12/17/18 3:45pm

The new owner of Pasadena’s tallest empty building has 2 items on its agenda for the 1962 structure: air it out and tear it down. For nearly 2 decades, the 12-story office tower at 1002 Southmore Ave. — originally known as the First Pasadena State Bank building — has managed to get by untouched by those who want it gone. (It came this close to vanishing in 2005 when the city issued a demolition permit for it, but a new owner scooped it up before anything went down.) In June, the city filed a lawsuit demanding that the property owner demolish the tower or reimburse the city for taking matters into its own hands. The defendant did neither, and instead passed the building off in October to the Pasadena Economic Development Corporation — which, having secured financial help from Pasadena’s city council shortly after the sale closed — now plans to go through with the teardown.

It’ll cost about $2.5 million to get rid of structure, the private development group estimates, after having negotiated the terms of its demise with various demolition and asbestos abatement contractors. According to the PEDC’s meeting minutes following the purchase: “the roof leaks so badly that water has gone through the whole building.

When Houston architectural firm MacKie & Kamrath designed it for what was to become the commercial center of Pasadena in the early ’60s, the challenge was to make something “that signalled the former Strawberry Capital of the World‘s transition into the era of manned spaceflight,” according to the Chronicle’s Lisa Gray. It became an icon in town — showing up on school report cards and in the logo for the city’s chamber of commerce — and beyond, as a notable waypoint between downtown Houston and NASA’s then-new manned spaceflight facility further south off I-45.

Looking from closer up, you can see the corner holes in the building’s cantilevered roof overhang:

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Breaking the Bank Building
12/17/18 1:30pm

WHAT TO EXPECT WHEN THE MONTROSE SHAKE SHACK OPENS THIS THURSDAY Aside from the standard beefy fare, here’s what you can expect to encounter at the chain’s new Burger-King-replacement location on Westheimer west of Montrose Blvd. when it opens this Thursday: tabletops made from “reclaimed bowling alley lanes,” a mural from local artist Michael Rodriguez (the same guy behind new female astronaut artwork next to Shake Shack’s Rice Village location and the colorful first floor of the former Battelstein’s building downtown), and a free Shake-Shack-themed holiday ornament for the first 100 customers (doors open at 11 a.m.). There are also a few Montrose-specific menu items planned at the 1002 Westheimer restaurant including custards acquired from nearby UB Preserv and less-nearby Fluff Bake Bar, as well as a carrot cake offering served with coffee grounds from the location’s next-door neighbor Blacksmith. [Previously on Swamplot] Photo of construction on Montrose Shake Shack: Swamplox inbox

12/14/18 3:30pm

Get a load of this multi-chromatic character that’s recently taken shape on York St., between Lamar and McKinney streets: EaDo Storage. Built in place of the Randolph Office Furniture Exchange warehouse that bit the dust in early 2017, the new 107,677-sq.-ft. facility takes up the entire block. It isn’t yet open.

You can see a few cherry-pickers applying the finishing touches to the structure’s exterior in the photo above. If the rendering the business put out last month is to be believed, new trees and hedges should be on the way, too:

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EaDo Storage
12/14/18 11:30am

Last year, Boxer Property told reporters it wanted to do something “iconic” with the St. Joseph’s Professional Building along the Pierce Elevated. Well, how about this idea: bringing the 18-story Midtown office building to life by attaching 2 massive, swinging arms to its east and west sides. Boxer engaged The Art Guys (Jack Massing and Michael Galbreth) shortly after purchasing the building in September 2017 to make it happen. They worked on the project in secret, dubbing it The Walking Building. It had an estimated budget of $2.8 million.

Alas, the vision of a giant robotic pedestrian attempting to cross a busy section of I-45 into Downtown was not to be. Boxer informed The Art Guys 2 months ago that it would no longer pursue the project.

The arms would have swung back and forward roughly once a minute, making for a somewhat leisurely gait:

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St. Joseph’s Professional Building, Reimagined
12/13/18 5:00pm

“What, after all, is the majesty of the Hill Country compared to the majesty of the orange and white Whataburger logo?asks Texas Monthly’s Dan Solomon. It’s a question that feels wrong to poseHow dare you put Texas’s natural charm on the same plane as the sprawl we’ve layered over it — but also feels wrong to ignore. “Texans often display their enthusiasm for homegrown chains without a hint of irony,” writes Solomon. So why not just embrace our freeway-side icons in good-old-fashioned oil-and-canvas style?

