Next featured entry to the $99K House Competition: This design from Houston’s Glassman Shoemake Maldonado Architects. The firm calls its design the Core House:
Like many of the existing homes in the Houston neighborhood, the CORE house is a compact, single story structure that uses pier and beam construction. The CORE house is powered by a “core” module, defined as an unchanging, narrow mechanical/plumbing spine. The body can be built to suit a family’s needs, while the CORE remains the same.
After a longish break, Swamplot returns with featured entries to the $99K House Competition. This design, from Houston’s Royse/Eagleton Architects, is called “A Simple House,” or ash:
ash is designed around three ideas.
1. To be as simple as possible in the building’s layout/function and construction in order to meet a construction budget of $75,000
At just over 1,200 square feet of conditioned space, ash is a small house. High volumes, an open layout, and connections to adjoining, exterior decks make the building feel much larger than its actual footprint. The layout of the house is two volumes under a single shed roof. The smaller of the two volumes that contains the master is located on the front of the house, and frames a path to the building’s entry. The second volume is split into a private space with bedrooms and a public space that opens to an exterior deck that runs along the entire length of the building’s east side.
Again with the fun pix from around town! First: What’s this little toy parking lot?
The latest in Swamplot’s roundup of entries to the $99K House Competition: This home from Steve Pribyl of dbaArchitects in Los Angeles:
This design is for a relatively modest 1400 s.f. house that utilizes innovative techniques to create an energy-efficient residence. An ecologically friendly house will use minimal natural resources over the life of the house.
A high surface-to-volume ratio is desirable in order to use a minimal amount of raw materials during construction. A sphere is the most efficient shape to meet this criteria, but it isn’t practical in terms of existing timber framing technology. An octagon is the closest reasonable approximation of a sphere using tried and true construction materials and methods.
Next up in our $99K House Competition review: An innovative entry from Nick Gillock and Emil Mertzel of Lookinglass Architecture + Design in L.A.:
This project for an affordable, sustainable and energy efficient new 1264 square-foot home combines some conventional home-building techniques - such as below-grade utilities, an insulated concrete floor slab, concrete curbs and framed wall assemblies with pre-engineered shear panels - with an entirely new building component known as the SoyBeam™.
Today’s featured entry to the $99K House Competition comes from Luca Donner and Francesca Sorcinelli of Donner & Sorcinelli Architetti in Silea — near Venice, Italy. It’s called the “Rippling House.”
The idea was to give people a home that could be built cheaply, using simple technologies, suitable for self-construction, and where they can have optimal comfort. These are the issues our studio focuses on: everyday problems. We believe that a good project should not necessarily cost more. You can give convincing answers even with limited budgets, and this project is an example.
Digsau, an architecture firm out of Philly, worked with Oldcastle Precast to come up with this $99K house entry, which uses some concrete technology more commonly encountered in Houston area civil structures:
A concrete module serves as the building block for the system, and its combination with other modules allows the structure to respond to specificities of climate, site, and individual preference. The system thus proves highly adaptable as an infill structure on vacant properties in an urban context and allowing for a diversity of exterior space in new developments.
Houston architect Carl Brunsting calls his $99K House Competition entry “A Good House.” He says his
intent was to make an affordable house FOR HOUSTON, that emphasis meaning that the design was about having a sloped roof with overhangs to deal with our sun and 56 inches of rain, but without becoming something like a builder’s pastiche. It is built up off the ground like an old bungalow to keep it dry from flooding and up for privacy from the street and to avoid long-term problems with Houston’s expansive gumbo soil. It has a front porch for a lot of obvious reasons, and the overhangs all around mean that windows and doors won’t leak and you can open a window when it’s raining.
