05/10/12 10:21am

Here’s a view of the 4-story, 93,760-sq.-ft. performing arts center the University of St. Thomas plans to build on the northwest corner of its Montrose campus, on the full city block bounded by West Alabama, Yupon, Sul Ross, and Graustark. A feature article on the project in the university’s magazine describes the site provocatively as being “adjacent to the Menil Collection,” but it’s really catty-corner to the Menil block that contains the Rothko Chapel, a long block east of the Menil’s famed shielded-by-bungalows main building. In the drawing above you’re looking at the new UST center from high above the Rothko Chapel’s east lawn, toward the corner of Sul Ross and Yupon.

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04/26/12 10:27am

Fresh off its work transforming the former Monarch Cleaners/Fox Diner/Cafe Serranos Cantina/Crome/Pravada building on Shepherd into Triniti Restaurant (with the help of some colorful perforated metal), Houston’s MC2 Architects is now designing its second restaurant — this time from scratch. It’s a “contemporary building with a rustic farmhouse feel” that’ll take the place of the shuttered and soon-to-be-dismantled Ruggles Grill at 903 Westheimer, just east of Montrose. Inside will be a new (yes) rustic American restaurant for the same owners — called Brande, Triniti chef Ryan Hildebrand announced yesterday. All that rusticity will take time, of course: The scheduled opening season is a far-off fall 2013.

Photo: Candace Garcia

03/08/12 11:12am

The real-estate fund that’s owned the half-vacant strip center at the southwest corner of Westheimer and Montrose for the last 4 years has put the entire 2.86-acre block up for sale. On the site now: Half Price Books, Spec’s Liquors, Papa John’s Pizza, and the 3-6-9 China Bistro in a stuccoed-over 41,838-sq.-ft. building once known as the Tower Community Center (to match the Tower Theater, now home to El Real Tex-Mex, across the street). Also included: the standalone Jack-in-the-Box on the corner of Montrose and Lovett. No list price, but broker HFF is indicating “price guidance” of $10 million or higher.

The Art Deco building still lurking beneath was designed by architect Joseph Finger in 1937, 2 years before he completed work for Houston’s city hall. Here’s how the shopping center looked then-ish, with a Walgreens on the corner of Yoakum St.:

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02/06/12 3:52pm

Here’s a scheme for the Independent Arts Collaborative building in Midtown that won’t get built. It’s one of at least 2 concepts developed for the block bounded by Main, Travis, Francis, and Holman streets by Morris Architects — the same firm that had earlier put together the first round of “initial concept drawings” for the IAC center, helping the fledgling arts organization sell the concept to city officials and local arts groups. What’s the big idea here? An inverted yurt. Filled with people and art. A garden and light on top. Like so:

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02/03/12 5:53pm

Wait — haven’t we already seen “initial concept drawings” for the Independent Arts Collaborative building planned for the corner of Main and Holman in Midtown? Well, yeah, but those initial concept drawings were prepared by Morris Architects as part of a study just to sell folks on the idea. Since then, the IAC bought the former city parking lot at 3400 Main St. and Morris lost out on the actual commission to a mix-in combo of San Antonio’s Lake Flato Architects (best known in town, strangely enough, for 2 inner-loop grocery stores they’ve designed for H-E-B) and Houston’s own Studio Red (fresh from its work on the renovation of an old Downtown warehouse into the new Houston Permitting Center). So we’ve got a whole new batch of initial concept drawings to look through, this time from the building’s actual architects.

Shunning the typical secrecy surrounding not-ready-yet designs, the new arts organization has decided to show them off on its Facebook page — even before floor plans are ready — with a simple “let us know what you think.” What a concept!

