How do you move a historic cottage from one location to another? Well, carefully: This video uploaded this week from the Heritage Society chronicles the easy-does-it, steady-as-she-goes relocation of a Fourth Ward cottage from its perch in Sam Houston Park. The Heritage Society says that the house, originally located on Robin St. in Freedman’s Town, dates to at least 1866. It’s been in the collection since 2002, temporarily sited on Dallas St., while the society awaited the funds to move it to its permanent home beside to the Jack Yates House in that architectural promenade on the park grounds along McKinney St.
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Museums
BREAKING UP WITH THE ART GUYS 
Will the newest installation at the Menil Collection be a hole in the ground? The Art Guys were told last week that the museum intends to remove the live oak they “married” in 2009 in “The Art Guys Marry a Plant,” a public ceremony at the Lillie and Hugh Roy Cullen Sculpture Garden at the MFA,H. The museum acquired the tree in 2011 and held another public ceremony when it was planted in Menil Park on Branard St.; the little site (shown at right) backs up to the bamboo grove walling off the park from the Rothko Chapel and Barnett Newman’s “Broken Obelisk.” [Houston Press] Photo: Robert Boyd
The regional tourism building planned for the northern of the 2 blocks between Minute Maid Park and the GRB will be called the Nau Center for Texas Cultural Heritage, Mayor Parker announced today. It’ll be named after beer distributor and $8-million-donor John Nau; fundraisers hope waving the rendering pictured above will help drum up an additional $32 million to get the thing built. ($15 million more is coming from Houston First, the “government corporation” that runs the city’s convention center, the Hilton Americas Hotel, and several city performance venues.)
The design leaves room for 2 houses dating from 1904 and 1905 and moved to the site last year, the only surviving structures from the neighborhood on nearby blocks named Quality Hill that by the 1930s had vanished — along with its storied reputation for integrity and elevation. The rendering also shows (at far right) the saved-from-scrap 1919 Southern Pacific 982 steam engine parked on the curb across from the East End Light Rail Line along Capitol St. Between the houses and the locomotive will sit the Nau Center’s signature dome entrance, held aloft, the rendering from Bailey Architects shows, by a ring of dainty columns resting at sidewalk level and a circular wall of glass.
L.A. architects Sharon Johnston and Mark Lee will be the designers of the Menil Collection’s new Drawing Institute building, the organization’s board announced late yesterday. Their firm, Johnston Marklee, beat out Tatiana Bilbao, SANAA, and David Chipperfield Architects for the commission. The exact location for the building hasn’t been decided yet, though a Menil spokesperson previously told Swamplot the southern portion of the campus (depicted above in a Johnston Marklee graphic) was likely, and the Menil’s description of the LA firm’s design proposal makes it clear it’ll be long and thin: “a single-story, metal-roofed structure . . . built around a trio of courtyards.”
The Asia Society Texas Center has been providing previews of its new headquarters building in a series of private events, but Japanese architect Yoshio Taniguchi’s new Museum District landmark isn’t scheduled to open to the public until the second half of a 4-day celebration beginning April 12th. By then the $48.4 million modern building will be outfitted with an exhibition of Asian art from the Rockefeller Collection.
In the meantime, the organization has released to Swamplot a more complete set of images than what’s been available so far — documenting photographer Paul Hester‘s take on the ins and outs of the new 38,000-sq.-ft. structure on Southmore Blvd. between Caroline and Austin:
Houston’s Museum of Fine Arts just announced the winner of its 3-architecture-firm face-off for the commission to design its new building for 20th and 21st century art. It’s New York’s Steven Holl Architects, but the institution put itself in the limelight too, declaring the firm had been chosen “to partner with the board and staff of the museum in developing” the expansion, which will also include a new parking garage.
That garage will be needed because the new structure will take up the 2-acre parking lot across Bissonnet from the museum’s main building between Montrose and South Main St. (Architect Ludwig Mies van der Rohe added onto that building twice; it’s now known formally as the Caroline Wiess Law building.) The museum and its new director, Gary Tinterow, expect Holl’s design to integrate the existing sculpture garden on the northwest corner of Montrose and Bissonnet, and allow for expansion of the glass-block Glassell School just to the north.
THE HOUSTON OFFICE TRADEOFF 
“I don’t know whether he gets to take those paintings with him, but it looks like he’s in for an upgrade in the office department,” notes a reader commenting on the back-of-house museum real estate awaiting newly announced MFAH director Gary Tinterow in Houston. For a spread in the New York Social Diary last year, photographer Jill Krementz took this snapshot of the curator in front of the neater of the 2 desks in his park-view office at the Metropolitan Museum of Art. “The director’s office at MFAH doesn’t exactly look out on to Central Park, but it’s much bigger.” (It faces a walled-in garden space shielded from Montrose Blvd. traffic.) And Tinterow’s new salary may afford him the opportunity to upgrade from the IKEA floor lamp highlighted in Krementz’s office tour. “Also, fun fact,” notes our reader: “Late MFAH director Peter Marzio never had a computer. They were just kinda beneath him, I guess. The only thing on his huge desk was a red telephone. It looked like a White House War Room or something.” [Swamplot inbox; background] Photo: Jill Krementz
The big new Asia Society Texas building designed by Japanese architect Yoshio Taniguchi along Southmore Blvd. in the Museum District won’t officially open until next April, but a new slideshow featured on the organization’s website provides early peeks into some of the 38,000-sq.-ft. structure’s ultra-spare interiors. Included in Paul Hester’s photos: Views of the 280-Poltrona-Frau-seat Brown Foundation Performing Arts Theater, meeting spaces with carefully framed garden perches, and closeups of several sleek staircases. The AsiaStore Texas gift shop will probably look a little different from this once it gets loaded up with stuff to sell:
Outside along San Jacinto St., the scaffolding is down. And inside the new Duncan Family Wing of the Houston Museum of Natural Science, the Hall of Paleontology is looking close to ready for some big-toothed residents to move in:
If y’all had come to Space Center Houston, they’d have built a home for a retired space shuttle there. Well, maybe. Today’s report of the NASA inspector general points out a few details in the story of how Houston lost out in the retired-space-shuttle home sweepstakes. At a presentation given to NASA administrator Charles Bolden in November 2009, 4 out of 5 options being considered at the time by the agency’s recommendation team would have given Houston a shuttle. And Bolden says Houston was a sentimental favorite for him, too. He told investigators
that if it had been strictly a personal decision, his preference would have been to place an Orbiter in Houston. He noted that “[a]s a resident of Texas and a person who . . . spent the middle of my Marine Corps career in Houston, I would have loved to have placed an Orbiter in Houston.â€
So what happened?
