“Does anyone know what is the plan here?” asks Swamplot reader and architect Filo Castore, who encountered this little wall-building project in front of the Preston St. side of Treebeards at 315 Travis St. downtown, across from Market Square. That’s where this mural normally hangs out:
HOUSTON’S COMING CUDDLY ANIMAL INVASION 
Look out for a migration of flamingoes, and a few more bunnies for Easter, announces the Houston Press‘s John Nova Lomax, after an interview with stencil artist Coolidge. “A lot of people are like, ‘Aw, you need to do a cat!’ or ‘You should do a rhino!’ or something, and I’m like, ‘Well, if I was gonna do that, I’m not now.’ . . . It’s almost like I should stop doing them on city property. I should probably stick to private property. Some people have contacted me to thank me after I’ve done their buildings up. The city won’t mess with that stuff, but if it’s on their property they’ve been taking them down pretty quick.” [Art Attack] Photo of Taylor St. bridge at I-10: Alex Luster
Photos: Swamplot inbox
The Houston Arts Alliance had a tough time tolerating the intersection of Montrose and Allen Parkway, but at last they’ve gotten the job done. The organization’s commission more than 2 years ago for a pedestrian bridge across Buffalo Bayou connected to that corner, dubbed the Tolerance Bridge, was abandoned after a sea of complaints about both the name and design. The new bridge that opens today at that same spot is much simpler than the earlier proposal — and it’s simply called the Rosemont Bridge. But standing — or really, kneeling — guard by the bridge’s southern entrance today are 7 new sculptures by Barcelona artist Jaume Plensa that were given to the city by a small group of donors who aren’t going out of their way to advertise their identity. The name for the artwork: Tolerance.
The see-through figures face mostly toward the south, away from the bridge and across Allen Parkway, to a vacant site where the oft-flooded Robinson Warehouse once stood. Five years ago, the Aga Khan Foundation bought the land there and announced plans to build a new Ismaili Center on it, including lecture, conference, and recital facilities, a prayer hall and a social hall, offices, and gardens:
The New York sculptor behind those new splashy welcome signs on JFK Blvd. outside IAH passed away over the weekend after a short bout with liver cancer. Dennis Oppenheim explained the inspiration behind the Radiant Fountains sculpture and light show to the Chronicle‘s Douglas Britt last August: It was a sign he had seen as a child from the Bayshore Freeway in Oakland, California, which featured an animated version of the famous Sherwin-Williams “Cover the Earth” logo.
It was the world globe and then a bucket of paint dripping on top of it, and this captivated me. I told them [the Houston Arts Alliance] quite frankly that I would be extremely satisfied if I accomplished something like that, because it really did capture the ongoing traffic. I also said that it would be nice if these works were so … whatever … that people would turn around and come back to see them again.
Video: Andrew Vrana
Sculptor David Adickes is almost ready to plant this giant concrete-on-steel sign on property he owns along Chester St. on the south side of I-10, just east of Patterson. You’ll be able to get your best view of it when traffic comes to a standstill on your way downtown. Just needs a few more finishing touches, like a figurine or 2 or 8 to accompany that little guitar player hanging out between the O and the U. And hey, you’re right! If the Hollywood sign were 15 feet shorter, came down from the hillside, grew an ego, and stood by the freeway, it would kinda look like this.
Photo: Imelda Bettinger [license]
Galveston Mayor Joe Jaworski now says he will waive the $10 annual permit fees the city had planned on charging 3 homeowners whose dead-tree sculptures stand in the public right-of-way. Homeowner Donna Leibbert started a small local-media firestorm late last week after she received a permit renewal form in the mail for the sculpture of a Geisha that artist Jim Phillips had carved out of an oak tree outside Leibbert’s home at 1717 Ball St. After the Hurricane Ike storm surge killed an estimated 30,000 trees on the island, artists turned almost 2 dozen of them into sculptures. But Leibbert’s Geisha is one of only 3 of the works that sits on city property.
City spokesperson Alice Cahill, who has helped to publicize the sculpture program as a tourist attraction, tells Amanda Casanova of the Galveston County Daily News that the license-to-use fee is normally required for any designed object that occupies a portion of the right-of-way. “A carved tree is treated the same as a cafe table.” Leibbert tells Casanova she was aware of the permit requirement at the time the Geisha was carved — getting approval for the sculpture required a formal application with the city’s planning commission. But she notes that the tree had stood in the same position for about 100 years, and for free.
