The art venue formerly known as galleryHOMELAND has selected Bayou City Cycles‘ old shop at 1303 Cullen Blvd. for its new exhibition space, headquarters, and — as shown in the rendering above — curbside landscaping. The 6-year lease it’s taking across from Kroger should allow it to make a new name for itself as Space HL, a rebranding that Glasstire‘s Brandon Zech explains is supposed to call attention to the organization’s new focus on stuff besides art, like lectures, experimental performances, and other programs. About 1,000 sq.-ft. of the building will be for exhibitions, reports Zech, but don’t discount the backyard — which could host outdoor events, or you never know, he writes, maybe even “built-out shipping container projects spaces.”
That’d be a new one. The gallery’s last location across in the industrial row across Commerce St. from Tout Suite was a shared parking lot. It’d flirted with relocating from there to a quarter portion of the Imperial Linen & Cleaners building on Harrisburg Blvd. that’s slated to get redone as something retail- and restaurant-ready but changed its mind when the building took on Harvey damage, writes Zech.
What’ll become of the paint-job Bayou City gave its building when it took over from El Miramar Bar in 2016?
One highlight of Pete Gershon’s new book about Houston’s ’70s and ’80s art scene is his description of the all-out melee that erupted in the Contemporary Arts Museum’s upper gallery at the opening night of an exhibition put on by Spanish artist Antoni Miralda in 1977. Notorious for his work with food, Miralda, writes Gershon, had “hung color photographs of brightly hued macaroni, labeled huge mounds of salt and sugar with garishly flashing neon signs, and showed videos . . . of food being prepared and eaten in restaurants from around Houston.” The centerpiece was “four thousand loaves of bread dyed with food coloring” which performers placed “on a 175-foot row of benches bisecting the exhibition space.” Following some nibbling and “the playful tossing of slices,” one “