San Antonio artist Michael Esparza’s done just that with his work, which the internet recently discovered after one well-followed editor tweeted out a link to his Etsy shop. There, he offers prints of paintings like the ones above that range from, er . . . hyper-realist:

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Texana, Reimagined
12/13/18 12:00pm

So long to that double-decker dwelling on the corner of 20th and Ashland St. After being tagged for demolition on Monday, the 1904 house came down yesterday. It’s departure leaves 8 contiguous lots, totaling 28,000-sq.-ft., lined up for development along 20th St. And recent permit filings reveal what’s likely to be next: a hotel.

It’ll shoot the gap between 2 existing commercial neighbors: the Heights Hospital for Animals to the east, and Heights Floral Shop to the west, across Ashland. As noted when commercial realty signage first sprouted in front of the house at 347 W. 20th St. last year, it’s the only property at the intersection not already occupied by some kind of money-making enterprise.

Photos: Swamplox inbox

Hidden Heights Holdover
12/12/18 5:30pm

The new owner of 812 Main St. (shown above) is the same entity that owns the JW Marriott next-door at 806 Main St. Well, sort of. Technically, the properties belong to 2 separate entities, but they both tie back to the same real estate overlord: Pearl Hospitality, a Houston-based hotel operator with a few extra properties in Lubbock. Pearl closed on the 812 Main St. building last month for $3.6 million.

Designed by Houston architects Joseph Finger and George Rustay the recently-transacted tower was completed in 1950 for the Battelsteins’s department store — which occupied each of its 10 floors. It’s now been vacant for roughly 30 years. Battlestein’s signage has been replaced by the smudges visible above the mural-ized storefront face in the photo at top. But 2 naked flagpoles remain on either side of where the lettering once was.

After visiting the property in December, 2015, PDG Architects estimated it’d cost nearly $17 million to renovate it into something suitable for office tenants to inhabit. Just bringing it up to code could cost $8 million, according to public records.

The JW Marriott next-door at Rusk St. — formally known as the Samuel F. Carter building — underwent its Pearl-Hospitality redo starting in 2010 with a bit of financial help from the city and HUD, as well as architectural know-how from Gensler:

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Department Store Skyscraper
12/12/18 2:45pm

Landing with a thud on the city planning commission’s dais this week: the rendering above depicting what Arizona-based beer and pizza chain Bottled Blonde wants to do to the former Weiner’s Dry Goods Store No. 12 at 4901 Washington Ave. Most of the building’s original architectural details — for instance, the signage and storefront entrance shown above at Durham Dr. —  are long-gone according to Tim Cisneros of Cisneros Design Studio, the firm responsible for the planned makeover.

And so the renovations Bottled Blonde has planned will look more forward than backward in order to reshape the structure from what it is now, a shuttered Cash America Pawn branch:

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4901 Washington
12/12/18 12:00pm

Just in time for Christmas, Preservation Houston has begun marketing a new type of Astrodome memorabilia: 4-in. beverage-coaster-sized squares of AstroTurf removed from the stripped-down stadium — along with loads of other major league hardware — in October 2013. Each one bears “a unique serial number and a certificate of authenticity,” according to the seller, and they come in packs of 4 that cost $100, plus tax. (That’s more than a 200-percent price hike since the last big Astrodome yard sale 5 years ago offered up 12-in.-by-12-in. squares for $20 each.)

During the lead-up to the defeated 2013 bond proposal that would have paid for extensive renovations to the Astrodome, these particular patches of turf road along with staffers from the National Trust onboard the “Dome Mobile,a 26-ft. truck that the preservationist organization commandeered as part of a public campaign to save the building from demolition. It wasn’t until afterward that Preservation Houston got its hands on them en masse. Shipments of the items, it now says, should be delivered to buyers no later than December 17.

Photos: Preservation Houston

Holiday Yard Sale
12/11/18 1:45pm

Anyone in the habit of leaving the house knows that Houston’s streets are really best appreciated from a distance. And although he’s not a native, Seattle artist Peter Gorman appears to agree. His recent work, “Intersections of Houston,” shown above, is a series of 20 mini-maps depicting some of the city’s most notably tangled roadway crossings. Some — like the nexus of Scott, Polk, York, and Clay streets (top row, second from the left) — take shape at the borders between Houston’s multiple, incongruous street grids. (The Allen brothers laid out the oldest grid parallel and perpendicular to Buffalo Bayou; later planners favored a more north-south orientation. In both cases, the resulting frameworks are some of the longest-lived legacies of the city. We’ve been stuck with them far longer than most of the buildings they contain.)

