These twin townhomes look a bit steely-eyed beneath heavy-lidded, cantilevered roofs. They share skyline views of downtown from their double-decker balconies and storefront windows laced with Mondrian-style tracery. However, only 1 of these by-the-bayou units designed by MC2 Architects is for sale. It’s the one just a tad closer to downtown (above, at right). Last month, the asking price on this April listing dropped $30K to $549,000.
Brave Architecture’s new Sicardi Gallery across from the Menil parking lot is “pretty amazing,” declares Glasstire art critic Kelly Klaasmeyer, who was there for Thursday’s opening opening. The 2-story 5,800-sq.-ft. stucco-and-steel structure is a big step up from the gallery’s small previous space next to the McClain Gallery on Richmond. That lone window on the second floor of the new building facing West Alabama is designated as a rear-projection screen for exhibited videos, but they’re not showing yet:
If the natural world off the many balconies of this River Hollow townhome proves too relentlessly bucolic, just descend into its more urbanized underground garage. The residence-over-parking elevation is a 1980 design by architect Kurt Aichler, whose later work veered into the French countryside with neo-Norman tendencies. Meanwhile, this 30-ish-year-old custom contemporary has been “reconfigured.”
Listed earlier this month at $999,000, the 4,194-sq.ft. home incorporates glass — and lots of it. There are, for example, full-height picture windows in most rooms; curved bays of glass brick, one of which contains a bathroom; and a glass cage elevator linking 4 levels of domain. Now, about those balconies:
San Antonio’s Lake Flato Architects and Houston’s Studio Red have completed what they’re calling a schematic design for the new 59,000-sq.-ft. Midtown arts center planned for the full city block at 3400 Main St., adjacent to the Ensemble/HCC light-rail stop. And that means: Yes, presentations to the board of the Independent Arts Collaborative, but also the follow-on posting of the design on the organization’s Facebook page — to see what further reactions come in. The latest plans elaborate on the design team’s concept of separate spaces connected by an open-air central breezeway (the tall structure at right in the above image, viewed from the corner of Main and Holman), but make clear that the theaters are the project’s focus.
Here’s a view of the 4-story, 93,760-sq.-ft. performing arts center the University of St. Thomas plans to build on the northwest corner of its Montrose campus, on the full city block bounded by West Alabama, Yupon, Sul Ross, and Graustark. A feature article on the project in the university’s magazine describes the site provocatively as being “adjacent to the Menil Collection,” but it’s really catty-corner to the Menil block that contains the Rothko Chapel, a long block east of the Menil’s famed shielded-by-bungalows main building. In the drawing above you’re looking at the new UST center from high above the Rothko Chapel’s east lawn, toward the corner of Sul Ross and Yupon.
Fresh off its work transforming the former Monarch Cleaners/Fox Diner/Cafe Serranos Cantina/Crome/Pravada building on Shepherd into Triniti Restaurant (with the help of some colorful perforated metal), Houston’s MC2 Architects is now designing its second restaurant — this time from scratch. It’s a “contemporary building with a rustic farmhouse feel” that’ll take the place of the shuttered and soon-to-be-dismantled Ruggles Grill at 903 Westheimer, just east of Montrose. Inside will be a new (yes) rustic American restaurant for the same owners — called Brande, Triniti chef Ryan Hildebrand announced yesterday. All that rusticity will take time, of course: The scheduled opening season is a far-off fall 2013.
Photo: Candace Garcia
The brand-new home of the Menninger Clinic — tucked behind the Fiesta on South Main south of the Loop, just east of South Post Oak Rd. — has only 15 more beds than the facility it’s been leasing from Metro National at the corner of Gessner and Kempwood in West Houston for the last 9 years. Plans from 5 years ago to build a significantly larger facility closer to the Texas Medical Center with enough space for 24 additional psychiatric patients were scaled back — and the project delayed — because of fundraising difficulties. But among other improvements, the new place should feel a whole lot more open. At 50 acres, the new $65 million campus is 36 acres larger than the current one, and features 650 trees. The buildings, designed by Kirksey Architecture and just completed by Tellepsen Builders, mimic a Frank Lloyd Wright-flavored Prairie style, but apparently without any of those annoying low ceilings.
The real-estate fund that’s owned the half-vacant strip center at the southwest corner of Westheimer and Montrose for the last 4 years has put the entire 2.86-acre block up for sale. On the site now: Half Price Books, Spec’s Liquors, Papa John’s Pizza, and the 3-6-9 China Bistro in a stuccoed-over 41,838-sq.-ft. building once known as the Tower Community Center (to match the Tower Theater, now home to El Real Tex-Mex, across the street). Also included: the standalone Jack-in-the-Box on the corner of Montrose and Lovett. No list price, but broker HFF is indicating “price guidance” of $10 million or higher.