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01/30/12 4:57pm

CRICKET TRAILER TAKES IT OFFLINE How’d the Cricket Trailer do in its national teevee debut last night on Extreme RV, the Travel Channel’s new show? Former furnituremaker-to-the-astronauts Garrett Finney didn’t get top billing in the episode for the second version of his unique 2-wheeler pop-top vehicle, painstakingly crafted in his Woodland Heights workshop — that prize went to Simon Cowell’s behemoth 45-footer motor home. Still, the Cricket website attracted enough attention from the RV early adopter crowd to knock it off its server. From the Cricket’s Facebook page, Finney promises it’ll be back online soon. Update, 1/31: It’s back in business. [Previously on Swamplot]

01/18/12 11:30pm

COMMENT OF THE DAY: THE ORIGINS OF THE FRANKENTUSCAN STYLE “. . . It is an extremely unfortunate and yet pervasive fallacy to equate contemporary, non-kitschy architecture with splashy, risky design and poor quality construction done with non-durable materials. There are plenty of examples of understated, elegant, and yes, conventionally constructed and well-built modern design here in Houston. They include local firms such as Lake|Flato (designer of the new HEB) or Kirksey. It’s silly to lump all of modernism together, but depending on your definition of it, Modernism in one form or another has been extensively practiced all over the world ever since the Bauhaus school attempted to develop a formal pedagogy for it in the 1920′s. I *think* over 100 years and x-number of buildings later, we’ve figured out how to build it without leaks. Your second false assumption is that Marvy Finger builds in the Faux-traditional style because it’s ‘tried-and-true’ or ‘inexpensive.’ Ok, well maybe if you go faux all the way (as in crappy plaster cast stone facades) then it would be cheaper. But either way, I’d wager that Finger, who didn’t get to where he is by . . . losing money, is pitching his products at a very specific market segment. Namely, wealthy people and those with aspirations of even more wealth. In the United States it seems that modern architecture is associated with public buildings and some kind of suspicious, alien, and vaguely socialist agenda. Who wants their family, friends, or boss to think that they’re weird or some kind of communist? Hence, the best way to have your dwelling embody your conservative social stance and financial aspirations (or status) is to live in a nice replica of a Tuscan Pallazo or French chateau. Of course, this is absurd and impossible to pull off when you try to cram all the programming and functions of a multi-family apartment or condo building into it, so you usually end up with some kind of a hideous Frankenstein behemoth. Witness any Randall Davis project as an example. It’s alive… ALIVE!!!!” [JL, commenting on Comment of the Day: In Defense of the Same Old-Looking Stuff]

01/18/12 2:22pm

The rather plain-looking headquarters of the Dominic Walsh Dance Theater company at the corner of Dunlavy and Fairview is getting more than just a new coat of paint. The building at 2311 Dunlavy is slated for a redesign by another building tenant, DiNunzio Lifestyle Architecture, which will create a new entrance facing Fairview and add several new materials to the exterior. “It is going to really catch your eye when it’s done!” reads a note on the architecture firm’s Facebook page.

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12/19/11 9:55pm

The local architecture firm responsible for designing the city’s new permitting center on Washington Ave (which is currently doing well in the voting for one of this year’s Swamplot Awards) and the San Antonio firm behind the recent Buffalo Speedway and Montrose H-E-B Markets will team up to design the 85,000-sq.-ft. Midtown building for the new Independent Arts Collaborative at 3400 Main St. between Holman and Francis St., the organization announced today. Earlier, Studio Red and Lake Flato Architects had been listed separately as finalists for the commission on the organization’s website.

The building — shown above in a concept drawing produced by Morris Architects, one of the finalists that did not get the job — will contain shared exhibit and performance space for several local arts groups, as well as rehearsal and workshop areas, classrooms, and offices. Houston’s city council agreed to sell the site — which served as a surface parking lot for the city’s previous permit office — to the brand-new arts organization last summer. Among the organizations listed as probable tenants of the new building: Fotofest, Diverseworks, the Houston Arts Alliance, Musiqa, Catastrophic Theater, the River Oaks Chamber Orchestra, and Main St. Theater.