By the time construction of its new museum, theater, restaurant, and hangar is complete 3 years from now, the Lone Star Flight Museum will likely be only one of 3 museums showcasing historic airplanes at Ellington International Airport. After Hurricane Ike caused $18 million in damage and destroyed or submerged several aircraft (see the immediate aftermath above), museum officials began seeking a higher elevation than its current location at Galveston’s Scholes International Airport was able to provide. Houston’s city council approved a 40-year lease for 14 acres at Ellington last week. Also possibly opening at Ellington: A building featuring the Collings Foundation‘s collection of Vietnam and Korean War-era military aircraft; the president of the Texas Flying Legends Museum at Ellington says he’d like to sell tickets that allow visitors to visit all 3 collections.
- Lone Star Flight museum moving inland to Ellington [Houston Chronicle]
- Flight museum to fly north to Ellington [Galveston County Daily News]
- Texas Flying Legends Museum
- The Collings Foundation Collection [Collings Foundation]
- Previously on Swamplot: Space Expansions: Big Upgrades to Ellington Field
Photo: Lone Star Flight Museum
Late last week the Museum of Fine Arts Houston announced the names of 3 architecture firms selected as finalists to design the museum’s next expansion project. The new structure will go on the 2-acre parking lot at the northwest-ish corner of Bissonnet and Main. (Yes, that means the era of free MFAH parking is soon to be over.) The finalists are NYC’s Steven Holl Architects (designers of the Nelson-Atkins Museum of Art in Kansas City), Norwegian firm Snøhetta (designers of the roofwalk-friendly Norwegian National Opera and Ballet in Oslo), and LA’s Morphosis, (that’s their design for the Perot Museum of Nature & Science now under construction in Dallas, above). You can presume any possible competitors with some sort of Houston connection were axed from the list during the museum’s year-long series of interviews with 10 “international” design firms.
Three trees have been delivered and installed at the site of the still-under-construction Asia Society Texas Center on Southmore and Caroline in the Museum District, announces the reader who sent Swamplot this photo of the trucked-in foliage from last week (above) — as well as a view from over the weekend of greenery as it now appears in front (below). “The inside of the building has been lit at night lately and it is quite stunning,” reports our correspondent. The building — only the second U.S. design by Japanese architect Yoshio Taniguchi, which follows his 2004 expansion of New York’s MOMA — isn’t scheduled to open until March of next year.
Included in the upgrades to the University of Houston’s Blaffer Art Museum, scheduled to be complete by the start of next year: an actual bathroom for visitors. Plus: a better elevator. If you’d rather take the stairs, you’ll have this new proboscis to pass through, on the building’s north face, wrapped in vertical bands of clear and textured channel glass. That sorta-Cullen Sculpture Garden-looking slanted wall-column thing supporting it, which architect Dan Wood of New York’s WORKac calls the “wallumn,” should help block the view of the loading dock. And it’ll frame a brand new entrance on that side, facing the unnamed street and parking lot in front of it that parallels Elgin. The $2 million renovation (Blaffer spokesperson Jeffrey Bowen says $1.75 million worth of pledges have already been raised) won’t increase the amount of gallery space, but it should make the institution more visible on campus and allow for more activity in the back courtyard it shares with the rest of the university’s fine-arts building:
COMMENT OF THE DAY: WHAT YOU MISSED AT THE GREAT FORBIDDEN GARDENS ONE-THIRD-SCALE QIN DYNASTY SELL-OFF 
“I was there on Sunday, came home w/ 2 soldiers, 1 horse and 3 small figurines. The soldiers are FANTASTIC and I wish I had bought more, but for 100 ea it was a little steep to get a whole army of them. I have a bit of buyer’s remorse about the horse, b/c its in pretty bad shape, and is not long for the world. But it was only 25$. There were many people there, but it was by no means crowded, took 45 minutes to get in the gates.
The woman who rang me up, told me that a salvager was going to come by on Monday (yesterday) so I imagine the remaining men who were [intact] (there were still 100s left at noon on Sunday) will start turning up in thrift shops around.
What else? I am glad I got to see the gardens one time before it was destroyed. It was a lovely ground and I wish I had known about it. (I sort of knew about it, but never went.)
Apparently they were going to sell all the cherry trees as well, so they may still be on the market.” [anon, commenting on The 6,000 Garden Gnomes of Emperor Qin: Let the Great Houston Grave Ransacking Begin] Photo: Candace Garcia
