PETER C. MARZIO’S UNFINISHED BUSINESS AT THE MFAH 
Count the creation of Isamu Noguchi’s Cullen Sculpture Garden, the addition of the Rienzi estate, and construction of the Rafael Moneo-designed Beck Building as just a few of the accomplishments of the Museum of Fine Arts’ longtime director, who died last night at the age of 67. But more was being planned: “At the time of his death, Marzio was working toward the goal of a third building for modern and contemporary art, which he envisioned as presenting a global view of art movements in the Americas, Europe and Asia. He called his plans for the third building the most intellectually challenging work of his career.” [29-95]
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Tag: Art
Yeah, that does kinda look like a phoenix on the side of the Agora Cafe at 1712 Westheimer, near Dunlavy. A reader tells Swamplot a painter had scaffolding set up on the side of the building yesterday. Next door is the site where Antique Warehaus once stood; the sign on the fence says that store is “still open online.” Both properties were damaged by a Halloween fire. Closeups of the bird, captured by Swamplot nature photographer Candace Garcia, after the jump:
Note: Nope, not tonight. See update below.
Sometime after 9 pm tonight — if rain doesn’t postpone its scheduled journey from 3012 Erastus St. in Houston’s Fifth Ward to a new home on Lyons Ave. — this abandoned house will become art. That’s not just the contention of Dan Havel and Dean Ruck, the two demolition artists responsible for the move; it’s actually detailed in the city permits they obtained for “Fifth Ward Jam,” a temporary public-art project they’re creating with funding from the Houston Arts Alliance. After Wooten House Movers set up the structure in its new location, Havel and Ruck will start tearing it up and reconstructing it. But the move is what will make it art — because the city says so. “The permit office had a hard time categorizing just exactly what to call our project,” Havel tells Swamplot:
Is it a house, is it a sculpture? Is it both? The black and white rules of permitting needed to be utilized. The best way to do that is to first call the house a structure in order to obtain the permits to move it. However, once the house is placed on the property, it ceases to be an inhabitable structure and will be transformed into a sculptural environment. So, somewhere along the moving route, whether it is half way between two sites or when it physically enters the new site, it will be officially categorized as a sculpture.
So when we reconstruct the house into a sculpture, we do not need a building permit because it is now a sculpture. Pretty funny logic, if you ask me, but it makes sense. The permit guys were certainly scratching their heads, but we got our permits.
From Swamplot roving photographer Candace Garcia come these shots of Daniel Anguilu‘s latest avian creation (with woodwork by Lindsey George), appearing at the base of the former Mental Health and Mental Retardation Authority building on Tuam looking toward Main. The happiest of holiday, shopping, and non-shopping experiences — newfangled, revisionist, and otherwise — to all of our readers!
Swamplot will be back on Monday.
Spun around 180 degrees on its site yesterday: the 1,304 sq.-ft. Ranch house at 6513 Sharpview, before a small crowd gathered at Bayland Park next door and an online audience following the live-streaming cameras mounted to the long-vacant 1960 structure. Conceptual artist Mary Ellen Carroll‘s big house-twisting exercise was 10 years in the making. A reader sends in this report from the muddy field:
I missed the talks . . . but was there from about 11:30 ’till when they finished for the day at 2:30. What happened was they backed the house off the site, turned it perpendicular onto Sharpcrest, and then there was this great moment when the house was moving laterally along the street, and then they backed it in towards us (we were at the back of the lot, on the lot line that faces Bayland Park).
. . . The group seemed about evenly divided between architecture folks, including at one point Rice Architecture dean Sarah Whiting, art crowd types (Molly Gochman, Arturo Palacios), and the many friends MEC has made during her time in Houston due to her being such a nice person. A healthy handful of neighbors milled about, including this woman who stood on her roof with a cup of coffee, who at one point went inside and got an umbrella when it started raining.
Our correspondent also apparently missed some very hot Mexican food: Hometta blogger Jenny Staff Johnson reports a taco truck hired to cater the event caught on fire.
Street artist Daniel Anguilu hopes to cover the entire surface of this 4-story Midtown building with his distinctive animal-friendly murals. Anguilu — also known by his nom-de-spray, weah — began painting the former Mental Health and Mental Retardation Authority building at 2850 Fannin St. in June. But it’s not exactly a stealth project: Anguilu was invited to take on what he’s calling the Public Decor Project by commercial real-estate broker Adam Brackman, whose family owns the building. And Brackman’s been providing him with mistinted no-VOC paint from New Living, the Rice Village green-home-supplies store where Brackman’s a partner.
Texas Southern University President John Rudley is now saying he gave the order to paint over 2 murals in Hannah Hall created 40 years ago by longtime TSU art professor Harvey Johnson. An earlier official statement issued by the university — and an abc13 story last week — had claimed the whitewashing had been a “mistake.” But Rudley fesses up to the Chronicle:
Rudley said the murals, which covered two walls in the Hannah Hall administration building, had become eyesores.
“When I bring dignitaries to campus, I can’t have them seeing that kind of thing,” Rudley said. “All art isn’t good art.”
The third-most-famous retractable roof in Houston opened up for visitors last Friday for the first time in 2 years. Artist James Turrell’s Skyspace — in the Live Oaks Friends Meeting House at 1318 W. 26th St. in Shady Acres — will again be coaxing in the night sky for the public every Friday evening, starting an hour before sunset. What shut out the twilight for so long?