An eco-minded Houston home for only $99K? Here’s a shot at it . . . all the way from Muncie, Indiana. Michael Gibson, who teaches at Ball State’s College of Architecture and Planning there and is also a research fellow at the university’s Institute for Digital Fabrication, sent in this design:
The ShotFrame House is an updated version of the traditional “shotgun” house that is frequently seen in Houston and other areas of the southern US. Shotgun houses are characterized by a series of simple rooms, lined up perfectly on a lot from front to back: providing the advantages of a small, inexpensive footprint which can be easily framed. The ShotFrame House uses a similarly aligned series of views, but improves the shotgun-style building by employing a prefabricated, computer-designed and manufactured framing system. This framing system allows the rooms . . . to expand at points along the length of the house, allowing daylight to penetrate the middle rooms.
One day before an exhibition of design-competition entries at the Architecture Center Houston Downtown closed last month, the Rice Design Alliance and the Houston chapter of the AIA held a groundbreaking ceremony at 4015 Jewel St. in the Fifth Ward. The winning entry of the $99K House Competition, designed by Seattle architecture firm Hybrid/ORA, will be built on that site by contractor D.H. Harvey and sold or auctioned through the Tejano Community Center.
The competition, held early this year, was meant to produce a prototype for “sustainable, affordable” homes of 1,400 sq. ft. or less that could be built on lots made available through the city’s Land Assemblage Redevelopment Authority. The Jewel St. site was donated by LARA.
The exhibition featured 66 selected entries to the competition, out of a total of 184 submitted. Images of those entries are included in the exhibition catalog.
Swamplot featured one kudzu-wrapped competition entry back in February. Beginning tomorrow, we’ll feature a few other entries received in response to a general request for Swamplot-ready versions recently sent to the participant email list that was conveniently added to the competition website.
(Note to competition participants who somehow didn’t receive a request from us: If you’d like to send in your entry, please email Swamplot and we’ll send you a list of requirements.)
Update: Entries in this series are now on this page.
Photo of 4015 Jewel St.: Jonathan LaRocca [license]
Yes, that’s a hedge of dense kudzu wrapping around this long skinny house . . . and threatening to do the same to its Fifth Ward neighbors. The kudzu, a court of crushed oyster shells, a house-length porch, a cistern, Murphy beds, and a butterfly roof are the major features of House 99, one of five finalists in a local competition to design a “green” house for $99,000 or less.
House 99 was designed by L.A. architect and USC professor Gail Borden. The Rice Design Alliance and Houston’s chapter of the American Institute of Architects want to build the winning design of their $99K house competition at 4015 Jewel St., or on other properties swept up by the city’s Land Assemblage Redevelopment Authority.
Below the fold: More drawings! More kudzu! More cost-saving measures! More greenness!
There’s more from our Fifth Ward correspondent, who’s been poking around properties near the MDI site:
InTown has various other project coming up in the 5th Ward/East End. The Cage/Gillespie property is now listed on HAR. They also plan on building English style bungalows at 619 Meadow St. However, they are in replatting stages now.
[Tuesday] Swamplot reported “Cline and Fall of Eight Houses“. These are about 2 blocks from the MDI site and there is a variance request up for subdivison renaming. I did some research and it seems they are owned by Lanterra Homes. They were supposed to have a project called Deca but looks like it may have been scrapped. Lanterra has built homes near InTown homes before.
Photo: 3421 Gillespie, for sale on HAR
A reader who lives in the neighborhood points us to drawings and information from New Urbanist planners Duany Plater-Zyberk & Co. about the firm’s designs for the former MDI Superfund site in the Fifth Ward. DPZ, of course, is most famous for the enormous small-town-sized stage-set the company designed for the 1998 Jim Carrey movie The Truman Show, which became so popular that it was kept on and is now used as a Florida Panhandle resort named Seaside.
InTown Homes and Lovett Homes owner Frank Liu bought the MDI site — a former metal foundry and spent-catalyst “recycling” facility famously polluted with lead and several thousand chemistry sets’ worth of other toxic substances — from the EPA late last year, with promises that he’ll spend a couple of years and $6.7 million remediating the property before letting Houstonians live there. Still, 36+ acres of inner-loop land at $5 a square foot doesn’t sound like too bad a deal.