Over the summer, Swamplot photographer Candace Garcia tracked down 22 of the tree sculptures, including Leibbert’s Geisha. Here’s her photo tour:
Swamplot photographer Candace Garcia, who’s been steadily documenting the transformation of the vacant former Mental Health and Mental Retardation Authority building on Fannin between Tuam and Drew into a canvas for street artist Daniel Anguilu and a few friends, was able to tour the building’s roof earlier this week. Commissioned by commercial real-estate broker Adam Brackman — whose family owns the building — Anguilu has already wrapped critter-filled paintings around much of the building’s ground floor for his “Public Decor Project.” But up in the Midtown sky, the work he and a few collaborators are creating on a few stray surfaces comes across as something else entirely:
The City of Houston permitting office has worked its artistic magic: There’s a house now sitting on the lot at 3705 Lyons Ave. in the Fifth Ward that’s officially classified as a sculpture. Last week, it was just a run-down bungalow a couple of miles to the northwest, at 3012 Erastus St. At what point along its journey — which after several postponements finally took place last Thursday night — did the transformation occur? City officials and demo artists Dan Havel and Dean Ruck can’t pinpoint it. But we’ve got a few photos of the move. Maybe someone can point out for us the exact moment the art began?
COMMENT OF THE DAY: WOULD MAKE A MORE PROPER HOUSTON WELCOME “All that said, I still regret that we didn’t put up two enormous inflatable gorillas, standing on either side of JFK Blvd., like the statues of [Isildur] and Anárion flanked the river Anduin in The Lord of the Rings.” [RWBoyd, commenting on Here’s Your Splashy New Welcome Sign, Houston]
Note: Nope, not tonight. See update below.
Sometime after 9 pm tonight — if rain doesn’t postpone its scheduled journey from 3012 Erastus St. in Houston’s Fifth Ward to a new home on Lyons Ave. — this abandoned house will become art. That’s not just the contention of Dan Havel and Dean Ruck, the two demolition artists responsible for the move; it’s actually detailed in the city permits they obtained for “Fifth Ward Jam,” a temporary public-art project they’re creating with funding from the Houston Arts Alliance. After Wooten House Movers set up the structure in its new location, Havel and Ruck will start tearing it up and reconstructing it. But the move is what will make it art — because the city says so. “The permit office had a hard time categorizing just exactly what to call our project,” Havel tells Swamplot:
Is it a house, is it a sculpture? Is it both? The black and white rules of permitting needed to be utilized. The best way to do that is to first call the house a structure in order to obtain the permits to move it. However, once the house is placed on the property, it ceases to be an inhabitable structure and will be transformed into a sculptural environment. So, somewhere along the moving route, whether it is half way between two sites or when it physically enters the new site, it will be officially categorized as a sculpture.
So when we reconstruct the house into a sculpture, we do not need a building permit because it is now a sculpture. Pretty funny logic, if you ask me, but it makes sense. The permit guys were certainly scratching their heads, but we got our permits.
COMMENT OF THE DAY: WELCOME TO THE FUTURE OF HOUSTON “This is the kind of thing that every kid who lives here will remember 40 years from now. ‘Remember that weird light show thing they had at the airport?’†[Cap’n McBarnacle, commenting on Here’s Your Splashy New Welcome Sign, Houston]
Backsplash from a stream of strange particles falling from the sky, or is that just some mucky stuff bubbling up from underfoot? Either way, what better way to say, “Welcome to Houston”? The night lights are now on at “Radiant Fountains,” the new collection of pipe-assembly sculptures by New York artist Dennis Oppenheim, commissioned by the Houston Arts Alliance, working with Houston Airport Systems — whose offices are nearby — under the city’s 11-year-old “percent for art” policy. Recently completed on JFK Blvd. near Rankin Rd., they’re meant to greet newly arrived passengers from IAH. Andrew Vrana from Metalab — the local architecture firm that coordinated the installation — captures an early glimpse of the splashy action on video:
From Swamplot roving photographer Candace Garcia come these shots of Daniel Anguilu‘s latest avian creation (with woodwork by Lindsey George), appearing at the base of the former Mental Health and Mental Retardation Authority building on Tuam looking toward Main. The happiest of holiday, shopping, and non-shopping experiences — newfangled, revisionist, and otherwise — to all of our readers!
Swamplot will be back on Monday.
Spun around 180 degrees on its site yesterday: the 1,304 sq.-ft. Ranch house at 6513 Sharpview, before a small crowd gathered at Bayland Park next door and an online audience following the live-streaming cameras mounted to the long-vacant 1960 structure. Conceptual artist Mary Ellen Carroll‘s big house-twisting exercise was 10 years in the making. A reader sends in this report from the muddy field:
I missed the talks . . . but was there from about 11:30 ’till when they finished for the day at 2:30. What happened was they backed the house off the site, turned it perpendicular onto Sharpcrest, and then there was this great moment when the house was moving laterally along the street, and then they backed it in towards us (we were at the back of the lot, on the lot line that faces Bayland Park).
. . . The group seemed about evenly divided between architecture folks, including at one point Rice Architecture dean Sarah Whiting, art crowd types (Molly Gochman, Arturo Palacios), and the many friends MEC has made during her time in Houston due to her being such a nice person. A healthy handful of neighbors milled about, including this woman who stood on her roof with a cup of coffee, who at one point went inside and got an umbrella when it started raining.
Our correspondent also apparently missed some very hot Mexican food: Hometta blogger Jenny Staff Johnson reports a taco truck hired to cater the event caught on fire.