Others meander to get around park space: See Lamar, Crawford, and Dallas (third row, third from the left). And then there’s that special subset: intersections that do less to fit into their surroundings than they do to stand out as products of intrepid traffic engineering approaches. Take Lockwood Dr. and Wallisville Rd. (fourth row, third from the lift) for instance; it’s really just a claw-like take on a T-intersection.

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Left, Right, Left
12/11/18 10:45am

A Swamplot reader writes in to report that the JCI Grill across I-45 from the Home Depot near Gulfgate Mall is now closed. No need to get too close in order to tell; the electronic sign fronting the feeder road gets the message across to highway drivers as shown above. Behind it, you can see the new ramp TxDOT’s been working on to connect 610 eastbound to I-45 northbound — as well as the shadow it’s cast on the restaurant’s parking lot.

A flyer posted on the building says the construction was in part what inspired the closure:

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The Dog Days Are Over
12/10/18 5:30pm

A Swamplot reader sends these 2 photos showing what longtime Avondale brunch spot Baba Yega Cafe looks like after a Friday night fire did a number on the building. Damage to the roof has mostly been covered up now by a blue tarp. At ground level, new orange fencing signals the business’s current status: closed until sometime next year, say the owners.

Next-door, scattered debris and furniture are at rest in the parking lot behind the former Montrose Mining Company. Both the Mining Company and its lot are owned by one of the same partners behind Baba Yega, Fred Sharifi, and have remained empty for the past few months while the shuttered gay bar gets reshaped into Houston’s second Postino Wine Bar.

Photos: Swamplox inbox

Avondale
12/10/18 1:00pm

You may remember the Jack in the Box at 2001 N. Shepherd that was left high and dry in September after shutting down. It’s got a new owner: an entity connected to New York brokerage firm Edry Real Estate. The sale closed last month and includes just over half an acre at the northwest corner of Shepherd Dr. and W. 20th St.

Photo: Swamplox inbox

Burger Flip
12/07/18 2:45pm

Ever notice that the Wheeler-Ave. side of the Midtown Sears (shown above) doesn’t quite jibe with the rest of the building? It’s become even clearer since all that beige metal cladding was stripped off the structure earlier this year. Upon its removal, the biggest revelations were cascading green, red, and blue art-deco tile mosaics (shown here) running from top to bottom on every side of the building, except the Wheeler one, where the array of facade openings pictured at top are a bit less architecturally refined despite their prominent positions overlooking crosstown traffic.

So, what gives? Well, it turns out that Sears’s south side wasn’t all that visible when the building opened in 1939. Back then, Wheeler was just a narrow side street off Main and did not flow directly into Richmond as it does now, explains Preservation Houston’s Jim Parsons. Richmond, a much larger thoroughfare, also dead-ended into Main St., across from the Sears and just north of where Wheeler began. You can see the missed connection in the 1950 street map above.

It wasn’t until the early 1960s that the 2 streets were joined through a partial annexation of the Delman Theater property at 4412 Main, catty-corner southwest of the Sears:

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When Roads Collide
12/07/18 11:30am

ARE THE NEW FITZGERALD’S OWNERS PLANNING TO BRING DOWN THE HOUSE? “They came and tested for asbestos,” Fitzgerald’s longtime owner Sara Fitzgerald tells the Chronicle’s Marcy de Luna, “so I think they’re looking to tear it down. It was their original intention to build a high-rise there.” Fitzgerald sold Fitzgerald’s along with 3 home lots behind it on E. 6½ St. in July to the same Chicago-based company, Easy Park, that’s been planning that automated parking garage a few blocks west down White Oak Dr. in place of the existing, analog garage next to Tacos A Go Go (which it also owns, along with some other retail nearby). She’s now renting the building at 2706 White Oak from her new landlord and running the 41-year-old business remotely from Seguin, Texas, outside San Antonio, de Luna reports. Following a spree of farewell shows scheduled throughout the month, the club will close with a New Year’s Eve party featuring ’70s and ’80s cover band SKYROCKET! [Houston Chronicle; previously on Swamplot] Photo: Caramels D.