After the jump: a look at DPZ’s MDI plans, plus large grains of salt.
In a comment on Off the Kuff, Christof sends us a bird’s-eye view of the (unconfirmed) new site for the Saint Arnold Brewery:
As far as I can tell, this is the building in question.
It’s visible from I-10, so there’s some good signage potential (as a counterpoint to the big Budweiser signs at I-10/east loop and I-10 Washington).
Photo of current Saint Arnold brewery: Gary Hunt
John Nova Lomax chronicles another pedestrian adventure with drummer pal David Beebe in Houstoned—this time through desolate pockets of Houston’s East Side. Their potion-and-perspiration-soaked journey begins at the southern end of the Fifth Ward.
There, on the corner of Lyons Avenue and McKee, a dry-heaving stray dog in its death throes welcomed us to central Houston’s Chernobyl, a cursed warren of rusty train tracks, crumbling warehouses, and whole blocks that have reverted to wild coastal prairie.
Ruins of an entire neighborhood molder back here – unpainted shotgun shacks collapsing in on themselves scattered around a blocky brick building that looked like it was once a bar or liquor store. It had been stripped of all metal fixtures by street urchins and cut off from the electrical grid, but a sign in the window indicated it was for sale. “Call Bob,” it said. And evidently it was not so long ago a place of some importance, as a street teamer for a rapper named Marcelo had plastered a few promo posters on its door.
Next stop: Clinton Dr., where the “rank stench” of the 69th Street Wastewater Treatment Plant guides their path.
Lord have mercy on Clinton Drive. Save for a couple of islands of activity like the huge fenced-in KBR headquarters (which is rumored to be for sale), Clinton is now little more than a decrepit strip of ruined factories, warehouses fast crumbling into rubble, and decaying 1950s office buildings with broken windows and mold-stained walls.
It reminded me of 19th Century British gadfly William Cobbett’s description of the village of Deal, Sussex: “Deal is a most villainous place. It is full of filthy looking people. Great desolation of abomination has been going on here; tremendous barracks, partly pulled down and partly tumbling down and partly occupied by soldiers. Everything seems upon the perish. I was glad to hurry along through it…”
It wasn’t always such. From the Ship Channel’s opening until the advent of containerized shipping in the early ‘80s, Clinton and surrounding streets were bustling by day and by night, dotted with rice beer-soaked bars with names like the Cesspool, the Worker’s Bar, the Seafarer’s Retreat, the Mermaid Café, Tater’s Last Chance and Dottie’s Snug Harbor.
In those days, it could take a week to unload a cargo ship, and for much of that time, sailors were free to roam the port, dine in the restaurants, carouse in the bars, and find companionship where they may. The same went for the thousands of shore-based workers – the mechanics, channel pilots, stevedores, and tug boat crews.
Neighborhood on the waterfront: Coulda been a contender.
Photo: David Beebe and John Nova Lomax
From 1stSatArtMarket (Mitchell Cohen): RT @swamplot: How Much Is That Chaise on the North Freeway? http://tinyurl.com/ybajtnm I know a place where they could sell that!
From htownjenny (Jenny Staff Johnson): @swamplot Having trouble opening your links this week...
From nataliebogan (Natalie Bogan): @swamplot Went to a party there once, the kids playroom would be all the space my plant and I need.. No one would even know I was there!From nataliebogan (Natalie Bogan): @swamplot Such a cozy bungalow! http://swamplot.com/piney-point-village-megamansion-now-10-million-off/2009-09-03/
From aharvey321 (Ashlea H): Hey @swamplot , why can't I see your new posts on your homepage?
From azizgilani (Aziz Gilani): @swamplot the third house just got torn down on my street (lorrie) in 3 months! No one told Knollwood Village about the market slowdown