Rendering: Houston-Galveston Area Council

11/28/11 10:03pm

An M.D. Anderson Cancer Center official tells the HBJ‘s Jennifer Dawson that the UT institution will likely wait 3 to 10 years before putting any new structure on the site of the former Prudential Tower it’s been working diligently all year to knock down. Workers were moved out of the 18-story structure — renamed the Houston Main Building — last year. The hulking remains of the iconic 1952 Kenneth Franzheim building at 1100 Holcombe Blvd. will come down in a cloud of dust after several rounds of dynamite blasts on January 8th.

M.D. Anderson senior VP Dan Fontaine says the Med Center institution doesn’t even have a design yet for the 2 new structures — likely for outpatient care — that will eventually be built in that location. Until the institution finds a better use for it, the demo site will be turned into a “park-like setting.”

Photo: Karen Lantz

11/21/11 2:29pm

A Houston attorney says the site plan for the Ashby Highrise “substantially” copies the one a Dallas-based architecture firm created for the same developers 5 years ago. Patrick Zummo, who is representing Humphreys and Partners Architects in a lawsuit filed last week against Buckhead Investment Partners, tells the West U Examiner‘s Charlotte Aguilar that the plan for the Ashby Highrise site at the corner of Bissonnet and Ashby — which Buckhead attributes to the firm it hired later, EDI Architecture — is “extremely close, if not identical to” both a plan Humphreys drew up for the same site while under contract to Buckhead in 2006 and the site plan the architecture firm produced a few years earlier for the Grant Park Condominium tower in the Elliot Park neighborhood of Minneapolis (above).

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11/21/11 12:11pm

An architecture firm headquartered in Dallas has filed suit against the developers of the Ashby Highrise, alleging that Buckhead Investment Partners made “copies and derivatives” of the firm’s design for the 27-story Grant Park Condominiums tower in Minneapolis. Humphreys and Partners Architects designed that complex (pictured above) in 2003. The lawsuit is also directed at EDI Architecture, the firm Buckhead hired to produce drawings for the proposed highrise at the corner of Bissonnet and Ashby near Southampton.

The lawsuit claims that Buckhead infringed on Humphreys’ copyright by submitting plans for a proposed 23-story tower at 1717 Bissonnet to the city of Houston. Those plans have already received permits. The lawsuit seeks an injunction to prevent Buckhead from constructing the building, because doing so would “necessarily create additional copies and derivatives” of Humphreys’ intellectual property.

How closely does Houston’s proposed tower follow Grant Park’s design?

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11/15/11 10:18am

The folks charged with blowing up old buildings at UT’s M.D. Anderson Cancer Center have set a January 8th date for the big dynamite surgical event meant to knock down what’s left of the institution’s Houston Main Building. The hulking 18-story tower at 1100 Holcombe Blvd. was built in 1952 for Prudential Life Insurance as part of Houston’s first-ever suburban office campus, designed by architect Kenneth Franzheim. The Med Center institution bought the building in 1975, but began the long demo process early this year.

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11/10/11 3:59pm

After a fall cleaning and October vacation, this 3-bedroom, 2-bath home in Willowbend jumped back into the market over the weekend. The price is still $259,900, but that’s down $15K (in 2 jumps) from its original ask back in May. It’s a roughly L-shaped 1955 mod wrapped around a pool and fitted onto a cul-de-sac extension by William Jenkins, namesake of UH’s Art and Architecture Library, near several other homes he designed. Busy South Post Oak Blvd. is just beyond the back fence, but inside all is cool and quiet:

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11/07/11 11:54am

The godfather of Houston’s high-ceilinged modernists passed away last Wednesday at the age of 91. Preston Bolton moved to Houston in the days before air conditioning, after serving in a field artillery unit during World War II. An architect of many distinctive homes in the area — first in partnership with Howard Barnstone, and later on his own — Bolton was also a cofounder of the Houston Ballet and an early supporter of many other arts organizations. Among the homes designed by Bolton featured on Swamplot over the past few years: This elegant single-story townhome on a street that bears his name in Lafayette Place, and his own Buffalo Bayou-side home on Pine Hollow Ln., which is still listed for sale.

Photos: HAR (266 Pine Hollow Ln. and 519 Bolton Pl.)