The Art Deco building still lurking beneath was designed by architect Joseph Finger in 1937, 2 years before he completed work for Houston’s city hall. Here’s how the shopping center looked then-ish, with a Walgreens on the corner of Yoakum St.:
Here’s a scheme for the Independent Arts Collaborative building in Midtown that won’t get built. It’s one of at least 2 concepts developed for the block bounded by Main, Travis, Francis, and Holman streets by Morris Architects — the same firm that had earlier put together the first round of “initial concept drawings” for the IAC center, helping the fledgling arts organization sell the concept to city officials and local arts groups. What’s the big idea here? An inverted yurt. Filled with people and art. A garden and light on top. Like so:
Wait — haven’t we already seen “initial concept drawings” for the Independent Arts Collaborative building planned for the corner of Main and Holman in Midtown? Well, yeah, but those initial concept drawings were prepared by Morris Architects as part of a study just to sell folks on the idea. Since then, the IAC bought the former city parking lot at 3400 Main St. and Morris lost out on the actual commission to a mix-in combo of San Antonio’s Lake Flato Architects (best known in town, strangely enough, for 2 inner-loop grocery stores they’ve designed for H-E-B) and Houston’s own Studio Red (fresh from its work on the renovation of an old Downtown warehouse into the new Houston Permitting Center). So we’ve got a whole new batch of initial concept drawings to look through, this time from the building’s actual architects.
Shunning the typical secrecy surrounding not-ready-yet designs, the new arts organization has decided to show them off on its Facebook page — even before floor plans are ready — with a simple “let us know what you think.” What a concept!
The reddish steel structure shown here is UH architecture grad Neil Denari‘s design for the new light-rail transfer station on Main St. between Capitol and Rusk downtown, where the new East End and Southeast Lines currently under construction will intersect with the existing rail line. Besides Denari, whose firm is based in LA, 3 New York and 1 local architecture firm were invited to dream up schemes for the long open-air, 11-ft.-wide rail platform. A jury selected by Metro will pick the winning design, but Metro is still asking for rider comments on each of them.
CRICKET TRAILER TAKES IT OFFLINE 
How’d the Cricket Trailer do in its national teevee debut last night on Extreme RV, the Travel Channel’s new show? Former furnituremaker-to-the-astronauts Garrett Finney didn’t get top billing in the episode for the second version of his unique 2-wheeler pop-top vehicle, painstakingly crafted in his Woodland Heights workshop — that prize went to Simon Cowell’s behemoth 45-footer motor home. Still, the Cricket website attracted enough attention from the RV early adopter crowd to knock it off its server. From the Cricket’s Facebook page, Finney promises it’ll be back online soon. Update, 1/31: It’s back in business. [Previously on Swamplot]
COMMENT OF THE DAY: THE ORIGINS OF THE FRANKENTUSCAN STYLE “. . . It is an extremely unfortunate and yet pervasive fallacy to equate contemporary, non-kitschy architecture with splashy, risky design and poor quality construction done with non-durable materials. There are plenty of examples of understated, elegant, and yes, conventionally constructed and well-built modern design here in Houston. They include local firms such as Lake|Flato (designer of the new HEB) or Kirksey. It’s silly to lump all of modernism together, but depending on your definition of it, Modernism in one form or another has been extensively practiced all over the world ever since the Bauhaus school attempted to develop a formal pedagogy for it in the 1920′s. I *think* over 100 years and x-number of buildings later, we’ve figured out how to build it without leaks. Your second false assumption is that Marvy Finger builds in the Faux-traditional style because it’s ‘tried-and-true’ or ‘inexpensive.’ Ok, well maybe if you go faux all the way (as in crappy plaster cast stone facades) then it would be cheaper. But either way, I’d wager that Finger, who didn’t get to where he is by . . . losing money, is pitching his products at a very specific market segment. Namely, wealthy people and those with aspirations of even more wealth. In the United States it seems that modern architecture is associated with public buildings and some kind of suspicious, alien, and vaguely socialist agenda. Who wants their family, friends, or boss to think that they’re weird or some kind of communist? Hence, the best way to have your dwelling embody your conservative social stance and financial aspirations (or status) is to live in a nice replica of a Tuscan Pallazo or French chateau. Of course, this is absurd and impossible to pull off when you try to cram all the programming and functions of a multi-family apartment or condo building into it, so you usually end up with some kind of a hideous Frankenstein behemoth. Witness any Randall Davis project as an example. It’s alive… ALIVE!!!!” [JL, commenting on Comment of the Day: In Defense of the Same Old-Looking Stuff]
The rather plain-looking headquarters of the Dominic Walsh Dance Theater company at the corner of Dunlavy and Fairview is getting more than just a new coat of paint. The building at 2311 Dunlavy is slated for a redesign by another building tenant, DiNunzio Lifestyle Architecture, which will create a new entrance facing Fairview and add several new materials to the exterior. “It is going to really catch your eye when it’s done!” reads a note on the architecture firm’s Facebook page.
The local architecture firm responsible for designing the city’s new permitting center on Washington Ave (which is currently doing well in the voting for one of this year’s Swamplot Awards) and the San Antonio firm behind the recent Buffalo Speedway and Montrose H-E-B Markets will team up to design the 85,000-sq.-ft. Midtown building for the new Independent Arts Collaborative at 3400 Main St. between Holman and Francis St., the organization announced today. Earlier, Studio Red and Lake Flato Architects had been listed separately as finalists for the commission on the organization’s website.
The building — shown above in a concept drawing produced by Morris Architects, one of the finalists that did not get the job — will contain shared exhibit and performance space for several local arts groups, as well as rehearsal and workshop areas, classrooms, and offices. Houston’s city council agreed to sell the site — which served as a surface parking lot for the city’s previous permit office — to the brand-new arts organization last summer. Among the organizations listed as probable tenants of the new building: Fotofest, Diverseworks, the Houston Arts Alliance, Musiqa, Catastrophic Theater, the River Oaks Chamber Orchestra, and Main St. Theater.
Rendering: Houston-Galveston Area Council
