering marvels as the Fred Hartman Bridge leave you weak in the knees? Then check out Houston Ship Channel: Deep Water Centennial, the 56-minute film produced by the Texas Foundation for the Arts. It ran recently on local public teevee, but it’s now available on YouTube (and embedded above). It features lots of stentorian narration of “commerce porn” factoids and stats (“The most foreign ship calls! . . . It’s longer than the Panama Canal! . . . Such huge gross tonnage!”) recited above beds of stirring, vaguely martial music. If you aren’t ready to commit to the full 57 minutes, you can get a sampling via the separately posted trailer. Video: Houston Public Media
THE SHIP CHANNEL’S FOLK HISTORY ON VIEW 
 Houston Arts Alliance’s Stories of a Workforce: Celebrating the Centennial of the Houston Ship Channel, an exhibit running through January in the Houston Public Library’s Julia Ideson building, focuses on the Houston Ship Channel’s second 50 years, a half-century that saw the port utterly transformed by the advent of the containerization of cargo.  The centerpiece of the exhibit is a John Biggers mural of African-American dockers hoisting cargo, and the room is dotted with the photographs and timelapse films of working Channel pilot and photographer Lou Vest. Newspaper clippings shine a light on the Channel’s occasional outbreaks of labor strife,while in an alcove across the hall, viewers can take in a collage of portraits of typical houses in harborside neighborhoods such as Fifth Ward, Magnolia Park, Clinton Park, and Denver Harbor that many dock workers have called home for generations.  Via overhead speech domes, you hear the pilots, stevedores, and boatmen tell their own stories in their own words. The exhibit is less a standard, top-down institutional retelling of the Ship Channel story than it is a Studs Terkelesque folk history. [Houston Arts Alliance] Photo: Lou Vest.
COMMENT OF THE DAY: ZONE D’ EROTICA IS A SYMBOL OF HOUSTON FREEDOM 
“I’ve always thought the Zone D’Erotica placement was one of the most charming things about Houston.
Welcome to Houston: you own it, you use it, however you want. Other cities would be finding a way to declare the parcel blighted at Simon’s behest, but in Houston that would be rightly considered outrageous.” [Spoonman, commenting on Construction Set To Begin on the Luxury Jewel Box, the Galleria’s Chi-Chi Pad Site] Photo: Candace Garcia
COMMENT OF THE DAY: HOW MT. YUPPIE WAS FORMED 
“When this place opened, there was a ‘oh no, here come the yuppies‘ reaction. Now, years later, it is closing and people are complaining about how the Heights is losing its character. Basically, a reprise of ‘oh no, here come the yuppies.’ It is really just the process of yuppie sedimentary rock formation. Yuppies get older, have kids and become boring. Their hangouts go out of style and go out of business. Then, the next layer of yuppies comes in and opens new businesses and the prior layer of former yuppies groan about the neighborhood losing its character.” [Old School, commenting on Sunset Heights Wine Bar The Boom Boom Room Will Close Forever This Friday] Illustration: Lulu
DEVELOPER BUYS OLD CITY CODES BUILDING 
PM Realty Group is under contract to purchase the city’s old code enforcement building at 3300 Main St. in Midtown. In 2011, facing a $21 million budget shortfall, the city sold the 50-year-old building to the Midtown Redevelopment Authority for $5 million. PM Realty’s purchase price has not been made public, but yesterday city council voted unanimously to waive a restriction written in to the earlier sale that any net profits would be turned over to the city’s general fund. Now the money is free to flow toward council-approved improvement projects in Midtown. Chronicle reporter Katherine Driessen speculates  that some of the money could go toward the nearby “superblock”: that empty savanna undisturbed by cross streets for 6 full blocks, on which there are plans to build a park and apartments. 3300 Main is sandwiched between the future site of the MATCH arts complex to the south and an HCC parking garage to the north. [Houston Chronicle ($); previously on Swamplot] Photo: Allyn West
