EVERYONE ORDERED OUT FROM UNDER 59 OVERPASS ON WHEELER, BUS PARKING TO TAKE THEIR PLACE
Crews are emptying the Wheeler Ave. tent-stead underneath 59 of all its homeless residents, their belongings, and accumulated residue — Mayor Turner said in a series of tweets today — clearing the way for a new fenced-off bus parking lot to take over the property. Signs announcing the ouster and incoming fences went up Tuesday, said the mayor, and this morning, a METRO bus was on site “to take the 45 or so residents to shelter,” after they “voluntarily accept offers,” to relocate. A month ago the city declared the setup a public health nuisance, reports the Chronicle, a state designation slapped on areas that could be hazardous to those nearby. That’s right around the time Rice bought the office structure one-block north of the encampment, presumably for the so-called Midtown Innovation district it’s now cobbling together from land on both sides of the vacant Sears building it owns as well. [Houston Chronicle] Photo: Swamplox inbox

This morning the Texas ACLU filed for an injunction on the City’s
“We’ve already got a built structure that has housed people in distress 


You can’t miss it: Just south of Downtown, this pristine billboard went up recently above the northbound feeder of I-45. Its lonesome assertion, “Even the pigeons don’t see me,” is attributed to the “voice of the homeless.” What gives? Glasstire’s Paula Newton explains: “
Officers on HPD’s Homeless Outreach Team show teevee reporter Robert Arnold a secret den favored by a portion of Downtown’s homeless population — tucked under the Louisiana St. bridge over Buffalo Bayou. Dubbed “the caves,” the not-tall-enough-to-stand-in space snakes along the bridge, further back than Arnold’s flashlight can shine. Layers of occupied and unoccupied sleeping bags, clothing, and trash cover the surface, and Arnold describes the scent as “thick and unrelenting.”
At yesterday’s meeting new city council member Jack Christie distributed descriptions of prefab huts and “low riders” produced by an Atlanta organization called Mad Housers, suggesting that