WHEN THE CAR’S JUST TOO NICE FOR THE GARAGE “It takes a little bit of maneuvering,” explains Nick, the proud owner of a blue-and-orange McLaren Senna and the reworked 1954 William Floyd bayou-side home just north of Woodway Dr. whose living room he parks it in. “I usually leave 2 cars in here. I usually have to come in,” he explains to globetrotting carhound Alex Hirschi, “drive one into the kitchen and then bring in the other one. If you would have came here last night you would have found there was a purple Porsche sitting right here and the McLaren was pulled in there — because it was raining.” Video: Supercar Blondie via KHOU 11

Tucked back on a corner lot a block north of Rice is one of the courtyard houses Anderson Todd designed and lived in during his nearly 70 years in Houston. It’s shown above in all its flat-roofed glory. Like many of the buildings Todd dreamed up around town, the house rests on principles he took from German architect Ludwig Mies van der Rohe, his teacher at Princeton and mentor thereafter. Upon joining Rice’s then-not-so-modern architecture department in 1949, Todd set about implanting Miesian concepts in his students’ brains for the next 4 decades. 


“. . . My husband and I drove around Tiel Way after the storm to check on all the MacKie and Kamraths. There were several homes on the street that flooded — and not just by a few inches but into their second levels. One of the things that make the Kamraths of this era (and really, many high-end midcentury homes) so gorgeous and unique is the abundant use of wood panels for all walls, doors, built-in storage cabinets and seating — everything. But it also makes them particularly expensive and hard to fix after extensive water damage.
As Swamplot 