The ceiling’s hatch runs on rails that until recently were mounted on a wooden support that was sheathed in metal. Thanks to Houston’s semitropical climate, water worked its way into the wood and began rotting it out, [property clerk Philip] Koch said.
“We didn’t know this for sure until we actually did the repair work, but it was making some pretty ominous noises and was getting stuck,” Koch said. “We didn’t want it to get stuck in the open position because we’re open to the heavens and the rain comes in.”
Members initially thought the system could be repaired, but further assessment showed it would need to be redesigned and replaced, adding a $50,000 price tag to the $100,000 the Live Oak Friends Meeting had already received from the Houston Endowment based on early estimates.
The new design replaced the metal-sheathed wooden curb with what Koch described as “a piece of pipe, basically, that’s square in cross section and that has special pieces on the side – both to keep the hatch from moving off the rails and also to keep it in place in the event of a hurricane. That had to be custom made, and so did the pieces to attach it to the roof.”
- Illuminating the spirit in Quaker meeting space [Houston Chronicle]
- Public Announcement of Skyspace Reopening [Live Oak Friends Meeting]
Photos: Flickr user TxTamz (Meeting House); Devin Borden Hiram Butler Gallery (Skyspace)
The orange Spanish Colonial-style house that famously fronts the I-10 west onramp from I-45 south is now available for lease. The address is 1215 Wrightwood, adjacent to Woodland Park. Reports our cameraphone-wielding correspondent:
Nonrestricted commercial. Comes complete with I-45 freeway frontage, double lot, two flagpoles, windmill, Adickes banana, colossal concrete rooster, and giant cross.
The “patriotic paint job” on the David Adickes banana sculpture “was created in honor of the Super Bowl here a few years back,” our correspondent notes.
Another view:
When last we heard from Vernon Caldera, the proprietor of the Keep Houston Rich video website was promoting a little 710-sq.-ft. apartment in Isabella Court for a design award from Apartment Therapy. This year, he’s on to bigger things — well, 53 sq. ft. bigger at least. It’s his and Adam Gibson’s new place a ways down Fannin St. at the Venue Museum District, and it’s up again for an award in the “little” category of the website’s Small Cool Places contest.
It’s all done with mirrors, Caldera explains to design voters:
Our favorite element is the beautiful view of Downtown Houston visible from the living and bed rooms. We placed a large mirror over the sofa in the living room to carry the view and light into the entrance. By adding a mirrored wardrobe in the bedroom we get much-needed storage and floor-to-ceiling views.
Oh, and there’s some art to look at here, too:
Robert Boyd snaps this photo of the new mural on the side of the parking garage for the Fountains at Memorial City condos. The 13-story building is under construction at Gaylord and Bunker Hill, next to the new Cemex headquarters building just east of Memorial City Mall. Writes Boyd:
The mural . . . is nothing especially clever or innovative, but it looks nice and it’s a lot more than most builders do for their parking garages. And it works well with the real trees in front of it.
- Beautiful Parking Garages [The Great God Pan Is Dead]
- Location [Memorial City Living]
Photo: Robert Boyd
Hey, how’d they do that?
COMMENT OF THE DAY: INNER LOOP REUNION OF THE EX-PRESIDENTS’ HEADS “I wish someone would get all of the presidents back together! They are very sad now. A kind donor, say perhaps the magnanimous Landed Gent who always boasts of his splendor here on Swamplot, should cut a deal for the Wilshire Village property and foster the development of a Presidential Park. I’m sure it’s like a buy 20 get one free sort of deal, so maybe we could get that nifty telephone too.” [Bobby Hadley, commenting on Pearland Heads Cut Off: The WaterLight District’s Giant Presidential Bust]
The property intended to be home to the Waterlights District — the proposed mixed-use shopping and eating extravaganzorama in Pearland — has been posted for foreclosure by its main creditor, Amegy Bank. The 1.9 million-sq.-ft. development was to feature condos, luxury apartments, office buildings, retail space, restaurants, 2 hotels, a conference facility, a “water wall,” and a Venice-like “Grand Canal.”
The site, off the Shadow Creek Pkwy. exit on the west side of Hwy. 288, has been marked for more than 2 years now by a curious semicircle of David Adickes sculptures, a preview of the development’s Presidential Park and Gardens. That park was to feature giant white busts of all 38 U.S. Presidents. But unlike Adickes other presidential suite, I-45’s Mount Rush Hour just north of Downtown Houston — in which each of the sculptor’s busts rests on its own podium — in the Waterlights grouping the 7 Presidents moved to the site appear from the freeway to be buried in the earth up to their chests, somehow managing to keep their heads above the often-times-soggy land around them. Yes, it was the perfect marker for a freeway-side development buried in debt and treading quicksand just to keep itself afloat:
Just around the corner from all those Colquitt galleries behind Kirby, the art traffic gets a little heavy:
Over the weekend, Dimitri and I were driving home on Ferndale as we passed by two guys walking across the street with a very familiar piece of art. I said “Wait a minute, back up- I know this work!†So Dimitri backed up for me to ask “Hey is that a “Floyd Newsum?†They happily confirmed yes- this was sure enough a Floyd Newsum piece of art. It was such a coincidence because I have been working on some promotional photos/collages of Floyd and there he is again right in front of me on my very own street.
- Floyd Newsum Spotting on Ferndale [Slips Photo Blog]
Photo: Sarah Lipscomb
