COMMENT OF THE DAY: THE DISPOSABLE HOME “There is a reason we build out of toothpicks and plastic… Unlike in Europe Americans do not live in their parents houses and do not generally inherit them, tastes and needs also change. Hence a home that will last a few decades is perfect because it will be torn down in that time anyway and will provide new construction jobs and loan interest income. It’s the cycle of life of a home. This metal house will be torn down around the same time the stucco ones around it lose their appeal.” [commonsense, commenting on Tin House Panic Grips West U]
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Tag: Home Design
In an email to the West University city council, public works director Chris Peifer sounds the alarm about the steel-frame home with metal siding currently under construction at 2723 Centenary St., a couple blocks west of Kirby: “As the street view of this structure will deviate greatly from the typical street view/appearance of the neighborhood I wanted to give you notification,†Peifer writes, after noting that the city doesn’t prohibit the use of the materials on the home or regulate “personal taste or esthetics.” And then he adds this: “FYI…Heads up. There are high value properties directly adjacent to this property that may take exception.”
COMMENT OF THE DAY: HOW HOUSTON’S EAST ENDERS HAVE RID THEMSELVES OF CLUTTER “Small closets are a great tool for stuff reduction. Houston, and especially the East End, is still full of similar vintage 1000-1500 sq. ft houses designed for simple living.” [DanaX, commenting on Houston Home Listing Photo of the Day: Fountain]
COMMENT OF THE DAY: HOW MUCH FOR THAT RIVERSIDE TERRACE HOUSE WITH THE TURRETS? “. . . how does one set a price point for a house like this? I’m not one to persist in preserving things just because they’re kooky, but in this case it was one individual’s personal vision that has entertained and piqued local interest over the years.” [Claire de Lune, commenting on Charles Fondow Leaves His Wichita St. Mystery House Unfinished]
Houston’s longest-running home renovation project may never be completed, but work on the extraordinary 31-year-long effort has come to an end. Charles Fondow, the retired VA nurse and dedicated do-it-yourselfer whose ongoing home-improvement efforts in Riverside Terrace have intrigued and astounded neighbors and passers-by for decades, passed away earlier this month at the age of 64. Fondow began fixing up and adding on to his 2-story brick home on Wichita St. near Dowling shortly after he purchased the termite-ridden former duplex for $35,000 in 1980. Three years later, after Hurricane Alicia knocked a couple of trees onto the roof, he got the inspiration to add the property’s first 2 turrets — one modeled after a courthouse he had seen in Green Bay, Wisconsin, and the other a Russian-style onion dome. Later, Fondow began work on more additions to the property, including among many other features 2 giant decks, an elevator, a tall glass atrium, and a separate apartment in back.
“I would really love to get it finished before I die,” he told Houston Press reporter Jennifer Mathieu in 2001.
What says Bay Area luxury living better than a front entry at the end of a thin pedestrian bridge over your pool? This arresting multi-towered confection with the “don’t shoot me” stance quivers about a block from Galveston Bay in Seabrook. At ease, dude! We’re just here for the party.
- 10818 Pepper Ln. [HAR]
For sale by owner: One flat-roofed Memorial Mod, decaying in leafy solitude — it’s been uninhabited for the last several years. The home was commissioned in 1954 by Bernhardt O. Lemmel, who came to Houston to head the art department at the University of Houston, and his wife, who served as the general contractor. Designed by M. Bliss Alexander, the 2-bedroom home features all those midcentury greatest hits: clerestory windows, a multi-sided fireplace, terrazzo, and sliding doors facing its wooded lot.
COMMENT OF THE DAY: PUSHING DAISIES “The Greenbriar house is on a 11,500 sq ft lot just a stones throw from the Med Center. I bet the new construction will be something modest, leaving most of the grounds for a beautiful garden.” [Old school, commenting on Daily Demolition Report: All Together Now]
COMMENT OF THE DAY: ALL THE NEW THAT FITS “What exactly would be ‘in character construction’ in the Heights? Run-down 2-story apartment from the 1960s next to a body shop next to a faux Victorian?” [MarkM, commenting on Studewood Place: Some New Building Behind the 11th St. Someburger]
One advantage of those double-height entries and oversized arched door-topping windows that come free with the purchase of your new home in Fairfield, as reporter Jennifer Bauer demonstrates: As you’re coming down the stairs, it’s easy to scan your front yard for mummies. KPRC photographer Jon Hill is lighting up the internets with the harrowing tale of his encounter last Wednesday night with a man who had an actual Ace bandage wrapped around his head. After spotting the sorta-masked sorta intruder lurking in his yard in the Fairfield neighborhood of Inwood Park, Hill ran out the front door with hopes of launching a surprise tackle. The wrapped visitor made an un-mummy-like exit, but Hill wasn’t able to chase him down. Thanks to a teevee report documenting the episode and other sightings of the unidentified interloper, all of Fairfield is now officially on mummy alert. Money quote: “Harris County sheriff’s deputies recommended that homeowners who see the man dressed as a mummy in their yard call 911 immediately.”
FACEBOOK COMMENT OF THE DAY: WHY THERE’S NO BRICK AROUND THE BACK SIDE OF THE HOUSE “Masonry-front houses [are] the reverse mullet of housing — party in the front, business in the back.†[Alice Pavlak, on Swamplot’s Facebook page, commenting — and voting — on Favorite Houston Design Cliché: The Official 2010 Ballot]
Back in August, Swamplot noted that a demolition permit had been purchased for the home at 306 E. Friar Tuck, the notable former estate of strip-mall king Jerry J. Moore. Moore’s chateau was a true Houston-style original. In other words, it wasn’t your usual pretentious imitation of some old building style from some faraway country; instead, it was an imitation at least reputed to have included actual original old French building parts transported from across centuries and an ocean or 2 to Houston, and reassembled here with great care and some semblance of appropriateness. All of which has over the years allowed the entire assemblage to gain a certain authenticity — you know, in that uniquely Houston way.
Moore died in 2008. In May of this year the home was sold at a much-discounted price of $3.75 million to — appropriately enough — the CEO of a firm that helps other companies outsource their business processes. But three months later, after the property popped up in the Daily Demolition Report, Swamplot was unable to confirm the extent of the planned demo. Sure, work was already taking place on-site, but the permit was broad, and different sources were providing incomplete and contradictory information about whether the new owner planned to demolish all, some, or simply minor portions of the structures on the lot. Now, the dust has cleared enough to give us a partial answer.
COMMENT OF THE DAY: WHEN ALL WE SEE IS THE VIEW TO A KILL 
“I like the ‘idea’ of this house, and the view of downtown is very nice. However, what about the well-documented health [effects] of living near (or extremely near, in this case) freeways? Are the increased risk of cancer, heart disease, asthma, premature births and so on a worthwhile trade-off for living in a conceptual design statement? Maybe they have some kind of cool air-pollution filtration system….” [Mies, commenting on Self Directed: A Modern House Angled for 288’s Best Freeway Views]
